Pedro A. Calderón
- Producer
- 11 on MovieCove · 46 credits in all
What are Pedro A. Calderón's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
A split, not a type: Light 6 · Serious 1 · Dark 4
A split, not a type: Grounded 6 · Stylized 4 · Heightened 1
Gentle 5 · Charged 6 · Intense 0
Steady 9 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 2
A split, not a type: Slow burn 8 · Even-paced 3 · Relentless 0
Casual 10 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 6 · Affecting 2 · Heavy 3
Resolved 11 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet2
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pedro A. Calderón's films?
As of October 24, 2026, all 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Pedro A. Calderón's titles on MovieCove; rent and buy are not counted.
Filmography
46 credits, 11 with a MovieCove page.

Perdida (not in the MovieCove catalog yet)(2009)

Los perturbados (not in the MovieCove catalog yet)(1972)

Los ángeles de la tarde (not in the MovieCove catalog yet)(1972)

La hora desnuda (not in the MovieCove catalog yet)(1971)

Las infieles (not in the MovieCove catalog yet)(1969)

Esta noche si (not in the MovieCove catalog yet)(1968)
Los secretos del sexo débil (not in the MovieCove catalog yet)(1962)

Las recién casadas (not in the MovieCove catalog yet)(1962)

Estos años violentos (not in the MovieCove catalog yet)(1962)

Casadas en Apuros (not in the MovieCove catalog yet)(1958)

Locos por la televisión(1958)
Midcredits score: 10th percentile of all films (provisional, few ratings)
Locura musical(1958)
Midcredits score: 32nd percentile of all films (provisional, few ratings)
Música y dinero(1958)
Midcredits score: 17th percentile of all films (provisional, few ratings)
La virtud desnuda (not in the MovieCove catalog yet)(1957)

Saranno uomini (not in the MovieCove catalog yet)(1957)

Juventud desenfrenada (not in the MovieCove catalog yet)(1956)

Unfaithful Wives (not in the MovieCove catalog yet)(1956)

Ladies Club (not in the MovieCove catalog yet)(1956)

Maternidad imposible(1955)
Midcredits score: 41st percentile of all films (provisional, few ratings)
El pecado de ser mujer(1955)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Untouched (not in the MovieCove catalog yet)(1954)

Take Me in Your Arms (not in the MovieCove catalog yet)(1954)

Adventure in Rio (not in the MovieCove catalog yet)(1953)

Mujeres sacrificadas (not in the MovieCove catalog yet)(1952)

Por qué peca la mujer (not in the MovieCove catalog yet)(1952)

La noche es nuestra(1952)
Midcredits score: 7th percentile of all films (provisional, few ratings)
No niego mi pasado (not in the MovieCove catalog yet)(1952)

Víctimas del divorcio(1952)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
From Can-Can to Mambo (not in the MovieCove catalog yet)(1951)

Mujeres de teatro(1951)
Midcredits score: 24th percentile of all films (provisional, few ratings)
Mi mujer no es mía(1951)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
Sensualidad (not in the MovieCove catalog yet)(1951)

Los amantes(1951)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Burlada (not in the MovieCove catalog yet)(1951)

Victims of Sin (not in the MovieCove catalog yet)(1951)

Aventurera (not in the MovieCove catalog yet)(1950)

Perdida (not in the MovieCove catalog yet)(1950)

Mujeres en mi Vida (not in the MovieCove catalog yet)(1950)

Loyola, the Soldier Saint (not in the MovieCove catalog yet)(1949)

Revancha (not in the MovieCove catalog yet)(1948)

Señora Tentación (not in the MovieCove catalog yet)(1948)

Back Streets of Juarez (not in the MovieCove catalog yet)(1947)

Recuerdos de mi valle (not in the MovieCove catalog yet)(1946)

Yours and Body in Soul (not in the MovieCove catalog yet)(1945)

San Francisco de Asís (not in the MovieCove catalog yet)(1944)

La zandunga(1938)
Midcredits score: 60th percentile of all films (provisional, few ratings)
Career shape
A full career of 41 titles from 1938 to 2009.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Pedro A. Calderón's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 50th to 74th2
- 25th to 49th3
- Below 25th6
Shape of the crowd
10 of their 11 titles are Mixed.
- Crowd Pleaser1
- Mixed10
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pedro A. Calderón work with?
People who share at least 2 of Pedro A. Calderón's MovieCove titles, grouped by what they did on them; Antonio Díaz Conde shares the most, 9.
Directors
- Rafael PortilloShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958)See all 3 shared titles with Rafael Portillo

- Fernando A. RiveroShared titles: La noche es nuestra (1952), Víctimas del divorcio (1952), Los amantes (1951)See all 3 shared titles with Fernando A. Rivero

Writers
- Carlos SampelayoShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958)See all 3 shared titles with Carlos Sampelayo
- Rafael García TravesiShared titles: El pecado de ser mujer (1955), Maternidad imposible (1955), Víctimas del divorcio (1952)See all 3 shared titles with Rafael García Travesi
Actors
- Emilia GuiúShared titles: Maternidad imposible (1955), La noche es nuestra (1952), Víctimas del divorcio (1952), Los amantes (1951), Mujeres de teatro (1951)See all 5 shared titles with Emilia Guiú

- Eduardo NoriegaShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958)See all 3 shared titles with Eduardo Noriega

- Jorge MondragónShared titles: Locos por la televisión (1958), Maternidad imposible (1955), Mujeres de teatro (1951)See all 3 shared titles with Jorge Mondragón

- Jorge TreviñoShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958)See all 3 shared titles with Jorge Treviño

Composers, cinematographers and editors
- Antonio Díaz CondeShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958), El pecado de ser mujer (1955), La noche es nuestra (1952), Víctimas del divorcio (1952), Los amantes (1951), Mi mujer no es mía (1951), Mujeres de teatro (1951)See all 9 shared titles with Antonio Díaz Conde
- Alfredo Rosas PriegoShared titles: La noche es nuestra (1952), Víctimas del divorcio (1952), Los amantes (1951), Mi mujer no es mía (1951), Mujeres de teatro (1951)See all 5 shared titles with Alfredo Rosas Priego
- Enrique WallaceShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958), Los amantes (1951)See all 4 shared titles with Enrique Wallace
- Pedro VelázquezShared titles: Locos por la televisión (1958), Locura musical (1958), Música y dinero (1958)See all 3 shared titles with Pedro Velázquez
Producers
- Guillermo CalderónShared titles: El pecado de ser mujer (1955), Maternidad imposible (1955), La noche es nuestra (1952), Víctimas del divorcio (1952), Los amantes (1951), Mi mujer no es mía (1951), Mujeres de teatro (1951)See all 7 shared titles with Guillermo Calderón
