Roy Chanslor
Writer · Died April 16, 1964, aged 64 · Liberty, Missouri, USA
- August 25, 1899
- April 16, 1964 (aged 64)
- Liberty, Missouri, USA
- Writer
- 12 on MovieCove · 53 credits in all
What are Roy Chanslor's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 11
A split, not a type: Light 7 · Serious 2 · Dark 3
A split, not a type: Grounded 6 · Stylized 4 · Heightened 2
Gentle 3 · Charged 8 · Intense 1
A split, not a type: Steady 7 · Shifting 3 · Whiplash 2
Straight-faced 4 · Some laughs 5 · Funny 3
Slow burn 0 · Even-paced 10 · Relentless 2
Casual 6 · Engaged 6 · Full focus 0
Easy watch 8 · Affecting 4 · Heavy 0
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet2
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roy Chanslor's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Roy Chanslor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
53 credits, 12 with a MovieCove page.

Cat Ballou(1965)
Midcredits score: 70th percentile of all films
Johnny Guitar(1954)
Midcredits score: 94th percentile of all films
The Steel Key (not in the MovieCove catalog yet)(1953)

The House Across the Street (not in the MovieCove catalog yet)(1949)

Hazard (not in the MovieCove catalog yet)(1948)

Michigan Kid (not in the MovieCove catalog yet)(1947)

The Vigilantes Return (not in the MovieCove catalog yet)(1947)

Black Angel(1946)
Midcredits score: 75th percentile of all films
Strange Conquest (not in the MovieCove catalog yet)(1946)

Perilous Holiday (not in the MovieCove catalog yet)(1946)

The Daltons Ride Again(1945)
Midcredits score: 31st percentile of all films
The House of Fear(1945)
Midcredits score: 86th percentile of all films
Destiny(1944)
Midcredits score: 40th percentile of all films
Secret Command (not in the MovieCove catalog yet)(1944)

Idaho(1943)
Midcredits score: 44th percentile of all films
Tarzan Triumphs(1943)
Midcredits score: 62nd percentile of all films
The Navy Comes Through (not in the MovieCove catalog yet)(1942)

You Can't Escape Forever (not in the MovieCove catalog yet)(1942)

Drums of the Congo (not in the MovieCove catalog yet)(1942)

Escape from Hong Kong (not in the MovieCove catalog yet)(1942)

Mississippi Gambler (not in the MovieCove catalog yet)(1942)

Unseen Enemy (not in the MovieCove catalog yet)(1942)
Treat 'Em Rough (not in the MovieCove catalog yet)(1942)

Bombay Clipper (not in the MovieCove catalog yet)(1942)

Flying Cadets (not in the MovieCove catalog yet)(1941)

Burma Convoy (not in the MovieCove catalog yet)(1941)

Washington Melodrama (not in the MovieCove catalog yet)(1941)

Golden Hoofs (not in the MovieCove catalog yet)(1941)

Double Alibi (not in the MovieCove catalog yet)(1940)

Framed (not in the MovieCove catalog yet)(1940)

Honeymoon Deferred (not in the MovieCove catalog yet)(1940)

One Hour to Live (not in the MovieCove catalog yet)(1939)

The Devil's Party(1938)
Midcredits score: 19th percentile of all films
The Nurse from Brooklyn (not in the MovieCove catalog yet)(1938)

Goodbye Broadway (not in the MovieCove catalog yet)(1938)

Love Is on the Air(1937)
Midcredits score: 20th percentile of all films
Wine, Women and Horses (not in the MovieCove catalog yet)(1937)

Public Wedding (not in the MovieCove catalog yet)(1937)

Men in Exile (not in the MovieCove catalog yet)(1937)

California Mail (not in the MovieCove catalog yet)(1936)

Here Comes Carter (not in the MovieCove catalog yet)(1936)

The Girl on the Front Page (not in the MovieCove catalog yet)(1936)

Bengal Tiger (not in the MovieCove catalog yet)(1936)

Murder by an Aristocrat (not in the MovieCove catalog yet)(1936)

Times Square Playboy (not in the MovieCove catalog yet)(1936)

Man Hunt (not in the MovieCove catalog yet)(1936)

Front Page Woman(1935)
Midcredits score: 65th percentile of all films
Murder in the Clouds (not in the MovieCove catalog yet)(1934)

Hi, Nellie(1934)
Midcredits score: 72nd percentile of all films
The Final Edition (not in the MovieCove catalog yet)(1932)

The Menace (not in the MovieCove catalog yet)(1932)

Shanghaied Love (not in the MovieCove catalog yet)(1931)

Fifty Fathoms Deep (not in the MovieCove catalog yet)(1931)
Career shape
A full career of 53 titles from 1931 to 1965.

Biggest box office
Johnny Guitar (1954)

Highest rated
Johnny Guitar (1954)

Most popular right now
Cat Ballou (1965)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roy Chanslor's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th3
- Below 25th2
Shape of the crowd
6 of their 12 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser6
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 59/100 and the plot and story 54/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roy Chanslor work with?
People who share at least 2 of Roy Chanslor's MovieCove titles, grouped by what they did on them; Roy William Neill shares the most, 3.
Directors
- Roy William NeillShared titles: Black Angel (1946), The House of Fear (1945), Destiny (1944)See all 3 shared titles with Roy William Neill

Actors
- Hobart CavanaughShared titles: Black Angel (1946), Hi, Nellie (1934)See all 2 shared titles with Hobart Cavanaugh

- Alan CurtisShared titles: The Daltons Ride Again (1945), Destiny (1944)See all 2 shared titles with Alan Curtis

- Robert BarratShared titles: Love Is on the Air (1937), Hi, Nellie (1934)See all 2 shared titles with Robert Barrat

Composers, cinematographers and editors
- Frank SkinnerShared titles: Black Angel (1946), The Daltons Ride Again (1945), Destiny (1944)See all 3 shared titles with Frank Skinner

- Paul SawtellShared titles: The House of Fear (1945), Idaho (1943), Tarzan Triumphs (1943)See all 3 shared titles with Paul Sawtell
- Paul IvanoShared titles: Black Angel (1946), Destiny (1944)See all 2 shared titles with Paul Ivano
- Saul A. GoodkindShared titles: Black Angel (1946), The House of Fear (1945)See all 2 shared titles with Saul A. Goodkind
Producers
- Hal B. WallisShared titles: Love Is on the Air (1937), Hi, Nellie (1934)See all 2 shared titles with Hal B. Wallis

- Jack L. WarnerShared titles: Love Is on the Air (1937), Hi, Nellie (1934)See all 2 shared titles with Jack L. Warner


