Vittorio Caprioli (15 August 1921 – 2 October 1989) was an Italian film actor, film director and screenwriter. He appeared in 109 films between 1946 and 1990, mostly in French productions. He was born and died in Naples, Italy. Caprioli was born in Naples. Having graduated from the Accademia Nazionale di Arte Drammatica Silvio D'Amico in Rome, he made his stage debut in 1942 in the Carli-Racca company. From 1945, he began his collaboration with the Italian public broadcaster, RAI, often together with Luciano Salce, creating magazine and variety programs. Arriving in 1948 at the Piccolo theatre in Milan, where under the direction of Giorgio Strehler he took part in William Shakespeare's The Tempest. At the beginning of 1950, he was cast alongside Alberto Bonucci and Gianni Cajafa for the Neapolitan Carosello musical theatrical work, directed by Ettore Giannini. A versatile interpreter, in 1950 he founded, with Bonucci and Franca Valeri the Teatro dei Gobbi, which proposed a subtly satirical type of show. In 1960, he married Valeri with whom he presented plays. They divorced in 1974. He appeared in cinema as a character actor and made his directorial debut in 1961 with Lions In the Sun, which was later selected to enter the list of the 100 Italian films to be saved. He followed this with Paris, My Love and then a segment of I cuori infranti which was shown as part of a retrospective on Italian comedy at the 67th Venice International Film Festival. The Splendors and Miseries of Madame Royale in 1970 was generally considered to be his best film. He continued to appear on stage in between his films and was occasionally tempted by television, where he began his career in 1959, but he never really loved the small screen ("I suffer more than anything because of the absence of the public, which I consider an integral and irreplaceable part of the show in which I participate"). In the Sixties he acted in Village Wooing, directed by Antonello Falqui, and in 1972 he let himself be tempted by a television variety show, which he wrote and interpreted, Una Serata con Vittorio Caprioli. In his last years he returned to theater interpreting, among others, Don Marzio in Carlo Goldoni's Bottega del caffè, The Sunshine Boys by Neil Simon paired with Mario Carotenuto, and Capocomico in Luigi Pirandello's Six Characters in Search of an Author. During the rehearsals of a interpretation of Napoli Milionaria, he died suddenly at the age of 68, in a room of one of the famous hotels on the promenade of Naples, struck down by a heart attack. Source: Article "Vittorio Caprioli" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Read moreShow less
Biography from TMDB.
- August 15, 1921
- October 2, 1989 (aged 68)
- Napoli, Campania, Italia
- Actor, also writer
- 30 on MovieCove · 107 credits in all
What are Vittorio Caprioli's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 4 · Wry 5 · Earnest 14
Light 15 · Serious 5 · Dark 3
Grounded 6 · Stylized 12 · Heightened 5
Gentle 8 · Charged 13 · Intense 2
Steady 11 · Shifting 11 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 7 · Funny 12
Slow burn 6 · Even-paced 12 · Relentless 5
Casual 16 · Engaged 6 · Full focus 1
Easy watch 16 · Affecting 3 · Heavy 4
Resolved 18 · Open-ended 3 · Ambiguous 2
Roles they play
Usually the Threshold guardian: 3 of 10 analyzed roles.
Show the 10 rolesHide the roles
- Threshold guardianas Aristide Banchelli in General Della Rovere (1959)
- Tricksteras Trouscaillon in Zazie in the Metro (1960)
- Heraldas Bookseller in The Libertine (1968)
- Shadowas Colonel Karpoff in Le Magnifique (1973)
- Threshold guardianas Fefe Mottola in The School Teacher (1975)
- Tricksteras Moretti in Catherine & Co. (1975)
- Tricksteras Vincenzo Napoli in Rulers of the City (1976)
- Shadowas Claudius in Messalina, Messalina (1977)
- Threshold guardianas Nazariota in To Be Twenty (1978)
- Mentoras Harry in Cindy - Cinderella '80 (1984)
Moods and endings
- Happy11
- Bittersweet8
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vittorio Caprioli's films?
As of October 24, 2026, 7 of their 30 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Vittorio Caprioli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
107 credits, 30 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Belmondo: The Incorrigible (not in the MovieCove catalog yet)(2022)

Dark Illness (not in the MovieCove catalog yet)(1990)

Taste of Life (not in the MovieCove catalog yet)(1988)
L'ultima scena (not in the MovieCove catalog yet)(1988)

The Rogues(1987)
Midcredits score: 50th percentile of all films
Stuff for the Rich (not in the MovieCove catalog yet)(1987)

Capriccio(1987)
Midcredits score: 20th percentile of all films
Cinderella '87 (not in the MovieCove catalog yet)(1987)

Uno scandalo perbene (not in the MovieCove catalog yet)(1984)

Cindy - Cinderella '80(1984)
Midcredits score: 67th percentile of all films
Petomaniac (not in the MovieCove catalog yet)(1983)

Neapolitan Story (not in the MovieCove catalog yet)(1983)

Più bello di così si muore (not in the MovieCove catalog yet)(1982)

