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Emmanuelle Castro

Editor, also producer

Works as
Editor, also producer
Titles
15 on MovieCove · 41 credits in all
TMDB popularity, last 37 days to Oct 26Down 6% in 30 days

What are Emmanuelle Castro's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 3 · Dark 6

Grounded 7 · Stylized 3 · Heightened 1

Gentle 2 · Charged 5 · Intense 4

Steady 5 · Shifting 6 · Whiplash 0

Straight-faced 6 · Some laughs 4 · Funny 1

Slow burn 7 · Even-paced 4 · Relentless 0

A split, not a type: Casual 6 · Engaged 5 · Full focus 0

Easy watch 1 · Affecting 3 · Heavy 7

A split, not a type: Resolved 7 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Tense
7
Contemplative
4
Dread
4
Warm
3
Other
6

How their films end · 1 with a twist

  • Happy1
  • Bittersweet6
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emmanuelle Castro's films?

As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Emmanuelle Castro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 15 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • I, Daniel Blake(2016)

    Producer

    Midcredits score: 97th percentile of all films
  • I'm Not Dead (not in the MovieCove catalog yet)(2013)

    Editor

  • Twiggy (not in the MovieCove catalog yet)(2011)

    Editor

  • A View of Love (not in the MovieCove catalog yet)(2010)

    Editor

  • The Wolberg Family (not in the MovieCove catalog yet)(2009)

    Editor

  • Park Benches(2009)

    Editor

    Midcredits score: 39th percentile of all films
  • Les murs porteurs (not in the MovieCove catalog yet)(2008)

    Editor

  • Midcredits score: 27th percentile of all films
  • Charlie Says (not in the MovieCove catalog yet)(2006)

    Editor

  • Cold Showers (not in the MovieCove catalog yet)(2005)

    Editor

  • Bye Bye Blackbird(2005)

    Editor

    Midcredits score: 38th percentile of all films
  • Nathalie...(2003)

    Editor

    Midcredits score: 51st percentile of all films
  • Since Otar Left (not in the MovieCove catalog yet)(2003)

    Editor

  • The Adversary(2002)

    Editor

    Midcredits score: 72nd percentile of all films
  • Mischka (not in the MovieCove catalog yet)(2002)

    Editor

  • Trois huit(2001)

    Editor

    Midcredits score: 75th percentile of all films
  • Harrison's Flowers(2000)

    Editor

    Midcredits score: 74th percentile of all films
  • Les Sagards (not in the MovieCove catalog yet)(2000)

    Editor

  • Season's Beatings (not in the MovieCove catalog yet)(1999)

    Editor

  • Voyages (not in the MovieCove catalog yet)(1999)

    Editor

  • Alors voilà, (not in the MovieCove catalog yet)(1997)

    Editor

  • Hantises (not in the MovieCove catalog yet)(1997)

    Editor

  • I Hate Love (not in the MovieCove catalog yet)(1997)

    Editor

  • Le Polygraphe (not in the MovieCove catalog yet)(1996)

    Editor

  • The Confessional (not in the MovieCove catalog yet)(1995)

    Editor

  • Train de nuit (not in the MovieCove catalog yet)(1994)

    Editor

  • Normal People Are Nothing Exceptional (not in the MovieCove catalog yet)(1993)

    Editor

  • Rupture(s) (not in the MovieCove catalog yet)(1993)

    Editor

  • May Fools(1990)

    Editor

    Midcredits score: 87th percentile of all films
  • Cendrillon 90 (not in the MovieCove catalog yet)(1990)

    Editor

  • Midcredits score: 98th percentile of all films
  • Alamo Bay(1985)

    Sound Editor

    Midcredits score: 44th percentile of all films
  • Until September(1984)

    Dialogue Editor

    Midcredits score: 37th percentile of all films
  • Gabriela(1983)

    Editor

    Midcredits score: 51st percentile of all films
  • The Kiss(1981)

    Sound Editor

    Midcredits score: 92nd percentile of all films
  • Bye Bye Brazil(1980)

    Sound Editor

    Midcredits score: 89th percentile of all films
  • Flesh Color (not in the MovieCove catalog yet)(1978)

    Editor

  • Je t'aime, tu danses (not in the MovieCove catalog yet)(1977)

    Editor

  • The Big Delirium (not in the MovieCove catalog yet)(1975)

    Sound Editor

  • Family Jewels (not in the MovieCove catalog yet)(1975)

    Editor

  • The Mistral (not in the MovieCove catalog yet)(1966)

    Editor

Career shape

A full career of 38 titles from 1966 to 2013.

By role

only this rolewith another role
Editing33 of 38: 33 only editing, 0 with another role · typical Midcredits score73rdOther crew5 of 38: 5 only other crew, 0 with another role

By decade

1960s1 · crew1970s4 · crew1980s6 · crew1990s12 · crew2000s12 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Emmanuelle Castro's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 15; across their 11 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 11

Approval · how many liked their films

71stpercentile
Typical film, the median of 11

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 11

Midcredits score across 15 titles, by percentile

  • 75th and up6
  • 50th to 74th4
  • 25th to 49th5

Shape of the crowd

7 of their 15 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed3

Reviewers score the pacing 44/100 in their films, across 10 reviewed titles; fans 57, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Emmanuelle Castro's work okay for kids?

Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles22–59 · median 40 · moderatenear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Emmanuelle Castro work with?

People who share at least 2 of Emmanuelle Castro's MovieCove titles, grouped by what they did on them; Jean-Marc Fabre shares the most, 4.

Directors

Writers

Actors

Cinematographers

Producers