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Natalie Carter

Natalie Carter

Writer · Born January 1, 1955 (71) · New York City, New York, USA

Born
January 1, 1955 (71)
From
New York City, New York, USA
Works as
Writer
Titles
12 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 11% in 30 days

What are Natalie Carter's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Drama6 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Crime movies
Biography2 titlesTypical Midcredits score: 37th percentile
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
28%
Power
23%
Self
22%
Bonds
20%
Survival
6%
Ideas
2%
Identity5 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeViolence2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 4 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 9 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 12 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 7 · Full focus 4

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 2 · Heavy 10

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
10
Dread
4
Cold
3
Romantic
2
Other
3

How their films linger

Bittersweet7 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Bittersweet6
  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Natalie Carter's films?

As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Natalie Carter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 12 with a MovieCove page.

  • The Girl Next Door(2023)

    Screenplay

    Midcredits score: 41st percentile of all films

  • Emma Bovary(2021)

    Screenplay

    Midcredits score: 62nd percentile of all films

  • Eiffel(2021)

    Writer

    Midcredits score: 49th percentile of all films

  • The Girl in the Wood (not in the MovieCove catalog yet)(2021)

    Writer

  • Stella(2019)

    Writer

    Midcredits score: 92nd percentile of all films

  • Le Viol (not in the MovieCove catalog yet)(2017)

    Writer

  • From the Land of the Moon(2016)

    Co-Writer

    Midcredits score: 64th percentile of all films

  • A Kid(2016)

    Co-Writer

    Midcredits score: 88th percentile of all films

  • Passion(2012)

    Additional Dialogue · Original Story

    Midcredits score: 21st percentile of all films

  • Thérèse(2012)

    Writer

    Midcredits score: 40th percentile of all films

  • The Desert of Love (not in the MovieCove catalog yet)(2012)

    Writer

  • Chase (not in the MovieCove catalog yet)(2011)

    Writer

  • See How They Dance (not in the MovieCove catalog yet)(2011)

    Screenplay

  • A View of Love (not in the MovieCove catalog yet)(2010)

    Writer

  • Mademoiselle Drot (not in the MovieCove catalog yet)(2010)

    Writer

  • Love Crime(2010)

    Writer

    Midcredits score: 58th percentile of all films

  • The Chameleon(2010)

    Writer

    Midcredits score: 25th percentile of all films

  • Secret Defense(2008)

    Author

    Midcredits score: 52nd percentile of all films

  • A Secret(2007)

    Writer

    Midcredits score: 72nd percentile of all films

  • Les bottes (not in the MovieCove catalog yet)(2004)

    Writer

  • Mamirolle (not in the MovieCove catalog yet)(2000)

    Writer

  • There Is No Love Without Stories (not in the MovieCove catalog yet)(1998)

    Writer

  • Bonjour Antoine (not in the MovieCove catalog yet)(1997)

    Writer

  • Papa revient demain... (not in the MovieCove catalog yet)(1997)

    Show Creator

  • Lulu, roi de France (not in the MovieCove catalog yet)(1995)

    Dialogue

  • Monsieur (not in the MovieCove catalog yet)

    Screenplay

Career shape

A full career of 25 titles, 24 of them dated from 1995 to 2023.

Biggest box office

A Secret (2007)

$16M worldwide

Highest rated

Stella (2019)

Midcredits 92nd

Most popular right now

Passion (2012)

By role

only this rolewith another role
Writing24 of 25: 23 only writing, 1 with another role · typical Midcredits score52ndOther crew2 of 25: 1 only other crew, 1 with another role

By decade

1990s4 · crew2000s4 · crew2010s12 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Natalie Carter's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 12

Approval · how many liked their films

55thpercentile
Typical film, the median of 12

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 12 titles divides audiences: 6 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed2

Most loved · writer

Stella (2019)

Midcredits 92nd · 81% liked

Reviewers score the dialogue 48/100 and the plot and story 50/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Natalie Carter's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 57 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Natalie Carter work with?

People who share at least 2 of Natalie Carter's MovieCove titles, grouped by what they did on them; Yves Marmion shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors

Producers