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Dixie J. Capp

Producer

Works as
Producer
Titles
11 on MovieCove

What are Dixie J. Capp's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 8 · Heightened 1

Gentle 1 · Charged 5 · Intense 5

Steady 2 · Shifting 5 · Whiplash 4

Straight-faced 3 · Some laughs 6 · Funny 2

Slow burn 1 · Even-paced 8 · Relentless 2

Casual 4 · Engaged 6 · Full focus 1

Resolved 8 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Absurd
5
Thrilling
3
Warm
2
Hopeful
4
Other
9

How their films end · 3 with a twist

  • Happy5
  • Bittersweet4
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dixie J. Capp's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Dixie J. Capp's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page.

  • 3:10 to Yuma(2007)

    Producer

    Midcredits score: 95th percentile of all films
  • Cursed(2005)

    Producer

    Midcredits score: 17th percentile of all films
  • Identity(2003)

    Producer

    Midcredits score: 88th percentile of all films
  • The Sweetest Thing(2002)

    Producer

    Midcredits score: 26th percentile of all films
  • Scream 3(2000)

    Producer

    Midcredits score: 34th percentile of all films
  • Finding Graceland(1998)

    Producer

    Midcredits score: 57th percentile of all films
  • Scream(1996)

    Producer

    Midcredits score: 93rd percentile of all films
  • Vampire in Brooklyn(1995)

    Producer

    Midcredits score: 9th percentile of all films
  • Heart and Souls(1993)

    Producer

    Midcredits score: 79th percentile of all films
  • Midcredits score: 64th percentile of all films
  • Young Guns II(1990)

    Producer

    Midcredits score: 63rd percentile of all films

Career shape

Across their 11 MovieCove titles from 1990 to 2007.

By role

only this rolewith another role
Producing11 of 11: 11 only producing, 0 with another role · typical Midcredits score63rd

By decade

1990s6 · crew2000s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Dixie J. Capp's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 11

Approval · how many liked their films

58thpercentile
Typical film, the median of 11

Reach · how many have seen their films

95thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

5 of their 11 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dixie J. Capp's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles48–86 · median 80 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles19–51 · median 31 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles34–75 · median 67 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles26–38 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles21–83 · median 71 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Dixie J. Capp work with?

People who share at least 2 of Dixie J. Capp's MovieCove titles, grouped by what they did on them; Stuart M. Besser shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers