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Ardwight Chamberlain

Ardwight Chamberlain

Writer and actor · Born February 16, 1957 (69) · San Meteo, California, USA

Ardwight Chamberlain was born on 16 February 1957 in San Mateo, California, USA. He is a writer and actor, known for Babylon 5 (1993), Lupin the 3rd: The Mystery of Mamo (1978) and Babylon 5: In the Beginning (1998).

Biography from IMDb.

Born
February 16, 1957 (69)
From
San Meteo, California, USA
Works as
Writer and actor
Titles
20 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 34% in 30 days

What are Ardwight Chamberlain's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Animation5 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Animation movies
Action2 titlesTypical Midcredits score: 36th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
39%
Self
23%
Survival
18%
Morality
13%
Power
4%
Society
3%
Friendship6 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeDuty3 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 3 · Shifting 2 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 2 · Ambiguous 1

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Thrilling
8
Joyful
6
Hopeful
4
Melancholic
5
Other
15

How their films linger

Fun8 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet10
  • Tragic1
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ardwight Chamberlain's films?

As of October 24, 2026, 15 of their 20 MovieCove titles stream on a subscription or free service, most on The Roku Channel (7).

Also on these channels

Subscription and free streaming for Ardwight Chamberlain's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 20 with a MovieCove page.

  • Onimusha(2023)

    Show Writer

    Midcredits score: 43rd percentile of all shows

  • Gudetama: An Eggcellent Adventure(2022)

    Show Writer

    Midcredits score: 66th percentile of all shows

  • Ultraman(2019)

    Show Writer

    Midcredits score: 41st percentile of all shows

  • Terra Formars(2014)

    Show Writer

    Midcredits score: 31st percentile of all shows

  • Robotech: Love Live Alive(2013)

    Writer

    Midcredits score: 41st percentile of all films

  • Tenkai Knights(2013)

    Show Writer

    Midcredits score: 25th percentile of all shows

  • Naruto Shippuden the Movie: Blood Prison(2011)

    Writer

    Midcredits score: 83rd percentile of all films

  • Naruto the Movie 3: Guardians of the Crescent Moon Kingdom(2006)

    Writer

    Midcredits score: 61st percentile of all films

  • Z-Squad(2006)

    Show Writer

    Midcredits score: 49th percentile of all shows (provisional, few ratings)

  • Naruto the Movie: Ninja Clash in the Land of Snow(2004)

    Writer

    Midcredits score: 71st percentile of all films

  • Ninja Scroll: The Series(2003)

    Show Writer

    Midcredits score: 47th percentile of all shows

  • Zu Warriors(2001)

    Writer

    Midcredits score: 27th percentile of all films

  • Angela Anaconda(1999)

    Show 3 episodes · Writer

    Midcredits score: 2nd percentile of all shows

  • Babylon 5: In the Beginning(1998)

    as Kosh / Ulkesh (voice)

    Midcredits score: 92nd percentile of all films

  • Blood(1998)

    Actor

    Midcredits score: 45th percentile of all films (provisional, few ratings)

  • Babylon 5(1993)

    Show 22 episodes · as Kosh (voice) · as Ulkesh (voice)

    Midcredits score: 93rd percentile of all shows

  • C.O.P.S.(1988)

    Show 2 episodes · Writer

    Midcredits score: 57th percentile of all shows

  • Robotech II: The Sentinels (not in the MovieCove catalog yet)(1988)

    Writer

  • Robotech: The Movie (not in the MovieCove catalog yet)(1986)

    Writer

  • Robotech(1985)

    Show 85 episodes · Series Writer · Writer

    Midcredits score: 95th percentile of all shows

  • Codename: Robotech (not in the MovieCove catalog yet)(1985)

    Writer

  • Swiss Family Robinson(1981)

    Show as Fritz

    Midcredits score: 72nd percentile of all shows

  • Lupin the 3rd: The Mystery of Mamo(1978)

    Writer

    Midcredits score: 81st percentile of all films

  • Funky Fables - The Nutcracker (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 9 titles, 8 of them dated from 1985 to 1999.

Biggest box office

Naruto the Movie: Ninja Clash in the Land of Snow (2004)

$11M worldwide

Highest rated

Robotech (1985)

Midcredits 95th

Film career

  • 1994Screen debut· Babylon 5
  • 1998First film· Babylon 5: In the Beginning

By role

only this rolewith another role
Acting2 of 9: 2 only acting, 0 with another roleWriting6 of 9: 6 only writing, 0 with another roleOther crew1 of 9: 1 only other crew, 0 with another role

By decade

1980s5 · crew1990s3 · 2 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ardwight Chamberlain's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 7

Approval · how many liked their films

56thpercentile
Typical film, the median of 7

Reach · how many have seen their films

81stpercentile
Typical film, the median of 7

Midcredits score across 20 titles, by percentile

  • 75th and up5
  • 50th to 74th5
  • 25th to 49th9
  • Below 25th1

Shape of the crowd

7 of their 20 titles are Crowd Pleasers.

  • Universally Loved3
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed6

Most divisive · writer

Z-Squad (2006)

91st percentile spread · 29% rated it 4 or lower

Most loved · writer

Robotech (1985)

Midcredits 95th · 88% liked

Reviewers score the dialogue 43/100 and the plot and story 39/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ardwight Chamberlain's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 29 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ardwight Chamberlain work with?

People who share at least 2 of Ardwight Chamberlain's MovieCove titles, grouped by what they did on them; Carl Macek shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers