Alberto Casella
- Writer
- 3 on MovieCove
What are Alberto Casella's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 0 · Charged 3 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Casella's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Prime Video (1).
Subscription and free streaming for Alberto Casella's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Meet Joe Black(1998)
Midcredits score: 86th percentile of all films
Death Takes a Holiday(1971)
Midcredits score: 69th percentile of all films
Death Takes a Holiday(1934)
Midcredits score: 72nd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1934 to 1998.
How do Alberto Casella's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Reviewers score the dialogue 52/100 and the plot and story 57/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Casella work with?
People who share at least 2 of Alberto Casella's MovieCove titles, grouped by what they did on them; Walter Ferris shares the most, 3.
Writers
- Walter FerrisShared titles: Meet Joe Black (1998), Death Takes a Holiday (1971), Death Takes a Holiday (1934)See all 3 shared titles with Walter Ferris
- Gladys LehmanShared titles: Meet Joe Black (1998), Death Takes a Holiday (1934)See all 2 shared titles with Gladys Lehman
- Maxwell AndersonShared titles: Meet Joe Black (1998), Death Takes a Holiday (1934)See all 2 shared titles with Maxwell Anderson
