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Juan de la Cabada

Writer

Works as
Writer
Titles
3 on MovieCove · 15 credits in all
TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Juan de la Cabada's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Themes

share of theme weight
Bonds
38%
Society
25%
Power
20%
Self
17%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Joyful
1
Tense
1
Absurd
1
Romantic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Juan de la Cabada's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Juan de la Cabada's titles on MovieCove; rent and buy are not counted.

Filmography

15 credits, 3 with a MovieCove page.

  • Drizzle (not in the MovieCove catalog yet)(1978)

    Screenstory · Writer

  • Las Fuerzas Vivas (not in the MovieCove catalog yet)(1975)

    Writer

  • Inspector Calzonzin (not in the MovieCove catalog yet)(1974)

    Writer

  • La Chamuscada - Tierra Y Libertad (not in the MovieCove catalog yet)(1969)

    Writer

  • Lola of My Life (not in the MovieCove catalog yet)(1965)

    Adaptation · Original Film Writer

  • Love Love Love (not in the MovieCove catalog yet)(1965)

    Story

  • La tijera de oro (not in the MovieCove catalog yet)(1960)

    Story

  • Sonatas(1959)

    Writer

    Midcredits score: 19th percentile of all films (provisional, few ratings)
  • The Vivanco Ladies (not in the MovieCove catalog yet)(1959)

    Writer

  • The Strong Arm (not in the MovieCove catalog yet)(1958)

    Script · Writer

  • Basket of Mexican Tales (not in the MovieCove catalog yet)(1956)

    Screenplay

  • María la Voz(1955)

    Story

    Midcredits score: 54th percentile of all films (provisional, few ratings)
  • Roots (not in the MovieCove catalog yet)(1954)

    Dialogue

  • Midcredits score: 79th percentile of all films
  • Mexican Bus Ride (not in the MovieCove catalog yet)(1952)

    Adaptation · Dialogue

Career shape

A full career of 15 titles from 1952 to 1978.

By role

only this rolewith another role
Writing15 of 15: 14 only writing, 1 with another roleOther crew1 of 15: 0 only other crew, 1 with another role

By decade

1950s8 · crew1960s4 · crew1970s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Juan de la Cabada's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 3

Approval · how many liked their films

61stpercentile
Typical film, the median of 3

Reach · how many have seen their films

6thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Juan de la Cabada work with?

People who share at least 2 of Juan de la Cabada's MovieCove titles, grouped by what they did on them; José Revueltas shares the most, 2.

Writers

Actors

Composers and editors