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Juan Pablo Buscarini

Juan Pablo Buscarini

Producer, director and writer · Born September 15, 1962 (64) · Rosario, Santa Fe, Argentina

Born
September 15, 1962 (64)
From
Rosario, Santa Fe, Argentina
Works as
Producer, director and writer
Titles
15 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 20% in 30 days

What are Juan Pablo Buscarini's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Animation4 titlesTypical Midcredits score: 28th percentile
: browse their Animation movies
Adventure2 titlesTypical Midcredits score: 47th percentile
: browse their Adventure movies
Crime2 titlesTypical Midcredits score: 52nd percentile, at or above their average across these genres
: browse their Crime movies
Drama2 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
31%
Bonds
22%
Survival
16%
Society
13%
Morality
12%
Ideas
7%
Friendship3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 1 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 4 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 6 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 6 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 4 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 2 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Joyful
5
Melancholic
5
Warm
5
Hopeful
4
Other
5

How their films linger

Feel-good7 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy6
  • Bittersweet4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Juan Pablo Buscarini's films?

As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Juan Pablo Buscarini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 15 with a MovieCove page.

  • Homo Argentum(2025)

    Associate Producer

    Midcredits score: 43rd percentile of all films

  • No Guilt (not in the MovieCove catalog yet)(2024)

    Associate Producer

  • The Cry of the Butterflies (not in the MovieCove catalog yet)(2023)

    Show 13 episodes · Creator · Original Film Writer

  • An Argentinian Crime (not in the MovieCove catalog yet)(2022)

    Producer

  • Notes for My Son(2020)

    Associate Producer

    Midcredits score: 66th percentile of all films

  • Turu, the Wacky Hen(2019)

    Screenplay

    Midcredits score: 31st percentile of all films

  • The Lunnis and the Great Fairy Tale Adventures (not in the MovieCove catalog yet)(2019)

    Director · Producer

  • Joel(2018)

    Producer

    Midcredits score: 67th percentile of all films

  • You Shall Not Sleep(2018)

    Producer

    Midcredits score: 19th percentile of all films

  • Little Heroes (not in the MovieCove catalog yet)(2017)

    Director

  • Fontanarrosa, lo que se dice un ídolo (not in the MovieCove catalog yet)(2017)

    Director · Writer

  • Black Snow(2017)

    Producer

    Midcredits score: 48th percentile of all films

  • Tini: The New Life of Violetta(2016)

    Director

    Midcredits score: 61st percentile of all films

  • Kóblic(2016)

    Producer

    Midcredits score: 56th percentile of all films

  • The Games Maker(2014)

    Director · Producer · Screenplay

    Midcredits score: 32nd percentile of all films

  • Coup de Grâce (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Peter Capusotto y sus 3 Dimensiones (not in the MovieCove catalog yet)(2012)

    Producer

  • Chinese Take-Away(2011)

    Producer

    Midcredits score: 89th percentile of all films

  • Cold Sweat (not in the MovieCove catalog yet)(2010)

    Producer

  • El ratón Pérez 2(2008)

    Head of Production

    Midcredits score: 12th percentile of all films

  • Noah's Ark(2007)

    Director

    Midcredits score: 20th percentile of all films

  • The Signal (not in the MovieCove catalog yet)(2007)

    Associate Producer

  • The Hairy Tooth Fairy(2006)

    Director

    Midcredits score: 25th percentile of all films

  • Dangerous Obsession (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • Patoruzito(2004)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • The Whore and the Whale(2004)

    Visual Effects Producer

    Midcredits score: 60th percentile of all films

  • Un hijo genial (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Vivir intentando (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Dibu 3 (not in the MovieCove catalog yet)(2002)

    Executive Producer · Second Unit Director

  • Cóndor Crux (not in the MovieCove catalog yet)(2000)

    Director · Executive Producer · Writer

  • Dibu 2: La venganza de Nasty (not in the MovieCove catalog yet)(1998)

    Post Producer

  • Dibu: La película (not in the MovieCove catalog yet)(1997)

    Digital Compositor · Visual Effects Supervisor

Career shape

A full career of 31 titles from 1997 to 2025.

Biggest box office

Tini: The New Life of Violetta (2016)

$17M worldwide

Highest rated

Chinese Take-Away (2011)

Midcredits 89th

Most popular right now

Turu, the Wacky Hen (2019)

By role

only this rolewith another role
Directing8 of 31: 4 only directing, 4 with another roleWriting5 of 31: 1 only writing, 4 with another roleProducing22 of 31: 18 only producing, 4 with another role · typical Midcredits score56thOther crew4 of 31: 2 only other crew, 2 with another role

31 titles, 6 with more than one role — producing and directing overlap on 3 of them.

By decade

1990s2 · crew2000s11 · crew2010s12 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Juan Pablo Buscarini's films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 12

Approval · how many liked their films

37thpercentile
Typical film, the median of 12

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 12

Midcredits score across 15 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

5 of their 15 titles are Cult Classics.

  • Cult Classic5
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed4

Most divisive · director

Tini: The New Life of Violetta (2016)

88th percentile spread · 25% rated it 4 or lower

Most loved · producer

Chinese Take-Away (2011)

Midcredits 89th · 80% liked

Reviewers score the atmosphere 76/100 and the pacing 46/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Juan Pablo Buscarini work with?

People who share at least 2 of Juan Pablo Buscarini's MovieCove titles, grouped by what they did on them; Pablo Bossi shares the most, 11.

Directors

Writers

Actors

Editors

Producers