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Anna Carena

Anna Carena

Actor · Died April 15, 1990, aged 91 · Milano, Italy

Anna Carena was born on 30 January 1899 in Milan, Lombardy, Italy. She was an actress, known for The Mill on the Po (1949), Sissignora (1942) and Café chantant (1953). She was married to Fraschini, Alcide. She died on 15 April 1990 in Milan, Lombardy, Italy.

Biography from IMDb.

Born
January 30, 1899
Died
April 15, 1990 (aged 91)
From
Milano, Italy
Works as
Actor
Titles
5 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 14% in 30 days

What are Anna Carena's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Themes

share of theme weight
Bonds
27%
Society
20%
Morality
16%
Power
14%
Ideas
11%
Self
7%
Survival
4%
Romantic love2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 3 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 3 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Tense
3
Warm
2
Joyful
1
Romantic
1
Other
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet1
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Carena's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Anna Carena's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 5 with a MovieCove page.

  • Con gli occhi dell'occidente (not in the MovieCove catalog yet)(1979)

    Show 3 episodes · as Anna Georgevna

  • A Brief Vacation (not in the MovieCove catalog yet)(1973)

    as The mother in law

  • Sunflower(1970)

    as Madre Antonio

    Midcredits score: 92nd percentile of all films

  • Il maestro di Vigevano(1963)

    as Drivaldi

    Midcredits score: 81st percentile of all films

  • The Idiot (not in the MovieCove catalog yet)(1959)

    Show 6 episodes · as Filisova

  • What a Woman!(1956)

    as Brazilian billionaire

    Midcredits score: 43rd percentile of all films

  • L'ultimo amante (not in the MovieCove catalog yet)(1955)

    as La portinaia (uncredited)

  • Singing Café (not in the MovieCove catalog yet)(1953)

    as contessa Gerza

  • Se vincessi cento milioni (not in the MovieCove catalog yet)(1953)

    as Ambrogio's wife (segment "Il tifoso")

  • The Lady Without Camelias (not in the MovieCove catalog yet)(1953)

    as Clara Manni's Mother

  • Toto and the Kings of Rome (not in the MovieCove catalog yet)(1952)

    as Armida, moglie di Ercole

  • The Overcoat (not in the MovieCove catalog yet)(1952)

    as Landlady

  • Times Gone By (not in the MovieCove catalog yet)(1952)

    as Teresa, la domestica

  • The Mistress of Treves (not in the MovieCove catalog yet)(1952)

    Actor

  • Miracle in Milan(1951)

    as Marta, la signora altezzosa

    Midcredits score: 94th percentile of all films

  • Ha fatto 13 (not in the MovieCove catalog yet)(1951)

    Actor

  • The Mill on the Po (not in the MovieCove catalog yet)(1949)

    as L'Argìa

  • Sempre più difficile (not in the MovieCove catalog yet)(1943)

    as Stella D'Azevegno

  • The Bigamist(1942)

    as The teacher on the bus

    Midcredits score: 90th percentile of all films

  • Signorinette (not in the MovieCove catalog yet)(1942)

    Actor

  • La fanciulla dell'altra riva (not in the MovieCove catalog yet)(1942)

    as Herta, infermiera

  • Stasera niente di nuovo (not in the MovieCove catalog yet)(1942)

    Actor

  • La fuggitiva (not in the MovieCove catalog yet)(1941)

    as signora Tilde

  • Piccolo mondo antico (not in the MovieCove catalog yet)(1941)

    as Carlotta

Career shape

Star power in the 87th percentile of 239,109 people with a billed film role, over a full career of 24 titles from 1941 to 1979; peak year 1970.

Biggest box office

Miracle in Milan (1951)

$435 worldwide

Highest rated

Miracle in Milan (1951)

Midcredits 94th

Most popular right now

Sunflower (1970)

Film career

19411979

Peak 1970 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

  • 1942Screen debut· Four Steps in the Clouds

By role

only this rolewith another role
Acting24 of 24: 24 only acting, 0 with another role · typical Midcredits score90th

By decade

1940s8 · acting1950s12 · acting1960s1 · acting1970s3 · acting

Billing

usually 7th · top billed in 0% of 7 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Anna Carena's films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 5

Approval · how many liked their films

90thpercentile
Typical film, the median of 5

Reach · how many have seen their films

48thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up4
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed1

Most loved · actor

Miracle in Milan (1951)

Midcredits 94th · 82% liked

Reviewers score the acting 80/100 in their films, across 4 reviewed titles; fans 86, detractors 58. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Carena work with?

People who share at least 2 of Anna Carena's MovieCove titles, grouped by what they did on them; Cesare Zavattini shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors