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Robin Campillo

Robin Campillo

Writer, editor and director · Born August 16, 1962 (64) · Mohammedia, Morocco

4 Cannes awards · Venice award winner · Independent Spirit Award nominee

Robin Campillo (French: [ʁɔbɛ̃ kɑ̃pijɔ]; born 16 August 1962; Mohammedia) is a French director, screenwriter and editor. He is known for his work on films such as The Class (2008), Heading South (2005), the French zombie film They Came Back (2004), Eastern Boys (2013), and Time Out (2001), the latter of which was placed at ninety-nine on Slant Magazine's best films of the 2000s, number nine of The Guardian's Best Films of the noughties, and number eleven at The A.V. Club's top fifty films of the 2000s. In 2017, he released 120 BPM (Beats per Minute) which received mass acclaim and went on to garner many awards, including the Grand Prix and 2017 César Award for Best Film.

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Biography from TMDB.

Born
August 16, 1962 (64)
From
Mohammedia, Morocco
Works as
Writer, editor and director
Titles
16 on MovieCove · 23 credits in all
TMDB popularity, last 156 days to Oct 27Down 16% in 30 days

What are Robin Campillo's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 7 · Stylized 6 · Heightened 0

Gentle 2 · Charged 11 · Intense 0

Steady 5 · Shifting 8 · Whiplash 0

Straight-faced 11 · Some laughs 1 · Funny 1

Slow burn 9 · Even-paced 4 · Relentless 0

Casual 0 · Engaged 11 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 5 · Heavy 7

Resolved 3 · Open-ended 5 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
10
Contemplative
8
Dread
3
Romantic
3
Other
6

How their films end · 3 with a twist

  • Happy1
  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robin Campillo's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Robin Campillo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 16 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Electric Kiss(2026)

    Writer

    Midcredits score: 72nd percentile of all films
  • Enzo(2025)

    Director · Screenplay

    Midcredits score: 62nd percentile of all films
  • Red Island(2023)

    Director · Editor · Screenplay

    Midcredits score: 37th percentile of all films
  • Loving Memories(2022)

    Co-Writer

    Midcredits score: 30th percentile of all films
  • The Line(2022)

    Co-Writer

    Midcredits score: 40th percentile of all films
  • The Workshop(2017)

    Screenplay

    Midcredits score: 61st percentile of all films
  • 120 BPM (Beats Per Minute)(2017)

    Director · Editor · Screenplay

    Midcredits score: 93rd percentile of all films
  • Planetarium(2016)

    Screenplay

    Midcredits score: 7th percentile of all films
  • Suite Armoricaine (not in the MovieCove catalog yet)(2015)

    Script Consultant

  • Disorder(2015)

    Script Consultant

    Midcredits score: 49th percentile of all films
  • The Returned(2015)

    Show 10 episodes · Original Concept

    Midcredits score: 49th percentile of all shows
  • Return to Ithaca (not in the MovieCove catalog yet)(2014)

    Editor

  • Eastern Boys(2013)

    Director · Editor · Screenplay

    Midcredits score: 77th percentile of all films
  • Foxfire (not in the MovieCove catalog yet)(2013)

    Editor · Writer

  • The Returned(2012)

    Show 8 episodes · Original Concept

    Midcredits score: 88th percentile of all shows
  • The Class(2008)

    Editor · Screenplay

    Midcredits score: 93rd percentile of all films
  • Heading South (not in the MovieCove catalog yet)(2006)

    Editor · Screenplay

  • They Came Back(2004)

    Director · Editor · Writer

    Midcredits score: 37th percentile of all films
  • Who Killed Bambi?(2003)

    Editor

    Midcredits score: 46th percentile of all films
  • Time Out (not in the MovieCove catalog yet)(2001)

    Editor · Writer

  • Human Resources(1999)

    Editor

    Midcredits score: 87th percentile of all films
  • The Sanguinaires (not in the MovieCove catalog yet)(1999)

    Editor

  • Time Out (not in the MovieCove catalog yet)

    Original Film Writer

Career shape

A full career of 22 titles, 21 of them dated from 1999 to 2025.

By role

only this rolewith another role
Directing5 of 22: 0 only directing, 5 with another role · typical Midcredits score62ndWriting18 of 22: 9 only writing, 9 with another role · typical Midcredits score49thEditing12 of 22: 4 only editing, 8 with another role · typical Midcredits score77th

22 titles, 9 with more than one role — writing and editing overlap on 8 of them.

By decade

1990s2 · crew2000s5 · crew2010s10 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

5 major awards from 11 major nominations, 2004–2025.

WinNomination
  1. 2025
    • Cannes award, nominated ×2
  2. 2018
    • Independent Spirit Award, nominated · Best International Film
  3. 2017
    • Cannes award, won · Competition
    • Cannes award, won · Grand Prize of the Jury
    • Cannes award, won ×2
    • Cannes award, nominated
  4. 2013
    • Venice award, won · Best Film
    • Venice award, nominated
  5. 2004
    • Venice award, nominated · Best Film

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Robin Campillo's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 13

Approval · how many liked their films

59thpercentile
Typical film, the median of 13

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 13

Midcredits score across 16 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th7
  • Below 25th1

Shape of the crowd

None of their 16 titles divides audiences: 9 are Crowd Pleasers.

  • Crowd Pleaser9
  • Broadly Agreed4
  • Mixed3

Reviewers score the dialogue 60/100 and the plot and story 42/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robin Campillo work with?

People who share at least 2 of Robin Campillo's MovieCove titles, grouped by what they did on them; Jeanne Lapoirie shares the most, 5.

Directors

Writers

Composers, cinematographers and editors

Producers

Mixed roles