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Jay Cassidy

Jay Cassidy

Editor, also producer

Primetime Emmy winner · Oscar nominee · 1 other major award body

Jay Cassidy is an American film editor with dozens of credits since 1978. Cassidy began his career in the 1970s working on documentaries and political advertising. He has had a notable collaboration with Sean Penn, having edited all of the films directed by Penn. Early in his career, Cassidy edited the documentary film High Schools (1983) that was directed by Charles Guggenheim; more recently he has edited several documentaries by Guggenheim's son Davis Guggenheim, including An Inconvenient Truth (2006). Cassidy was nominated for the Academy Award for Best Film Editing and for an ACE Eddie Award for Into the Wild (directed by Sean Penn - 2007). In 2012, he was nominated for his second Academy Award for Best Film Editing for Silver Linings Playbook, which won the Eddie and the Satellite Award for Best Editing. Cassidy was nominated for a third Academy Award for American Hustle (directed by David O. Russell—2013) and again won the Eddie for that film. He had won the Eddie for Best Documentary Editing for An Inconvenient Truth (directed by Davis Guggenheim—2006). Both High Schools and An Inconvenient Truth were nominated for the Academy Award for Best Documentary Feature, and An Inconvenient Truth won the award. Cassidy has been elected to membership in the American Cinema Editors. Cassidy received a bachelor's degree from the University of Michigan circa 1972 and was a photographer for The Michigan Daily and the Michiganensian on campus. In 2006, Cassidy won the 39th Cartoon Caption Contest of The New Yorker magazine. The Best of May, 1968, a short film directed by Cassidy in 1972, was preserved by the Academy Film Archive in 2019. Description above from the Wikipedia article Jay Cassidy, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Editor, also producer
Titles
49 on MovieCove · 58 credits in all

What are Jay Cassidy's films like?

Across their 42 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 42 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 18 · Dark 19

A split, not a type: Grounded 24 · Stylized 13 · Heightened 5

Gentle 3 · Charged 20 · Intense 19

Steady 14 · Shifting 24 · Whiplash 4

Straight-faced 30 · Some laughs 10 · Funny 2

Slow burn 14 · Even-paced 25 · Relentless 3

Casual 9 · Engaged 28 · Full focus 5

Easy watch 9 · Affecting 18 · Heavy 15

Resolved 24 · Open-ended 12 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
27
Melancholic
21
Dread
13
Hopeful
11
Contemplative
8
Other
35

How their films end · 6 with a twist

  • Happy12
  • Bittersweet12
  • Tragic5
  • Ambiguous13

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jay Cassidy's films?

As of October 24, 2026, 29 of their 49 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Subscription and free streaming for Jay Cassidy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 49 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Verity(2026)

    Editor

    Midcredits score: 42nd percentile of all films
  • Poetic License (not in the MovieCove catalog yet)(2025)

    Editor · Executive Producer

  • Killer Heat(2024)

    Editor

    Midcredits score: 20th percentile of all films
  • The Burial(2023)

    Editor

    Midcredits score: 86th percentile of all films
  • Amsterdam(2022)

    Editor

    Midcredits score: 41st percentile of all films
  • Midcredits score: 85th percentile of all films
  • Midcredits score: 48th percentile of all films
  • A Star Is Born(2018)

    Editor

    Midcredits score: 95th percentile of all films
  • Midcredits score: 67th percentile of all films
  • The Last Face(2016)

    Editor

    Midcredits score: 25th percentile of all films
  • The Night Of(2016)

    Show 1 episode · Editor

    Midcredits score: 97th percentile of all shows
  • Joy(2015)

    Editor

    Midcredits score: 66th percentile of all films
  • Foxcatcher(2014)

    Editor

    Midcredits score: 81st percentile of all films
  • Fury(2014)

    Editor

    Midcredits score: 95th percentile of all films
  • American Hustle(2013)

    Editor

    Midcredits score: 87th percentile of all films
  • Midcredits score: 96th percentile of all films
  • From the Sky Down(2011)

    Editor

    Midcredits score: 89th percentile of all films
  • Seeking Justice(2011)

    Editor

    Midcredits score: 39th percentile of all films
  • Midcredits score: 3rd percentile of all films
  • Conviction(2010)

    Editor

    Midcredits score: 86th percentile of all films
  • Midcredits score: 88th percentile of all films
  • Brothers(2009)

    Editor

    Midcredits score: 85th percentile of all films
  • Johnny Got His Gun(2008)

    Editor

    Midcredits score: 66th percentile of all films
  • Into the Wild(2007)

    Editor

    Midcredits score: 97th percentile of all films
  • Midcredits score: 86th percentile of all films
  • First Snow(2006)

    Editor

    Midcredits score: 47th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Thoughtcrimes(2003)

