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Shao-Hsi Chang

Editor

Works as
Editor
Titles
14 on MovieCove · 40 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 33% in 30 days

What are Shao-Hsi Chang's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Action8 titlesTypical Midcredits score: 57th percentile, at or above their average across these genres
: browse their Action movies
Comedy4 titlesTypical Midcredits score: 18th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
38%
Bonds
18%
Survival
18%
Power
16%
Self
6%
Society
3%
Justice4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeRevenge2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 5 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 4 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 5 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 7 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 4 · Relentless 6

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 8 · Engaged 4 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 7 · Affecting 4 · Heavy 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Thrilling
6
Absurd
5
Dread
3
Manic
3
Other
9

How their films linger

Fun7 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy4
  • Bittersweet6
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shao-Hsi Chang's films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Shao-Hsi Chang's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 14 with a MovieCove page.

  • Heaven Can't Wait(1995)

    Editor

    Midcredits score: 53rd percentile of all films

  • Give and Take (not in the MovieCove catalog yet)(1994)

    Editor

  • Always on My Mind (not in the MovieCove catalog yet)(1993)

    Editor

  • Cageman (not in the MovieCove catalog yet)(1992)

    Editor

  • Sunday in Paris (not in the MovieCove catalog yet)(1991)

    Editor

  • Kawashima Yoshiko (not in the MovieCove catalog yet)(1990)

    Editor

  • Puppy Love (not in the MovieCove catalog yet)(1985)

    Editor

  • Secret Service of the Imperial Court (not in the MovieCove catalog yet)(1984)

    Editor

  • The Siamese Twins (not in the MovieCove catalog yet)(1984)

    Editor

  • An Amorous Woman of Tang Dynasty (not in the MovieCove catalog yet)(1984)

    Editor

  • Wits of the Brats (not in the MovieCove catalog yet)(1984)

    Editor

  • Return of Bastard Swordsman (not in the MovieCove catalog yet)(1984)

    Editor

  • Prince Charming (not in the MovieCove catalog yet)(1984)

    Editor

  • New Tales of the Flying Fox(1984)

    Editor

    Midcredits score: 72nd percentile of all films

  • The Boxer's Omen(1983)

    Editor

    Midcredits score: 79th percentile of all films

  • Usurpers of Emperor's Power (not in the MovieCove catalog yet)(1983)

    Editor

  • Portrait in Crystal (not in the MovieCove catalog yet)(1983)

    Editor

  • Little Dragon Maiden(1983)

    Editor

    Midcredits score: 42nd percentile of all films

  • Tales of a Eunuch(1983)

    Editor

    Midcredits score: 18th percentile of all films (provisional, few ratings)

  • Hex After Hex(1982)

    Editor

    Midcredits score: 18th percentile of all films

  • Bewitched (not in the MovieCove catalog yet)(1981)

    Editor

  • Avengers from Hell (not in the MovieCove catalog yet)(1981)

    Editor

  • Bloody Parrot(1981)

    Editor

    Midcredits score: 59th percentile of all films

  • Every Man for Himself (not in the MovieCove catalog yet)(1980)

    Editor

  • Hex(1980)

    Editor

    Midcredits score: 56th percentile of all films

  • Coward Bastard (not in the MovieCove catalog yet)(1980)

    Editor

  • Haunted Tales (not in the MovieCove catalog yet)(1980)

    Editor

  • Killer Constable(1980)

    Editor

    Midcredits score: 82nd percentile of all films

  • A Deadly Secret(1980)

    Editor

    Midcredits score: 45th percentile of all films

  • Da da xiao xiao yi jia chun(1980)

    Editor

  • Hex vs. Witchcraft(1980)

    Editor

    Midcredits score: 12th percentile of all films

  • The Reckless Cricket (not in the MovieCove catalog yet)(1979)

    Editor

  • The Vengeful Beauty(1978)

    Editor

    Midcredits score: 67th percentile of all films

  • Palace Carnage(1978)

    Editor

    Midcredits score: 54th percentile of all films

  • Mr. Funny Bone (not in the MovieCove catalog yet)(1976)

    Editor

  • Cuties Parade (not in the MovieCove catalog yet)(1975)

    Editor

  • Fearful Interlude (not in the MovieCove catalog yet)(1975)

    Editor

  • Big Brother Cheng (not in the MovieCove catalog yet)(1975)

    Editor

  • Temperament of Life (not in the MovieCove catalog yet)(1975)

    Editor

  • The Teahouse (not in the MovieCove catalog yet)(1974)

    Editor

Career shape

A full career of 31 titles from 1974 to 1994.

Highest rated

Killer Constable (1980)

Midcredits 82nd

Most popular right now

Palace Carnage (1978)

By role

only this rolewith another role
Editing31 of 31: 31 only editing, 0 with another role · typical Midcredits score67th

By decade

1970s9 · crew1980s17 · crew1990s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Shao-Hsi Chang's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of the 13 of 14 with a score; across their 13 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 13

Approval · how many liked their films

50thpercentile
Typical film, the median of 13

Reach · how many have seen their films

36thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

None of their 13 titles divides audiences: 6 are Crowd Pleasers.

  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed4

Most loved · editor

Killer Constable (1980)

Midcredits 82nd · 68% liked

Reviewers score the pacing 52/100 in their films, across 10 reviewed titles; fans 61, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Shao-Hsi Chang work with?

People who share at least 2 of Shao-Hsi Chang's MovieCove titles, grouped by what they did on them; Hsing-Lung Chiang shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers