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Luigi Carpentieri

Producer, also director · Died March 12, 1987, aged 67 · Rome, Italy

Born
December 14, 1919
Died
March 12, 1987 (aged 67)
From
Rome, Italy
Works as
Producer, also director
Titles
16 on MovieCove · 47 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 15% in 30 days

What are Luigi Carpentieri's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Action4 titlesTypical Midcredits score: 15th percentile
: browse their Action movies
Drama3 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies
Horror3 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Horror movies
Comedy2 titlesTypical Midcredits score: 19th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
41%
Power
18%
Self
14%
Bonds
14%
Survival
5%
Ideas
5%
Society
3%
Oppression3 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 4 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 5 · Heightened 7

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 7 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 9 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 6 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 12 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 8 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Thrilling
6
Melancholic
6
Dread
4
Absurd
3
Other
14

How their films linger

Feel-good7 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy8
  • Bittersweet5
  • Tragic1
  • Ambiguous1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luigi Carpentieri's films?

As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Luigi Carpentieri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

47 credits, 16 with a MovieCove page.

  • Mafia(1968)

    Producer

    Midcredits score: 83rd percentile of all films

  • L'oro di Londra (not in the MovieCove catalog yet)(1968)

    Story

  • I Am What I Am(1967)

    Producer

    Midcredits score: 26th percentile of all films

  • Matchless(1967)

    Producer

    Midcredits score: 12th percentile of all films

  • Navajo Joe(1966)

    Producer

    Midcredits score: 50th percentile of all films

  • The Hills Run Red(1966)

    Producer

    Midcredits score: 39th percentile of all films

  • The Third Eye (not in the MovieCove catalog yet)(1966)

    Producer

  • James Tont Operation T.W.O. (not in the MovieCove catalog yet)(1966)

    Producer · Screenplay · Story

  • James Tont Operation U.N.O. (not in the MovieCove catalog yet)(1965)

    Producer

  • Su e giù (not in the MovieCove catalog yet)(1965)

    Producer

  • Maciste In King Solomon's Mines (not in the MovieCove catalog yet)(1964)

    Producer

  • The Avenger of Venice (not in the MovieCove catalog yet)(1964)

    Producer

  • The Magnificent Adventurer (not in the MovieCove catalog yet)(1963)

    Producer

  • The Ghost(1963)

    Producer

    Midcredits score: 51st percentile of all films

  • The Masseuses (not in the MovieCove catalog yet)(1962)

    Producer

  • The Horrible Dr. Hichcock(1962)

    Producer

    Midcredits score: 53rd percentile of all films

  • Marco Polo (not in the MovieCove catalog yet)(1962)

    Producer

  • The Witch's Curse (not in the MovieCove catalog yet)(1962)

    Producer

  • Samson and the 7 Miracles of the World(1961)

    Producer

    Midcredits score: 13th percentile of all films

  • Joseph and His Brethren(1961)

    Producer

    Midcredits score: 26th percentile of all films

  • Atlas Against the Cyclops(1961)

    Producer

    Midcredits score: 8th percentile of all films

  • Noi duri (not in the MovieCove catalog yet)(1960)

    Producer

  • Genitori in blue-jeans (not in the MovieCove catalog yet)(1960)

    Producer

  • Son of Samson(1960)

    Producer

    Midcredits score: 19th percentile of all films

  • Son of the Red Corsair (not in the MovieCove catalog yet)(1959)

    Producer

  • Winter Holidays (not in the MovieCove catalog yet)(1959)

    Producer

  • Domenica è sempre domenica (not in the MovieCove catalog yet)(1958)

    Producer

  • It Happened in Rome(1957)

    Producer

    Midcredits score: 26th percentile of all films

  • Lust of the Vampire(1957)

    Producer

    Midcredits score: 59th percentile of all films

  • Totò Double or Nothing? (not in the MovieCove catalog yet)(1956)

    Producer

  • Revelation (not in the MovieCove catalog yet)(1955)

    Producer

  • The Golden Vein (not in the MovieCove catalog yet)(1955)

    Producer

  • Passionate song (not in the MovieCove catalog yet)(1953)

    Producer

  • Ci troviamo in galleria(1953)

    Producer

    Midcredits score: 12th percentile of all films

  • Captain Phantom(1953)

    Producer

    Midcredits score: 10th percentile of all films (provisional, few ratings)

  • Saluti e baci (not in the MovieCove catalog yet)(1953)

    Producer

  • La nemica (not in the MovieCove catalog yet)(1952)

    Producer

  • Red Shirts - Anita Garibaldi (not in the MovieCove catalog yet)(1952)

    Producer

  • The Accusation (not in the MovieCove catalog yet)(1950)

    Producer

  • The Golden Madonna(1949)

    Director

    Midcredits score: 50th percentile of all films (provisional, few ratings)

  • La primula bianca (not in the MovieCove catalog yet)(1947)

    First Assistant Director

  • Lo sbaglio di essere vivo (not in the MovieCove catalog yet)(1945)

    First Assistant Director

  • Casanova farebbe così! (not in the MovieCove catalog yet)(1942)

    First Assistant Director

  • The Gorgon (not in the MovieCove catalog yet)(1942)

    Assistant Director

  • Non ti pago! (not in the MovieCove catalog yet)(1942)

    First Assistant Director

  • Broken Love (not in the MovieCove catalog yet)(1942)

    Assistant Director

  • Beatrice Cenci (not in the MovieCove catalog yet)(1941)

    First Assistant Director

Career shape

A full career of 46 titles from 1941 to 1968.

Highest rated

Mafia (1968)

Midcredits 83rd

Most popular right now

Navajo Joe (1966)

By role

only this rolewith another role
Directing1 of 46: 1 only directing, 0 with another roleWriting2 of 46: 1 only writing, 1 with another roleProducing37 of 46: 36 only producing, 1 with another role · typical Midcredits score26thOther crew7 of 46: 7 only other crew, 0 with another role

By decade

1940s8 · crew1950s15 · crew1960s23 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luigi Carpentieri's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 16

Approval · how many liked their films

25thpercentile
Typical film, the median of 16

Reach · how many have seen their films

30thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th6

Shape of the crowd

9 of their 16 titles are Mixed.

  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed9

Most divisive · producer

Joseph and His Brethren (1961)

66th percentile spread · 24% rated it 4 or lower

Most loved · producer

Mafia (1968)

Midcredits 83rd · 74% liked

Reviewers score the atmosphere 67/100 and the pacing 49/100 in their films, across 13 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luigi Carpentieri work with?

People who share at least 2 of Luigi Carpentieri's MovieCove titles, grouped by what they did on them; Ermanno Donati shares the most, 15.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers