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Motif

Michael Chaskes

Editor, also writer · Philadelphia, Pennsylvania, USA

Primetime Emmy nominee

Michael was born in Philadelphia, PA and grew up in southern New Jersey, where he spent much of his free time watching movies and making amateur films. He received a B.A. in Film Studies at Wesleyan University, (Middletown, CT), where he discovered a love for the editing room. He also met his future wife there, with whom he moved to Los Angeles after graduation. Michael has since cut several feature films and dozens of unscripted television shows.

Read more

Biography from IMDb.

From
Philadelphia, Pennsylvania, USA
Works as
Editor, also writer
Titles
33 on Motif

What are Michael Chaskes' films like?

Across their 33 Motif titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
23
Warm
15
Joyful
16
Tense
12
Thrilling
6
Other
14

How their films end · 2 with a twist

  • Happy12
  • Bittersweet7
  • Ambiguous8
  • Cyclical5
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Chaskes' films?

As of October 24, 2026, 20 of their 33 Motif titles stream on a subscription or free service.

Subscription and free streaming for Michael Chaskes' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 33 with a Motif page.

  • 100 Cooks(2026)

    Show Editor

    Midcredits score: 31st percentile of all shows
  • Flavortown Food Fight(2026)

    Show Editor

    Midcredits score: 27th percentile of all shows
  • The Fixer(2025)

    Show Editor

    Midcredits score: 39th percentile of all shows
  • Midcredits score: 77th percentile of all shows (provisional, few ratings)
  • With Love, Meghan(2025)

    Show Editor

    Midcredits score: 4th percentile of all shows
  • Midcredits score: 20th percentile of all films
  • Deal or No Deal Island(2024)

    Show Editor

    Midcredits score: 36th percentile of all shows
  • Second Chance Stage(2024)

    Show Editor

    Midcredits score: 13th percentile of all shows (provisional, few ratings)
  • Take My Tumor(2024)

    Show Editor

    Midcredits score: 48th percentile of all shows
  • Hack My Home(2023)

    Show Editor

    Midcredits score: 19th percentile of all shows
  • Midcredits score: 31st percentile of all shows
  • Survive the Raft(2023)

    Show Editor

    Midcredits score: 6th percentile of all shows
  • Alex Vs. America(2022)

    Show Editor

    Midcredits score: 52nd percentile of all shows
  • Buying Beverly Hills(2022)

    Show Editor

    Midcredits score: 12th percentile of all shows
  • Midcredits score: 82nd percentile of all films (provisional, few ratings)
  • Design Star: Next Gen(2021)

    Show Editor

    Midcredits score: 29th percentile of all shows (provisional, few ratings)
  • Reno My Rental(2021)

    Show Editor

    Midcredits score: 81st percentile of all shows (provisional, few ratings)
  • The Globe(2021)

    Show Editor

    Midcredits score: 42nd percentile of all shows (provisional, few ratings)
  • Selena + Chef(2020)

    Show Editor

    Midcredits score: 95th percentile of all shows
  • Best Room Wins(2019)

    Show Editor

    Midcredits score: 12th percentile of all shows (provisional, few ratings)
  • Cheerleader Generation(2019)

    Show Editor

    Midcredits score: 76th percentile of all shows (provisional, few ratings)
  • Baller Wives(2017)

    Show Editor

    Midcredits score: 1st percentile of all shows (provisional, few ratings)
  • Midcredits score: 27th percentile of all shows (provisional, few ratings)
  • Livin' Lozada(2015)

    Show Editor

    Midcredits score: 8th percentile of all shows (provisional, few ratings)
  • It Takes a Choir(2014)

    Show Editor

    Midcredits score: 91st percentile of all shows (provisional, few ratings)
  • Game of Crowns(2013)

    Show Editor

    Midcredits score: 4th percentile of all shows (provisional, few ratings)
  • Hollywood Exes(2012)

    Show Editor

    Midcredits score: 8th percentile of all shows
  • It's a Brad Brad World(2012)

    Show Editor

    Midcredits score: 19th percentile of all shows (provisional, few ratings)
  • America's Supernanny(2011)

    Show Editor

    Midcredits score: 30th percentile of all shows (provisional, few ratings)
  • Midcredits score: 8th percentile of all shows (provisional, few ratings)
  • World's Strictest Parents(2009)

    Show Editor

    Midcredits score: 7th percentile of all shows
  • Brigham City(2001)

    Editor

    Midcredits score: 71st percentile of all films
  • God's Army(2000)

    Editor

    Midcredits score: 53rd percentile of all films

Career shape

Across their 33 Motif titles from 2000 to 2026.

By role

only this rolewith another role
Writing1 of 33: 1 only writing, 0 with another roleEditing32 of 33: 32 only editing, 0 with another role · typical Midcredits score28th

By decade

2000s3 · crew2010s11 · crew2020s19 · crew

Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2026, Outstanding Picture Editing for a Structured Reality or Competition Program.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Michael Chaskes' films land?

Their typical Motif film has a Midcredits score in the 62nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 4

Approval · how many liked their films

70thpercentile
Typical film, the median of 4

Reach · how many have seen their films

45thpercentile
Typical film, the median of 4

Midcredits score across 33 titles, by percentile

  • 75th and up6
  • 50th to 74th3
  • 25th to 49th10
  • Below 25th14

Reviewers score the pacing 47/100 in their films, across 3 reviewed titles; fans 58, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Chaskes work with?

People who share at least 2 of Michael Chaskes' Motif titles, grouped by what they did on them; Nick Emmerson shares the most, 6.

Directors

Actors

Composers and editors

Producers

Mixed roles