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Chris Bryant

Writer

Works as
Writer
Titles
10 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 25% in 30 days

What are Chris Bryant's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 19th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
34%
Bonds
32%
Survival
9%
Society
9%
Self
8%
Power
5%
Ideas
3%
Sacrifice3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 7 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 5 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 6 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 3 · Heavy 6

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
4
Warm
3
Romantic
2
Dread
2
Other
8

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Bryant's films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Chris Bryant's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 10 with a MovieCove page.

  • Atropa (not in the MovieCove catalog yet)(2015)

    Producer

  • Fighting Fear (not in the MovieCove catalog yet)(2011)

    Cinematographer

  • Only in Hollywood (not in the MovieCove catalog yet)(2002)

    as The Preacher

  • Miracle at Midnight(1998)

    Writer

    Midcredits score: 70th percentile of all films

  • Foreign Affairs (not in the MovieCove catalog yet)(1993)

    Teleplay

  • One Against the Wind(1991)

    Writer

    Midcredits score: 74th percentile of all films

  • Young Catherine (not in the MovieCove catalog yet)(1991)

    Show 2 episodes · Writer

  • Stealing Heaven(1988)

    Writer

    Midcredits score: 65th percentile of all films

  • Sword of Gideon(1986)

    Writer

    Midcredits score: 80th percentile of all films

  • Lady Jane(1986)

    Story

    Midcredits score: 82nd percentile of all films

  • Martin's Day(1985)

    Writer

    Midcredits score: 37th percentile of all films

  • The Awakening(1980)

    Writer

    Midcredits score: 12th percentile of all films

  • Golden Rendezvous (not in the MovieCove catalog yet)(1977)

    Writer

  • Joseph Andrews (not in the MovieCove catalog yet)(1977)

    Screenplay · as Wicked Squire's Steward

  • The Spiral Staircase (not in the MovieCove catalog yet)(1975)

    Screenplay

  • The Girl from Petrovka(1974)

    Writer

    Midcredits score: 19th percentile of all films

  • Don't Look Now(1973)

    Screenplay

    Midcredits score: 85th percentile of all films

  • The Man Who Had Power Over Women(1970)

    Writer

    Midcredits score: 18th percentile of all films

  • Special Branch (not in the MovieCove catalog yet)(1969)

    Show 1 episode · Writer

  • Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)

    Show 1 episode · Writer

Career shape

A full career of 20 titles from 1951 to 2015.

Biggest box office

The Awakening (1980)

$8.4M worldwide

Highest rated

Don't Look Now (1973)

Midcredits 85th

By role

only this rolewith another role
Acting2 of 20: 1 only acting, 1 with another roleWriting17 of 20: 16 only writing, 1 with another role · typical Midcredits score68thProducing1 of 20: 1 only producing, 0 with another roleCinematography1 of 20: 1 only cinematography, 0 with another role

By decade

1950s1 · crew1960s1 · crew1970s6 · 1 acting · 6 crew1980s5 · crew1990s4 · crew2000s1 · acting2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Chris Bryant's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 10

Approval · how many liked their films

69thpercentile
Typical film, the median of 10

Reach · how many have seen their films

49thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th3

Shape of the crowd

6 of their 10 titles are Crowd Pleasers.

  • Crowd Pleaser6
  • Mixed4

Most divisive · writer

The Man Who Had Power Over Women (1970)

68th percentile spread · 31% rated it 4 or lower

Most loved · writer

Don't Look Now (1973)

Midcredits 85th · 71% liked

Reviewers score the dialogue 46/100 and the plot and story 51/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chris Bryant work with?

People who share at least 2 of Chris Bryant's MovieCove titles; Allan Scott shares the most, 5.