
Phyllis Calvert
Actor · Died October 8, 2002, aged 87 · Chelsea, London, England, UK
Phyllis Calvert (18 February 1915 – 8 October 2002) was an English film, stage and television actress. Born Phyllis Hannah Bickle in Chelsea, she trained at the Margaret Morris School of Dancing and performed from the age of ten, gaining her first film role at the age of 12, in The Arcadians (1927), also known as The Land of Heart's Desire. Calvert performed in repertory theatre and in several films, before making her London stage debut in A Woman's Privilege in 1939. During the following decade, she starred in many romances, including Fanny by Gaslight, with James Mason and Stewart Granger, and My Own True Love, becoming one of Britain's highest paid stars. However, three Hollywood studios failed to pay her what she asked. She first found success in the film adaptation of H. G. Wells' Kipps (1941), but it was The Man in Grey (1943) that confirmed her status. She acted in over 40 films, her later films include Oh! What a Lovely War and The Walking Stick. Calvert had already appeared on television, playing Mrs. March in the 1958 serials Little Women and Good Wives (both adapted from Louisa May Alcott's novel Little Women), as well as individual episodes of several other programmes, when, in 1970, she landed the part of an agony aunt with problems of her own in Kate. She made TV appearances in programmes such as Crown Court, Ladykillers, Tales of the Unexpected, Boon, After Henry and The Line Grove Story. She was married to the actor and antiquarian bookseller Peter Murray Hill, with whom she had two children, Ann Auriol (born 1943) and Piers Auriol (born 1954). She died in London in 2002, from natural causes, aged 87.
Read moreShow less
Biography from TMDB.
- February 18, 1915
- October 8, 2002 (aged 87)
- Chelsea, London, England, UK
- Actor
- 18 on MovieCove · 63 credits in all
What are Phyllis Calvert's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 2 · Serious 6 · Dark 5
A split, not a type: Grounded 6 · Stylized 5 · Heightened 2
Gentle 3 · Charged 6 · Intense 4
Steady 6 · Shifting 6 · Whiplash 1
Straight-faced 10 · Some laughs 3 · Funny 0
Slow burn 6 · Even-paced 7 · Relentless 0
Casual 4 · Engaged 8 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 5 · Heavy 6
Resolved 11 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Hero: 3 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Heroas Clarissa Richmond in The Man in Grey (1943)
- Heroas Fanny Hopwood in Man of Evil (1944)
- Shapeshifteras Maddalena Labardi in Madonna of the Seven Moons (1945)
- Allyas Kate Fernald in Time Out of Mind (1947)
- Heroas Patricia Chandler in The Golden Madonna (1949)
- Allyas Sister Augustine in Appointment with Danger (1950)
- Allyas Mrs. Margaret Munson in Indiscreet (1958)
- Shadowas Queen Mary in The Woman He Loved (1988)
Moods and endings
- Happy5
- Bittersweet5
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Phyllis Calvert's films?
As of October 24, 2026, 10 of their 18 MovieCove titles stream on a subscription or free service, most on The Roku Channel (4).
- BritBox
Subscription and free streaming for Phyllis Calvert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
63 credits, 18 with a MovieCove page.

Mrs Dalloway(1997)
Midcredits score: 58th percentile of all films
Midsomer Murders(1997)
Midcredits score: 88th percentile of all shows
Bed (not in the MovieCove catalog yet)(1995)

The Memoirs of Sherlock Holmes (not in the MovieCove catalog yet)(1994)

Jute City (not in the MovieCove catalog yet)(1991)

Performance (not in the MovieCove catalog yet)(1991)

The House of Eliott (not in the MovieCove catalog yet)(1991)

Victoria Wood (not in the MovieCove catalog yet)(1989)

Across the Lake (not in the MovieCove catalog yet)(1988)

The Woman He Loved(1988)
Midcredits score: 49th percentile of all films
After Henry (not in the MovieCove catalog yet)(1988)

The Death of the Heart (not in the MovieCove catalog yet)(1987)

A Killing on the Exchange (not in the MovieCove catalog yet)(1987)
All Passion Spent (not in the MovieCove catalog yet)(1986)

All Passion Spent (not in the MovieCove catalog yet)(1986)
Fifties Features - The Women behind the Pictures (not in the MovieCove catalog yet)(1986)

Casualty(1986)
Midcredits score: 19th percentile of all shows
A Month in the Country (not in the MovieCove catalog yet)(1985)

Cover Her Face (not in the MovieCove catalog yet)(1985)

Sherlock Holmes (not in the MovieCove catalog yet)(1984)

Lady Killers (not in the MovieCove catalog yet)(1980)

Tales of the Unexpected(1979)
Midcredits score: 74th percentile of all shows
The Walking Stick(1970)
Midcredits score: 62nd percentile of all filmsKate (not in the MovieCove catalog yet)(1970)

Oh! What a Lovely War(1969)
Midcredits score: 79th percentile of all films
Twisted Nerve(1968)
Midcredits score: 80th percentile of all films
ITV Playhouse (not in the MovieCove catalog yet)(1967)
Midcredits score: 25th percentile of all films
Oscar Wilde(1960)
Midcredits score: 64th percentile of all films
Indiscreet(1958)
Midcredits score: 75th percentile of all films
A Lady Mislaid (not in the MovieCove catalog yet)(1958)

The Young and the Guilty (not in the MovieCove catalog yet)(1958)
Overseas Press Club - Exclusive! (not in the MovieCove catalog yet)(1957)

Child in the House (not in the MovieCove catalog yet)(1956)

Armchair Theatre (not in the MovieCove catalog yet)(1956)

It's Never Too Late (not in the MovieCove catalog yet)(1956)

The Net (not in the MovieCove catalog yet)(1953)

The Postman (not in the MovieCove catalog yet)(1952)

Mandy (not in the MovieCove catalog yet)(1952)

Mr. Denning Drives North (not in the MovieCove catalog yet)(1951)

The Woman with No Name (not in the MovieCove catalog yet)(1950)

Appointment with Danger(1950)
Midcredits score: 61st percentile of all films
The Golden Madonna(1949)
Midcredits score: 50th percentile of all films (provisional, few ratings)
My Own True Love (not in the MovieCove catalog yet)(1948)

Broken Journey (not in the MovieCove catalog yet)(1948)

Time Out of Mind(1947)
Midcredits score: 40th percentile of all films
The Root of All Evil (not in the MovieCove catalog yet)(1947)

The Magic Bow (not in the MovieCove catalog yet)(1946)

Men of Two Worlds (not in the MovieCove catalog yet)(1946)

They Were Sisters (not in the MovieCove catalog yet)(1945)
Midcredits score: 54th percentile of all films
Two Thousand Women (not in the MovieCove catalog yet)(1944)

Man of Evil(1944)
Midcredits score: 65th percentile of all films
The Man in Grey(1943)
Midcredits score: 59th percentile of all films
The Young Mr. Pitt(1942)
Midcredits score: 68th percentile of all films
Uncensored (not in the MovieCove catalog yet)(1942)

Kipps (not in the MovieCove catalog yet)(1941)

Inspector Hornleigh Goes to It (not in the MovieCove catalog yet)(1941)
Neutral Port (not in the MovieCove catalog yet)(1940)

Charley's (Big-Hearted) Aunt (not in the MovieCove catalog yet)(1940)

Let George Do It! (not in the MovieCove catalog yet)(1940)

They Came by Night (not in the MovieCove catalog yet)(1940)
Two Days to Live (not in the MovieCove catalog yet)(1940)
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 63 titles from 1940 to 1997; peak year 1968.
Film career
Peak 1968 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1943Screen debut· The Man in Grey
- 1952First top-billed film· Mandy
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Phyllis Calvert's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 15; across their 13 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up4
- 50th to 74th10
- 25th to 49th3
- Below 25th1
Shape of the crowd
14 of their 18 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser14
- Broadly Agreed1
- Mixed1
Reviewers score the acting 71/100 in their films, across 13 reviewed titles; fans 79, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Phyllis Calvert work with?
People who share at least 2 of Phyllis Calvert's MovieCove titles, grouped by what they did on them; R.E. Dearing shares the most, 4.
Writers
- Aimée StuartShared titles: The Golden Madonna (1949), Man of Evil (1944)See all 2 shared titles with Aimée Stuart
- Doreen MontgomeryShared titles: Man of Evil (1944), The Man in Grey (1943)See all 2 shared titles with Doreen Montgomery
Actors
- Stewart GrangerShared titles: Madonna of the Seven Moons (1945), Man of Evil (1944), The Man in Grey (1943)See all 3 shared titles with Stewart Granger

- Robert MorleyShared titles: Oscar Wilde (1960), The Young Mr. Pitt (1942)See all 2 shared titles with Robert Morley

- Helen HayeShared titles: Man of Evil (1944), The Man in Grey (1943)See all 2 shared titles with Helen Haye

- James MasonShared titles: Man of Evil (1944), The Man in Grey (1943)See all 2 shared titles with James Mason

Composers, cinematographers and editors
- R.E. DearingShared titles: Madonna of the Seven Moons (1945), Man of Evil (1944), The Man in Grey (1943), The Young Mr. Pitt (1942)See all 4 shared titles with R.E. Dearing
- Arthur CrabtreeShared titles: Madonna of the Seven Moons (1945), Man of Evil (1944), The Man in Grey (1943)See all 3 shared titles with Arthur Crabtree
- Freddie YoungShared titles: Indiscreet (1958), The Young Mr. Pitt (1942)See all 2 shared titles with Freddie Young

- Cedric MallabeyShared titles: Man of Evil (1944), The Man in Grey (1943)See all 2 shared titles with Cedric Mallabey
Producers
- Edward BlackShared titles: Man of Evil (1944), The Man in Grey (1943), The Young Mr. Pitt (1942)See all 3 shared titles with Edward Black

