Henri Bérard
- Producer
- 5 on MovieCove
What are Henri Bérard's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 0 · Dark 4
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 3
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 4 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 3
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henri Bérard's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Henri Bérard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Time Bomb(1959)
Midcredits score: 39th percentile of all films (provisional, few ratings)
Life as a Couple(1958)
Midcredits score: 33rd percentile of all films
He Who Must Die(1957)
Midcredits score: 85th percentile of all films
Rififi(1955)
Midcredits score: 98th percentile of all films
Midcredits score: 96th percentile of all films
Career shape
A full career of 3 titles from 1955 to 1958.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Henri Bérard's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up3
- 25th to 49th2
Shape of the crowd
None of their 5 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henri Bérard work with?
People who share at least 2 of Henri Bérard's MovieCove titles, grouped by what they did on them; Jules Dassin shares the most, 2.
Directors
- Jules DassinShared titles: He Who Must Die (1957), Rififi (1955)See all 2 shared titles with Jules Dassin
Actors
- Carl MöhnerShared titles: He Who Must Die (1957), Rififi (1955)See all 2 shared titles with Carl Möhner
- Jean ServaisShared titles: He Who Must Die (1957), Rififi (1955)See all 2 shared titles with Jean Servais
Composers and editors
- Georges AuricShared titles: He Who Must Die (1957), Rififi (1955)See all 2 shared titles with Georges Auric
- Roger DwyreShared titles: He Who Must Die (1957), Rififi (1955)See all 2 shared titles with Roger Dwyre
Producers
- Marcello DanonShared titles: Time Bomb (1959), He Who Must Die (1957)See all 2 shared titles with Marcello Danon