Fei-Lit Chan

What are Fei-Lit Chan's films like?

Across their 9 Motif titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fei-Lit Chan's films?

As of October 24, 2026, 3 of their 9 Motif titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • In the Line of Duty III (1988) · composer
• The Criterion Channel1 title, browse their movies on this service
  • Riki-Oh: The Story of Ricky (1991) · composer
• The Roku Channel1 title, browse their movies on this service
  • Legend of the Dragon (1991) · composer · free

Subscription and free streaming for Fei-Lit Chan's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a Motif page.

• 

  Perfect Exchange(1993)

  Composer

  Midcredits score: 48th percentile of all films48^th
• 

  Dragon Inn(1992)

  Composer

  Midcredits score: 90th percentile of all films90^th
• 

  She Starts the Fire(1992)

  Composer

  Midcredits score: 15th percentile of all films15^th
• 

  Legend of the Dragon(1991)

  Composer

  Midcredits score: 55th percentile of all films55^th
• 

  Riki-Oh: The Story of Ricky(1991)

  Composer

  Midcredits score: 84th percentile of all films84^th
• 

  The Unmatchable Match(1990)

  Composer

  Midcredits score: 56th percentile of all films56^th
• 

  In the Line of Duty III(1988)

  Composer

  Midcredits score: 65th percentile of all films65^th
• 

  The Haunted Cop Shop II(1988)

  Composer

  Midcredits score: 30th percentile of all films30^th
• 

  The Prodigal Son(1981)

  Composer

  Midcredits score: 90th percentile of all films90^th

Career shape

Across their 9 Motif titles from 1981 to 1993.

Highest rated

Dragon Inn (1992)

Midcredits 90^th

Most popular right now

Riki-Oh: The Story of Ricky (1991)

How do Fei-Lit Chan's films land?

Their typical Motif film has a Midcredits score in the 56^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

None of their 9 titles divides audiences: 5 are Crowd Pleasers.

52

• Universally Loved1
• Crowd Pleaser5
• Broadly Agreed1
• Mixed2

Most loved · composer

Dragon Inn (1992)

Midcredits 90^th · 77% liked

Reviewers score the sound and music 55/100 in their films, across 4 reviewed titles; fans 70, detractors 33. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fei-Lit Chan work with?

People who share at least 2 of Fei-Lit Chan's Motif titles, grouped by what they did on them; Jing Wong shares the most, 3.