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Ye-cheng Chan

Producer · Shanghai, China

From
Shanghai, China
Works as
Producer
Titles
13 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Up 83% in 30 days

What are Ye-cheng Chan's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 2 · Dark 4

A split, not a type: Grounded 2 · Stylized 1 · Heightened 8

Gentle 4 · Charged 5 · Intense 2

Steady 7 · Shifting 3 · Whiplash 1

Straight-faced 11 · Some laughs 0 · Funny 0

Slow burn 11 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 4 · Full focus 3

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 7

A split, not a type: Resolved 3 · Open-ended 3 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
9
Contemplative
7
Romantic
4
Tense
2
Warm
2
Other
3

How their films end

  • Happy3
  • Bittersweet2
  • Tragic2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ye-cheng Chan's films?

As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ye-cheng Chan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 13 with a MovieCove page.

  • Ennio(2021)

    Co-Producer

    Midcredits score: 99th percentile of all films
  • One for the Road (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • The Hand(2020)

    Executive Producer

    Midcredits score: 91st percentile of all films
  • One-Tenth of a Millimeter Apart (not in the MovieCove catalog yet)(2021)

    Producer

  • The Grandmaster(2013)

    Executive Producer

    Midcredits score: 71st percentile of all films
  • To Each His Own Cinema(2007)

    Executive Producer

    Midcredits score: 70th percentile of all films
  • My Blueberry Nights(2007)

    Producer

    Midcredits score: 64th percentile of all films
  • Eros(2004)

    Executive Producer

    Midcredits score: 38th percentile of all films
  • 2046(2004)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • @ in the Mood for Love(2001)

    Executive Producer

    Midcredits score: 91st percentile of all films
  • In the Mood for Love(2000)

    Executive Producer · Presenter

    Midcredits score: 98th percentile of all films
  • Midcredits score: 89th percentile of all films
  • Happy Together(1997)

    Producer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Ashes of Time(1994)

    Executive Producer

    Midcredits score: 81st percentile of all films

Career shape

A full career of 13 titles from 1994 to 2022.

By role

only this rolewith another role
Producing13 of 13: 12 only producing, 1 with another role · typical Midcredits score91stOther crew1 of 13: 0 only other crew, 1 with another role

By decade

1990s3 · crew2000s5 · crew2010s1 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ye-cheng Chan's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 11

Approval · how many liked their films

84thpercentile
Typical film, the median of 11

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 75th and up9
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 13 titles divides audiences: 8 are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser8
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ye-cheng Chan's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 26 · mildMedian of all films: 44
Sex & Nudity5 titles16–67 · median 57 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 5 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 61 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 13 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ye-cheng Chan work with?

People who share at least 2 of Ye-cheng Chan's MovieCove titles, grouped by what they did on them; Wong Kar-Wai shares the most, 10.

Directors

Actors

Composers, cinematographers and editors

Producers