- Producer and writer
- 3 on MovieCove
What are Earl Carroll's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
A split, not a type: Gentle 2 · Charged 1 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 0 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Earl Carroll's films?
As of October 24, 2026, none of Earl Carroll's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Earl Carroll's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Love Is News(1937)
Midcredits score: 78th percentile of all films
Stowaway(1936)
Midcredits score: 78th percentile of all films
Murder at the Vanities(1934)
Midcredits score: 53rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1934 to 1937.
How do Earl Carroll's films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Reviewers score the dialogue 60/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Earl Carroll work with?
People who share at least 2 of Earl Carroll's MovieCove titles; Harold Wilson shares the most, 2.
- Harold WilsonShared titles: Love Is News (1937), Stowaway (1936)See all 2 shared titles with Harold Wilson