Manuel Caño

What are Manuel Caño's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manuel Caño's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Tarzan in the Golden Grotto (1969) · director · free
  • The Swamp of the Ravens (1974) · director · free
  • Voodoo Black Exorcist (1974) · director · free
• Fandor1 title, browse their movies on this service
  • Voodoo Black Exorcist (1974) · director
• Prime Video1 title, browse their movies on this service
  • Tarzan in the Golden Grotto (1969) · director

Subscription and free streaming for Manuel Caño's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 4 with a MovieCove page.

• 

  Perro de alambre (not in the MovieCove catalog yet)(1980)

  Director · Writer
• 

  A mí qué me importa que explote Miami (not in the MovieCove catalog yet)(1976)

  Director · Writer
• 

  Voodoo Black Exorcist(1974)

  Director

  Midcredits score: 3rd percentile of all films3^rd
• 

  The Swamp of the Ravens(1974)

  Director

  Midcredits score: 3rd percentile of all films3^rd
• 

  Tarzan and the Brown Prince (not in the MovieCove catalog yet)(1972)

  Director
• 

  Hatchet for the Honeymoon(1970)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  Tarzan in the Golden Grotto(1969)

  Director

  Midcredits score: 8th percentile of all films8^th
• 

  The Narco Men (not in the MovieCove catalog yet)(1968)

  Executive Producer
• 

  Fantasía... 3 (not in the MovieCove catalog yet)(1966)

  Production Manager
• 

  Siempre en mi recuerdo (not in the MovieCove catalog yet)(1962)

  Director · Screenplay

Career shape

A full career of 10 titles from 1962 to 1980.

Biggest box office

Voodoo Black Exorcist (1974)

$129K worldwide

Highest rated

Hatchet for the Honeymoon (1970)

Midcredits 57^th

How do Manuel Caño's films land?

Their typical MovieCove film has a Midcredits score in the 6^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 11^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Universally Panned.

211

• Universally Panned2
• Crowd Pleaser1
• Mixed1

Most divisive · director

The Swamp of the Ravens (1974)

56^th percentile spread · 66% rated it 4 or lower

Most loved · producer

Hatchet for the Honeymoon (1970)

Midcredits 57^th · 50% liked

Reviewers score the atmosphere 55/100 and the pacing 29/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Manuel Caño work with?

People who share at least 2 of Manuel Caño's MovieCove titles, grouped by what they did on them; Santiago Moncada shares the most, 4.