Le rose et le blanc (not in the MovieCove catalog yet)(1982)
Midcredits score: 65th percentile of all films
Before It's Too Early (not in the MovieCove catalog yet)(1981)

The Umbrella Coup(1980)
Midcredits score: 69th percentile of all films
Café Express (not in the MovieCove catalog yet)(1980)

A Leap in the Dark (not in the MovieCove catalog yet)(1980)

Hypochondriac (not in the MovieCove catalog yet)(1979)

To Be Twenty(1978)
Midcredits score: 39th percentile of all films
Blood and Diamonds (not in the MovieCove catalog yet)(1978)

La Presidentessa (not in the MovieCove catalog yet)(1977)

Grazie tante arrivederci (not in the MovieCove catalog yet)(1977)

Messalina, Messalina(1977)
Midcredits score: 4th percentile of all films
The Rip-Off (not in the MovieCove catalog yet)(1977)

Latin Male Wanted (not in the MovieCove catalog yet)(1977)

Rulers of the City(1976)
Midcredits score: 48th percentile of all films
The Wing or The Thigh?(1976)
Midcredits score: 90th percentile of all films
The Groper (not in the MovieCove catalog yet)(1976)

The Landlord (not in the MovieCove catalog yet)(1976)

As of Tomorrow(1976)
Midcredits score: 16th percentile of all films
The Barons (not in the MovieCove catalog yet)(1975)

Catherine & Co.(1975)
Midcredits score: 27th percentile of all films
The Messiah (not in the MovieCove catalog yet)(1975)

Kidnap Syndicate(1975)
Midcredits score: 65th percentile of all films
The School Teacher(1975)
Midcredits score: 26th percentile of all films
L'ammazzatina (not in the MovieCove catalog yet)(1975)

Vieni, vieni amore mio (not in the MovieCove catalog yet)(1975)

Erotomania (not in the MovieCove catalog yet)(1974)

I'm Losing My Temper(1974)
Midcredits score: 56th percentile of all films
Shoot First, Die Later(1974)
Midcredits score: 67th percentile of all films
Di mamma non ce n'è una sola (not in the MovieCove catalog yet)(1974)

Innocence and Desire (not in the MovieCove catalog yet)(1974)

The Governess (not in the MovieCove catalog yet)(1974)

Le Magnifique(1973)
Midcredits score: 84th percentile of all films
The Sensual Man (not in the MovieCove catalog yet)(1973)

Società a responsabilità molto limitata (not in the MovieCove catalog yet)(1973)

Io e lui (not in the MovieCove catalog yet)(1973)

La colonna infame (not in the MovieCove catalog yet)(1973)

Giovannona Long-Thigh (not in the MovieCove catalog yet)(1973)

A Full Day's Work (not in the MovieCove catalog yet)(1973)

The Boss(1973)
Midcredits score: 77th percentile of all films
Poppea: A Prostitute in Service of the Emperor (not in the MovieCove catalog yet)(1972)
Midcredits score: 7th percentile of all films
All's Well(1972)
Midcredits score: 68th percentile of all films
Even If I Wanted to Work, What Do I Do? (not in the MovieCove catalog yet)(1972)

Hector the Mighty (not in the MovieCove catalog yet)(1972)

Trastevere (not in the MovieCove catalog yet)(1971)

The Automobile (not in the MovieCove catalog yet)(1971)

Roma bene (not in the MovieCove catalog yet)(1971)

When Men Carried Clubs and Women Played Ding-Dong (not in the MovieCove catalog yet)(1971)
Midcredits score: 39th percentile of all films
Le Mans, Shortcut to Hell (not in the MovieCove catalog yet)(1970)

On the Day of the Lord (not in the MovieCove catalog yet)(1970)

Splendori e miserie di Madame Royale (not in the MovieCove catalog yet)(1970)

The Libertine(1968)
Midcredits score: 31st percentile of all films
Listen, Let's Make Love (not in the MovieCove catalog yet)(1968)

Il marito è mio e l'ammazzo quando mi pare (not in the MovieCove catalog yet)(1968)

Death on the Run (not in the MovieCove catalog yet)(1967)

Anyone Can Play (not in the MovieCove catalog yet)(1967)

Soldier's Girl (not in the MovieCove catalog yet)(1967)

Assicurasi vergine (not in the MovieCove catalog yet)(1967)
Midcredits score: 16th percentile of all films
Adultery Italian Style (not in the MovieCove catalog yet)(1966)

Ischia operazione amore (not in the MovieCove catalog yet)(1966)
Midcredits score: 49th percentile of all films
A Maiden for the Prince (not in the MovieCove catalog yet)(1965)

Violence and Love (not in the MovieCove catalog yet)(1965)

Woman Is a Wonderful Thing (not in the MovieCove catalog yet)(1964)

Easy Love (not in the MovieCove catalog yet)(1964)

White Voices (not in the MovieCove catalog yet)(1964)

The Maniacs (not in the MovieCove catalog yet)(1964)

I cuori infranti (not in the MovieCove catalog yet)(1963)

The Shortest Day(1963)
Midcredits score: 29th percentile of all films
Paris, My Love (not in the MovieCove catalog yet)(1962)

Adieu Philippine(1962)
Midcredits score: 77th percentile of all films
His Days Are Numbered (not in the MovieCove catalog yet)(1962)

Leoni al sole (not in the MovieCove catalog yet)(1961)

A porte chiuse (not in the MovieCove catalog yet)(1961)

Zazie in the Metro(1960)
Midcredits score: 77th percentile of all films
Recourse in Grace (not in the MovieCove catalog yet)(1960)

General Della Rovere(1959)
Midcredits score: 96th percentile of all films
You're on Your Own (not in the MovieCove catalog yet)(1959)

The Law (not in the MovieCove catalog yet)(1959)

Il borghese gentiluomo (not in the MovieCove catalog yet)(1959)

Good night… lawyer! (not in the MovieCove catalog yet)(1955)

Neapolitan Carousel (not in the MovieCove catalog yet)(1954)

The Anatomy of Love(1954)
Midcredits score: 25th percentile of all films
It Happened in the Park(1953)
Midcredits score: 35th percentile of all films
Aida (not in the MovieCove catalog yet)(1953)

Eager to Live (not in the MovieCove catalog yet)(1953)

Times Gone By (not in the MovieCove catalog yet)(1952)

Totó in color (not in the MovieCove catalog yet)(1952)

Parigi è sempre Parigi(1951)
Midcredits score: 36th percentile of all films
Robinson Crusoeland (not in the MovieCove catalog yet)(1951)

Variety Lights (not in the MovieCove catalog yet)(1950)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 107 titles from 1950 to 2022; peak year 1974.
Film career
Peak 1974 · fewer prominent film roles lately. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1950Screen debut· Variety Lights
- 1973Career best· The Magnificent One
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Vittorio Caprioli's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 30; across their 23 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up6
- 50th to 74th8
- 25th to 49th11
- Below 25th5
Shape of the crowd
14 of their 30 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser14
- Broadly Agreed5
- Mixed9
Reviewers score the acting 63/100 in their films, across 18 reviewed titles; fans 72, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Vittorio Caprioli's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Vittorio Caprioli work with?
People who share at least 2 of Vittorio Caprioli's MovieCove titles, grouped by what they did on them; Fernando Di Leo shares the most, 4.
Directors
- Fernando Di LeoShared titles: To Be Twenty (1978), Rulers of the City (1976), Kidnap Syndicate (1975), Shoot First, Die Later (1974)See all 4 shared titles with Fernando Di Leo

Writers
- Leonardo BenvenutiShared titles: The Rogues (1987), Me, Me, Me... and the Others (1966)See all 2 shared titles with Leonardo Benvenuti

- Piero De BernardiShared titles: The Rogues (1987), Me, Me, Me... and the Others (1966)See all 2 shared titles with Piero De Bernardi
- Suso Cecchi D'AmicoShared titles: The Rogues (1987), Me, Me, Me... and the Others (1966)See all 2 shared titles with Suso Cecchi D'Amico

- Mario AmendolaShared titles: Messalina, Messalina (1977), Er più: storia d'amore e di coltello (1971)See all 2 shared titles with Mario Amendola

Actors
- Sal BorgeseShared titles: The Rogues (1987), Messalina, Messalina (1977)See all 2 shared titles with Sal Borgese

- Sandra MiloShared titles: Cindy - Cinderella '80 (1984), Come imparai ad amare le donne (1966)See all 2 shared titles with Sandra Milo

- Sylva KoscinaShared titles: Cindy - Cinderella '80 (1984), Me, Me, Me... and the Others (1966)See all 2 shared titles with Sylva Koscina

- Alessandra CardiniShared titles: Messalina, Messalina (1977), Er più: storia d'amore e di coltello (1971)See all 2 shared titles with Alessandra Cardini

Composers and editors
- Guido De AngelisShared titles: Cindy - Cinderella '80 (1984), Messalina, Messalina (1977), The School Teacher (1975)See all 3 shared titles with Guido De Angelis

- Maurizio De AngelisShared titles: Cindy - Cinderella '80 (1984), Messalina, Messalina (1977), The School Teacher (1975)See all 3 shared titles with Maurizio De Angelis

- Amedeo GiominiShared titles: To Be Twenty (1978), Rulers of the City (1976), Shoot First, Die Later (1974)See all 3 shared titles with Amedeo Giomini
- Daniele AlabisoShared titles: Messalina, Messalina (1977), The School Teacher (1975), When Women Were Called Virgins (1972)See all 3 shared titles with Daniele Alabiso
Producers
- Giovanni BertolucciShared titles: Capriccio (1987), Tragedy of a Ridiculous Man (1981)See all 2 shared titles with Giovanni Bertolucci
- Galliano JusoShared titles: Kidnap Syndicate (1975), Shoot First, Die Later (1974)See all 2 shared titles with Galliano Juso

Mixed roles
- Peter BerlingShared titles: Rulers of the City (1976), When Women Were Called Virgins (1972)See all 2 shared titles with Peter Berling



