Skip to content
MovieCove
Marie Cantin

Marie Cantin

Producer

Works as
Producer
Titles
17 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 29% in 30 days

What are Marie Cantin's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy6 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 21st percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
27%
Bonds
18%
Survival
14%
Morality
13%
Ideas
13%
Society
12%
Power
3%
Family bonds3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themeHope2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 4 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 4 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 7 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 5 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
5
Hopeful
5
Absurd
3
Warm
3
Other
11

How their films linger

Hopeful5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet7
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marie Cantin's films?

As of October 24, 2026, 9 of their 17 MovieCove titles stream on a subscription or free service, most on Pluto TV (5).

Also on these channels

Subscription and free streaming for Marie Cantin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 17 with a MovieCove page.

  • Days of Wrath(2008)

    Producer

    Midcredits score: 67th percentile of all films

  • Welcome to the Jungle(2007)

    Producer

    Midcredits score: 10th percentile of all films

  • Collateral(2004)

    Unit Production Manager

    Midcredits score: 95th percentile of all films

  • Masked and Anonymous(2003)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Big Fat Liar(2002)

    Co-Producer

    Midcredits score: 31st percentile of all films

  • Save the Last Dance(2001)

    Co-Producer · Producer

    Midcredits score: 53rd percentile of all films

  • The Book of Stars(1999)

    Producer

    Midcredits score: 56th percentile of all films

  • A Night at the Roxbury(1998)

    Co-Producer · Unit Production Manager

    Midcredits score: 50th percentile of all films

  • Dante's Peak(1997)

    Unit Production Manager

    Midcredits score: 44th percentile of all films

  • Things to Do in Denver When You're Dead(1995)

    Executive Producer · Unit Production Manager

    Midcredits score: 67th percentile of all films

  • Somebody to Love(1994)

    Co-Executive Producer

    Midcredits score: 29th percentile of all films

  • The Waterdance(1992)

    Producer

    Midcredits score: 70th percentile of all films

  • Heart Condition(1990)

    Co-Producer

    Midcredits score: 21st percentile of all films

  • Torch Song Trilogy(1988)

    Associate Producer · Production Manager

    Midcredits score: 94th percentile of all films

  • Modern Girls(1986)

    Production Manager

    Midcredits score: 42nd percentile of all films

  • The Hear 'n Aid Sessions(1986)

    Producer

    Midcredits score: 76th percentile of all films (provisional, few ratings)

  • Separate Ways(1981)

    Wardrobe Assistant

    Midcredits score: 5th percentile of all films

Career shape

A full career of 14 titles from 1981 to 2004.

Biggest box office

Save the Last Dance (2001)

$132M worldwide

Highest rated

Torch Song Trilogy (1988)

Midcredits 94th

Most popular right now

Things to Do in Denver When You're Dead (1995)

By role

only this rolewith another role
Producing10 of 14: 7 only producing, 3 with another role · typical Midcredits score52ndOther crew7 of 14: 4 only other crew, 3 with another role · typical Midcredits score50th

14 titles, 3 with more than one role — producing and other crew overlap on 3 of them.

By decade

1980s3 · crew1990s7 · crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marie Cantin's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 17; across their 13 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 13

Approval · how many liked their films

55thpercentile
Typical film, the median of 13

Reach · how many have seen their films

78thpercentile
Typical film, the median of 13

Midcredits score across 17 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th3

Shape of the crowd

6 of their 17 titles are Mixed.

  • Universally Loved2
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed6

Most divisive · producer

Days of Wrath (2008)

95th percentile spread · 24% rated it 4 or lower

Most loved · producer

Torch Song Trilogy (1988)

Midcredits 94th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marie Cantin's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles15–76 · median 59 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles29–52 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity5 titles45–89 · median 70 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 43 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 25 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marie Cantin work with?

People who share at least 2 of Marie Cantin's MovieCove titles, grouped by what they did on them; Steve Buscemi shares the most, 2.

Actors

Composers

Producers