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Motif

Peter Chase

Composer and writer

Works as
Composer and writer
Titles
3 on Motif

What are Peter Chase's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Warm
2
Romantic
1
Tense
1
Bittersweet
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Chase's films?

As of October 29, 2026, none of Peter Chase's 3 Motif titles is streaming on a subscription or free service.

Subscription and free streaming for Peter Chase's titles on Motif; rent and buy are not counted.

Filmography

3 credits, 3 with a Motif page.

  • Shadow Play(1996)

    Writer

    Motif score: 40th percentile of all films
  • The Apartment(1996)

    Composer

    Motif score: 87th percentile of all films
  • Mina Tannenbaum(1994)

    Composer

    Motif score: 83rd percentile of all films

Career shape

Across a limited sample of 3 Motif titles from 1994 to 1996.

By role

only this rolewith another role
Writing1 of 3: 1 only writing, 0 with another roleMusic2 of 3: 2 only music, 0 with another role

Counts over their Motif titles; a title counts in every role they held on it.

How do Peter Chase's films land?

Their typical Motif film has a Motif score in the 83rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 3

Approval · how many liked their films

85thpercentile
Typical film, the median of 3

Reach · how many have seen their films

57thpercentile
Typical film, the median of 3

Motif score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Chase work with?

People who share at least 2 of Peter Chase's Motif titles, grouped by what they did on them; Jean-Philippe Écoffey shares the most, 3.

Directors

Actors

Editors

Producers