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Hans Canosa

Hans Canosa

Producer, director and editor · Born January 6, 1970 (56) · Massachusetts, USA

Hans Canosa (born January 6, 1970) is an American film director, writer, film editor and producer. He is best known for his independent film Conversations with Other Women (2005), starring Aaron Eckhart and Helena Bonham Carter. Description above from the Wikipedia article Hans Canosa, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 6, 1970 (56)
From
Massachusetts, USA
Works as
Producer, director and editor
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 38 days to Oct 27Down 16% in 30 days

What are Hans Canosa's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 2 · Dark 0

Grounded 3 · Stylized 2 · Heightened 0

Gentle 2 · Charged 2 · Intense 1

Steady 4 · Shifting 0 · Whiplash 1

Straight-faced 1 · Some laughs 3 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 0 · Relentless 1

A split, not a type: Casual 2 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Bittersweet
4
Contemplative
2
Tense
2
Melancholic
1
Thrilling
1
Other
5

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hans Canosa's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Hans Canosa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page.

  • Hidden Strike(2023)

    Producer

    Midcredits score: 24th percentile of all films
  • The Storied Life of A.J. Fikry(2022)

    Director · Producer

    Midcredits score: 67th percentile of all films
  • Come as You Are(2019)

    Executive Producer

    Midcredits score: 83rd percentile of all films
  • 1 Night(2016)

    Producer

    Midcredits score: 36th percentile of all films
  • Memoirs of a Teenage Amnesiac (not in the MovieCove catalog yet)(2010)

    Director · Editor · Producer

  • Conversations with Other Women(2005)

    Director · Editor

    Midcredits score: 77th percentile of all films
  • Alma Mater (not in the MovieCove catalog yet)(2002)

    Director

  • Whacked! (not in the MovieCove catalog yet)(1997)

    Cinematographer

Career shape

A full career of 8 titles from 1997 to 2023.

By role

only this rolewith another role
Directing4 of 8: 1 only directing, 3 with another roleProducing5 of 8: 3 only producing, 2 with another roleCinematography1 of 8: 1 only cinematography, 0 with another roleEditing2 of 8: 0 only editing, 2 with another role

8 titles, 3 with more than one role — producing and directing overlap on 2 of them.

By decade

1990s1 · crew2000s2 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Hans Canosa's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 5

Approval · how many liked their films

72ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

88thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Mixed2

Reviewers score the atmosphere 61/100 and the pacing 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Hans Canosa's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 27 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Hans Canosa work with?

People who share at least 2 of Hans Canosa's MovieCove titles, grouped by what they did on them; Gabrielle Zevin shares the most, 2.

Writers

Composers

Producers