Antonio Cardenal
- Producer
- 4 on Motif · 15 credits in all
What are Antonio Cardenal's films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Morality and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
Grounded 1 · Stylized 3 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 1 · Full focus 3
Easy watch 0 · Affecting 2 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Cardenal's films?
As of October 24, 2026, 2 of their 4 Motif titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Antonio Cardenal's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 4 with a Motif page.
The Nautical Chart (not in the Motif catalog yet)(2007)
Midcredits score: 50th percentile of all films
El refugio del mal (not in the Motif catalog yet)(2002)
Gipsy (not in the Motif catalog yet)(2000)
The Ninth Gate(1999)
Midcredits score: 64th percentile of all films
99.9(1997)
Midcredits score: 31st percentile of all films
Corazón loco (not in the Motif catalog yet)(1997)
Bwana (not in the Motif catalog yet)(1996)
Cachito (not in the Motif catalog yet)(1996)
¡Oh, cielos! (not in the Motif catalog yet)(1995)
Alone, at Last! (not in the Motif catalog yet)(1994)
Goodbye Princess (not in the Motif catalog yet)(1992)
The Fencing Master(1992)
Midcredits score: 70th percentile of all films
The Mask of Satan (not in the Motif catalog yet)(1990)
The Black Moon (not in the Motif catalog yet)(1990)
Career shape
A full career of 14 titles from 1990 to 2007.
How do Antonio Cardenal's films land?
Their typical Motif film has a Midcredits score in the 57th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Cardenal work with?
People who share at least 2 of Antonio Cardenal's Motif titles; Arturo Pérez-Reverte shares the most, 3.
- Arturo Pérez-ReverteShared titles: Captain Alatriste: The Spanish Musketeer (2006), The Ninth Gate (1999), The Fencing Master (1992)See all 3 shared titles with Arturo Pérez-Reverte
- José SalcedoShared titles: Captain Alatriste: The Spanish Musketeer (2006), The Fencing Master (1992)See all 2 shared titles with José Salcedo