    Editor

    Midcredits score: 73rd percentile of all films
  • Tuck Everlasting(2002)

    Editor

    Midcredits score: 67th percentile of all films
  • Midcredits score: 1st percentile of all films
  • September 11(2002)

    Editor

    Midcredits score: 72nd percentile of all films
  • The First Year (not in the MovieCove catalog yet)(2001)

    Editor

  • The Pledge(2001)

    Editor

    Midcredits score: 70th percentile of all films
  • Gossip(2000)

    Editor

    Midcredits score: 38th percentile of all films
  • The Big Kahuna(1999)

    Thanks

    Midcredits score: 66th percentile of all films
  • Urban Legend(1998)

    Editor

    Midcredits score: 30th percentile of all films
  • Midcredits score: 46th percentile of all films
  • Midcredits score: 47th percentile of all films
  • Albino Alligator(1996)

    Editor

    Midcredits score: 38th percentile of all films
  • The Crossing Guard(1995)

    Editor

    Midcredits score: 49th percentile of all films
  • Brainscan(1994)

    Editor

    Midcredits score: 47th percentile of all films
  • Midcredits score: 34th percentile of all films
  • The Indian Runner(1991)

    Editor

    Midcredits score: 74th percentile of all films
  • Frankenstein Unbound(1990)

    Associate Producer · Editor

    Midcredits score: 24th percentile of all films
  • Tequila Sunrise(1988)

    Post Production Supervisor

    Midcredits score: 43rd percentile of all films
  • Midcredits score: 45th percentile of all films
  • Aloha Summer (not in the MovieCove catalog yet)(1988)

    Editor

  • Nightflyers(1987)

    Supervising Editor

    Midcredits score: 7th percentile of all films
  • Three for the Road(1987)

    Associate Producer

    Midcredits score: 23rd percentile of all films
  • Roadhouse 66(1984)

    Editor

    Midcredits score: 21st percentile of all films
  • Love Is Forever(1983)

    Editor

    Midcredits score: 18th percentile of all films
  • Waltz Across Texas (not in the MovieCove catalog yet)(1982)

    Editor

  • The End of August (not in the MovieCove catalog yet)(1981)

    Editor

  • Wolfen(1981)

    Dialogue Editor

    Midcredits score: 54th percentile of all films
  • HR 6161: An Act of Congress (not in the MovieCove catalog yet)(1979)

    Editor

  • The Thorn (not in the MovieCove catalog yet)(1974)

    Camera Operator

  • Cinema Street (not in the MovieCove catalog yet)(1971)

    Director

  • The Best of May, 1968 (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 57 titles, 56 of them dated from 1971 to 2026.

By role

only this rolewith another role
Directing2 of 57: 2 only directing, 0 with another roleProducing3 of 57: 1 only producing, 2 with another roleEditing50 of 57: 48 only editing, 2 with another role · typical Midcredits score58thOther crew4 of 57: 4 only other crew, 0 with another role

By decade

1970s3 · crew1980s10 · crew1990s10 · crew2000s13 · crew2010s14 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy from 6 major nominations, 2008–2019.

WinNomination
  1. 2019
    • Critics Choice Award, nominated · Best Editing
  2. 2017
    • Primetime Emmy, won · Outstanding Single-Camera Picture Editing for a Limited Series or a Movie
  3. 2014
    • Oscar, nominated · Best Achievement in Film Editing
    • +1 other major body · 1 nomination
      • Critics Choice Award, nominated · Best Editing
  4. 2013
    • Oscar, nominated · Best Achievement in Film Editing
  5. 2008
    • Oscar, nominated · Best Achievement in Film Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Jay Cassidy's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 48; across their 42 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 42

Approval · how many liked their films

48thpercentile
Typical film, the median of 42

Reach · how many have seen their films

91stpercentile
Typical film, the median of 42

Midcredits score across 49 titles, by percentile

  • 75th and up15
  • 50th to 74th10
  • 25th to 49th16
  • Below 25th8

Shape of the crowd

20 of their 49 titles are Crowd Pleasers.

  • Universally Loved5
  • Universally Panned2
  • Cult Classic2
  • Crowd Pleaser20
  • Broadly Agreed10
  • Mixed10

Reviewers score the pacing 46/100 in their films, across 42 reviewed titles; fans 56, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jay Cassidy's work okay for kids?

Across up to 25 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore22 titles35–85 · median 59 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity25 titles16–60 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity20 titles31–89 · median 65 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs19 titles28–62 · median 43 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense20 titles30–81 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jay Cassidy work with?

People who share at least 2 of Jay Cassidy's MovieCove titles, grouped by what they did on them; Sean Penn shares the most, 6.

Directors

Writers

Actors

Composers and cinematographers

Producers