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MovieCove

Jasmine Chasney

Editor, also director

Works as
Editor, also director
Titles
3 on MovieCove · 14 credits in all
TMDB popularity, last 38 days to Oct 27Down 20% in 30 days

What are Jasmine Chasney's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 0 · Stylized 1 · Heightened 2

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 1 · Full focus 2

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 0 · Open-ended 0 · Ambiguous 3

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Contemplative
3
Dread
1
Hopeful
1
Tense
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jasmine Chasney's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jasmine Chasney's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 3 with a MovieCove page.

  • Happy He Who Like Ulysses (not in the MovieCove catalog yet)(1970)

    Editor · as Motorist (uncredited)

  • The Nameless Star (not in the MovieCove catalog yet)(1966)

    Editor

  • Codine (not in the MovieCove catalog yet)(1963)

    Editor

  • Midcredits score: 93rd percentile of all films
  • The Long Absence(1961)

    Director · Editor

    Midcredits score: 78th percentile of all films
  • Paris la belle (not in the MovieCove catalog yet)(1960)

    Assistant Editor

  • Midcredits score: 96th percentile of all films
  • Monsieur Tête (not in the MovieCove catalog yet)(1959)

    Editor

  • The Astronauts (not in the MovieCove catalog yet)(1959)

    Editor

  • Along the Coast (not in the MovieCove catalog yet)(1958)

    Editor

  • The First Night (not in the MovieCove catalog yet)(1958)

    Editor

  • Les hommes de la baleine (not in the MovieCove catalog yet)(1958)

    Editor

  • The Sea and the Days (not in the MovieCove catalog yet)(1958)

    Editor

  • La Déroute (not in the MovieCove catalog yet)(1957)

    Editor

Career shape

A full career of 14 titles from 1957 to 1970.

By role

only this rolewith another role
Acting1 of 14: 0 only acting, 1 with another roleEditing13 of 14: 12 only editing, 1 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1950s8 · crew1960s5 · crew1970s1 · 1 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jasmine Chasney's films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 94th percentile for acclaim.

Acclaim · how much people like their films

94thpercentile
Typical film, the median of 3

Approval · how many liked their films

88thpercentile
Typical film, the median of 3

Reach · how many have seen their films

94thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1

Reviewers score the pacing 38/100 in their films, across 3 reviewed titles; fans 47, detractors 15. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jasmine Chasney work with?

People who share at least 2 of Jasmine Chasney's MovieCove titles, grouped by what they did on them; Henri Colpi shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers