She was born in California and is the daughter of Julia Cameron and Martin Scorsese. She is a graduate of Wesleyan University. Scorsese is known for acting in Cape Fear (1991), The Age of Innocence (1993), and Bullfighter (2000). In 2017, her feature-length directorial debut Almost Paris was screened at the 2017 Golden Door International Film Festival. Almost Paris tells of a former Wall Street banker who has to return home after the mortgage lending crisis. She married in 2011 in Chicago.
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Biography from TMDB.
- September 6, 1976 (50)
- West Hollywood, California, USA
- Actor, also director
- 9 on MovieCove · 17 credits in all
What are Domenica Cameron-Scorsese's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 2 · Serious 3 · Dark 1
Grounded 5 · Stylized 0 · Heightened 1
Gentle 2 · Charged 2 · Intense 2
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 2 · Full focus 2
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 1
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 2
Roles they play
- Allyas Regina Wilde in A Social Contract (2026)
Moods and endings
- Bittersweet2
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Domenica Cameron-Scorsese's films?
As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Domenica Cameron-Scorsese's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
A Social Contract(2026)
Midcredits score: 18th percentile of all films (provisional, few ratings)
The Lurker(2019)
Midcredits score: 9th percentile of all films
Atomic Apocalypse(2018)
Midcredits score: 12th percentile of all films
The First String (not in the MovieCove catalog yet)(2016)
Almost Paris(2016)
Midcredits score: 10th percentile of all films (provisional, few ratings)
Less Than 30 (not in the MovieCove catalog yet)(2016)
Absence (not in the MovieCove catalog yet)(2009)
Downtown: A Street Tale (not in the MovieCove catalog yet)(2004)
They Are Among Us(2004)
Midcredits score: 4th percentile of all films
A House on a Hill (not in the MovieCove catalog yet)(2003)
Bullfighter(2000)
Midcredits score: 1st percentile of all filmsMidsummer (not in the MovieCove catalog yet)(1999)
The Age of Innocence(1993)
Midcredits score: 89th percentile of all films
Straight Talk(1992)
Midcredits score: 44th percentile of all films
Cape Fear(1991)
Midcredits score: 91st percentile of all films
God's Will (not in the MovieCove catalog yet)(1989)
Open Admissions (not in the MovieCove catalog yet)(1988)
Career shape
Star power in the 32nd percentile of 239,109 people with a billed film role, over a full career of 17 titles from 1988 to 2026.
Film career
- 1993Screen debut· The Age of Innocence
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Domenica Cameron-Scorsese's films land?
Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 4th percentile for acclaim.
- 75th and up2
- 25th to 49th1
- Below 25th6
Shape of the crowd
5 of their 9 titles are Mixed.
- Divisive2
- Crowd Pleaser2
- Mixed5
Reviewers score the acting 31/100 in their films, across 4 reviewed titles; fans 68, detractors 18. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Domenica Cameron-Scorsese work with?
People who share at least 2 of Domenica Cameron-Scorsese's MovieCove titles, grouped by what they did on them; Ward Crockett shares the most, 2.
Editors
- Ward CrockettShared titles: A Social Contract (2026), The Lurker (2019)See all 2 shared titles with Ward Crockett
Producers
- John LerchenShared titles: A Social Contract (2026), The Lurker (2019)See all 2 shared titles with John Lerchen
- Nicolas T. SilvaShared titles: A Social Contract (2026), The Lurker (2019)See all 2 shared titles with Nicolas T. Silva
- Lisa BlackShared titles: Atomic Apocalypse (2018), Almost Paris (2016)See all 2 shared titles with Lisa Black
