
María Casares
Actor · Died November 22, 1996, aged 74 · La Coruña, Galicia, Spain
María Casares was a Spanish actress and one of the most distinguished stars of the French stage. She was usually credited in France as Maria Casarès.
Biography from TMDB.
- November 22, 1922
- November 22, 1996 (aged 74)
- La Coruña, Galicia, Spain
- Actor
- 5 on MovieCove · 26 credits in all
What are María Casares' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
A split, not a type: Grounded 1 · Stylized 1 · Heightened 2
Gentle 1 · Charged 1 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 1 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Roles they play
Usually the Shadow: 2 of 5 analyzed roles.
- Allyas Nathalie in Children of Paradise (1945)
- Shapeshifteras Gina de Sanseverina in The Charterhouse of Parma (1948)
- Shadowas The Princess - Death in Orpheus (1950)
- Threshold guardianas The Princess - Death in Orpheus (1950)
- Shadowas Sister Agatha in Flavia, the Heretic (1974)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch María Casares' films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).
Subscription and free streaming for María Casares' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 5 with a MovieCove page; 11 appearances as themselves are hidden until asked for.

Someone Else's America (not in the MovieCove catalog yet)(1995)

Les chevaliers de la table ronde (not in the MovieCove catalog yet)(1990)

Les Nuits révolutionnaires (not in the MovieCove catalog yet)(1989)

La Lectrice (not in the MovieCove catalog yet)(1988)

Sand and Blood (not in the MovieCove catalog yet)(1988)

Blanche and Marie (not in the MovieCove catalog yet)(1985)

Les Bonnes (not in the MovieCove catalog yet)(1985)
Peer Gynt (not in the MovieCove catalog yet)(1981)

Peer Gynt (not in the MovieCove catalog yet)(1981)

Flavia, the Heretic(1974)
Midcredits score: 36th percentile of all films
Testament of Orpheus(1960)
Midcredits score: 87th percentile of all films
Macbeth (not in the MovieCove catalog yet)(1959)

Les Énigmes de l'Histoire (not in the MovieCove catalog yet)(1956)

Varsovie, quand même... (not in the MovieCove catalog yet)(1954)

Shadow and Light (not in the MovieCove catalog yet)(1951)

Guernica (not in the MovieCove catalog yet)(1951)

Orpheus(1950)
Midcredits score: 96th percentile of all films
The Man Who Returns from Afar (not in the MovieCove catalog yet)(1950)

Wench (not in the MovieCove catalog yet)(1948)
Midcredits score: 76th percentile of all films
The Seventh Door (not in the MovieCove catalog yet)(1947)

Love Around the House (not in the MovieCove catalog yet)(1947)

The Revenge of Roger (not in the MovieCove catalog yet)(1946)

Roger the Disgrace (not in the MovieCove catalog yet)(1946)

Les Dames du bois de Boulogne (not in the MovieCove catalog yet)(1945)

Children of Paradise(1945)
Midcredits score: 97th percentile of all films
Career shape
Star power in the 92nd percentile of 239,109 people with a billed film role, over a full career of 26 titles from 1945 to 1995; peak year 1973.
Film career
Peak 1973 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1945Screen debut· Children of Paradise
- 1951First top-billed film· Guernica
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do María Casares' films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up4
- 25th to 49th1
Shape of the crowd
None of their 5 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed1
Reviewers score the acting 84/100 in their films, across 4 reviewed titles; fans 87, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does María Casares work with?
People who share at least 2 of María Casares' MovieCove titles, grouped by what they did on them; Louis Salou shares the most, 2.
Actors
- Louis SalouShared titles: The Charterhouse of Parma (1948), Children of Paradise (1945)See all 2 shared titles with Louis Salou

Cinematographers
- Nicolas HayerShared titles: Orpheus (1950), The Charterhouse of Parma (1948)See all 2 shared titles with Nicolas Hayer

Producers
- André PaulvéShared titles: Orpheus (1950), The Charterhouse of Parma (1948)See all 2 shared titles with André Paulvé
