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Mark A. Catalena

Director, editor, producer and writer, also cinematographer

Primetime Emmy nominee

Mark Catalena is synonymous with excellence in the field of documentary programming and filmmaking of the highest quality and journalistic integrity. He has an exquisite visual sense matched by an abiding allegiance to truthful storytelling. In 2009, he received the prestigious Peabody Award for the documentary feature Inventing LA: The Chandlers and Their Times. Johnny Carson: King of Late Night, became the highest rated documentary in the 28-year history of the PBS series American Masters, and for which, he received a 2012 Primetime Emmy Nomination for Outstanding Picture Editing. He has collaborated with filmmaker Peter Jones on 25 films for the Emmy Award-winning A&E series Biography, including six two-hour specials on such icons as Charlie Chaplin, Ozzie and Harriet Nelson and Brian Wilson. The 2-hour Biography special on the life and career of Georgia O'Keeffe marked his directorial debut. He co-directed Goldwyn for PBS and the Emmy Award-winning Stardust: The Bette Davis Story for TCM. His constant endeavor for high production values has made him an accomplished hyphenate documentarian.

Read more

Biography from IMDb.

Works as
Director, editor, producer and writer, also cinematographer
Titles
7 on MovieCove · 11 credits in all

What are Mark A. Catalena's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
6
Warm
5
Hopeful
4
Bittersweet
1
Joyful
1

How their films end

  • Happy3
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark A. Catalena's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Disney+ (3).

Subscription and free streaming for Mark A. Catalena's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 7 with a MovieCove page.

  • Midcredits score: 94th percentile of all films
  • Disney Worldbuilders(2026)

    Producer

    Midcredits score: 75th percentile of all films
  • Superpowered: The DC Story(2023)

    Show 3 episodes · Director · Co-Executive Producer

    Midcredits score: 57th percentile of all shows
  • 100 Years of Warner Bros.(2023)

    Show Producer

    Midcredits score: 74th percentile of all shows
  • The Imagineering Story(2019)

    Show 6 episodes · Editor · Writer

    Midcredits score: 99th percentile of all shows
  • Johnny Carson: King of Late Night (not in the MovieCove catalog yet)(2012)

    Director

  • Inventing L.A.: The Chandlers and Their Times (not in the MovieCove catalog yet)(2009)

    Director

  • Stardust: The Bette Davis Story(2006)

    Director · Cinematographer · Editor

    Midcredits score: 97th percentile of all films
  • Goldwyn: The Man and His Movies (not in the MovieCove catalog yet)(2001)

    Director · Editor

  • Glorious Technicolor(1998)

    Editor · Producer

    Midcredits score: 91st percentile of all films
  • Charlie Chaplin: A Tramp's Life (not in the MovieCove catalog yet)(1998)

    Editor

Career shape

A full career of 9 titles from 1998 to 2026.

By role

only this rolewith another role
Directing5 of 9: 3 only directing, 2 with another roleWriting1 of 9: 0 only writing, 1 with another roleProducing3 of 9: 1 only producing, 2 with another roleEditing4 of 9: 1 only editing, 3 with another role

9 titles, 4 with more than one role — directing and editing overlap on 1 of them.

By decade

1990s2 · crew2000s3 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

Nominated for a Primetime Emmy in 2012, Outstanding Picture Editing for Nonfiction Programming.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Mark A. Catalena's films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 88th percentile for acclaim.

Acclaim · how much people like their films

88thpercentile
Typical film, the median of 4

Approval · how many liked their films

94thpercentile
Typical film, the median of 4

Reach · how many have seen their films

61stpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up5
  • 50th to 74th2

Reviewers score the atmosphere 66/100 and the pacing 59/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark A. Catalena work with?

People who share at least 2 of Mark A. Catalena's MovieCove titles, grouped by what they did on them; Leslie Iwerks shares the most, 5.

Directors

Composers and editors

Producers