- December 7, 1882
- August 3, 1956 (aged 73)
- Washington, District of Columbia, USA
- Writer, also producer
- 8 on MovieCove · 32 credits in all
What are Harry Chandlee's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 6 · Serious 1 · Dark 0
Grounded 5 · Stylized 2 · Heightened 0
Gentle 5 · Charged 2 · Intense 0
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 3 · Funny 2
Slow burn 3 · Even-paced 3 · Relentless 1
Casual 6 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 0
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harry Chandlee's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Harry Chandlee's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
32 credits, 8 with a MovieCove page.
Tale of the Navajos (not in the MovieCove catalog yet)(1949)
Tarzan's Magic Fountain (not in the MovieCove catalog yet)(1949)
The Jolson Story (not in the MovieCove catalog yet)(1946)
Rhapsody in Blue(1945)
Midcredits score: 78th percentile of all films
Three Is a Family(1944)
Midcredits score: 14th percentile of all films (provisional, few ratings)
Sergeant York(1941)
Midcredits score: 93rd percentile of all films
Our Town(1940)
Midcredits score: 59th percentile of all films
Rainbow on the River (not in the MovieCove catalog yet)(1936)
The Dude Ranger(1934)
Midcredits score: 45th percentile of all films
Back Page(1933)
Midcredits score: 52nd percentile of all films
Platinum Blonde(1931)
Midcredits score: 68th percentile of all films
Reno (not in the MovieCove catalog yet)(1930)
Women Who Dare (not in the MovieCove catalog yet)(1928)
Moulin Rouge (not in the MovieCove catalog yet)(1928)
Back to Liberty (not in the MovieCove catalog yet)(1927)
A Bowery Cinderella (not in the MovieCove catalog yet)(1927)
Broadway Madness(1927)
Scandal Street (not in the MovieCove catalog yet)(1925)
Those Who Judge (not in the MovieCove catalog yet)(1924)
One Law for the Woman (not in the MovieCove catalog yet)(1924)
The Man Without a Heart (not in the MovieCove catalog yet)(1924)
Out of the Chorus (not in the MovieCove catalog yet)(1921)
The Law of the Yukon (not in the MovieCove catalog yet)(1920)
Bolshevism on Trial (not in the MovieCove catalog yet)(1919)
The One Woman (not in the MovieCove catalog yet)(1918)
A Magdalene of the Hills (not in the MovieCove catalog yet)(1917)
The Adventurer (not in the MovieCove catalog yet)(1917)
God of Little Children (not in the MovieCove catalog yet)(1917)
The Labyrinth (not in the MovieCove catalog yet)(1915)
The Nation's Peril (not in the MovieCove catalog yet)(1915)
The Woman Pays (not in the MovieCove catalog yet)(1915)
The Ragged Earl (not in the MovieCove catalog yet)(1914)
Career shape
A full career of 31 titles from 1914 to 1949.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Harry Chandlee's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of the 7 of 8 with a score; across their 7 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 7 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed2
Reviewers score the dialogue 65/100 and the plot and story 53/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Harry Chandlee work with?
People who share at least 2 of Harry Chandlee's MovieCove titles, grouped by what they did on them; Sol Lesser shares the most, 3.
Writers
- Douglas W. ChurchillShared titles: Back Page (1933), Platinum Blonde (1931)See all 2 shared titles with Douglas W. Churchill
Actors
- Fay BainterShared titles: Three Is a Family (1944), Our Town (1940)See all 2 shared titles with Fay Bainter
- Walter CatlettShared titles: Three Is a Family (1944), Platinum Blonde (1931)See all 2 shared titles with Walter Catlett
Producers
- Sol LesserShared titles: Three Is a Family (1944), Our Town (1940), The Dude Ranger (1934)See all 3 shared titles with Sol Lesser
