
Jack Creley
Actor · Died March 10, 2004, aged 78 · Chicago, Illinois, USA
Jack Creley was an American-born Canadian actor with a career spanning theatre, film, and television, Creley's talent shone brightly on stages and screens alike. He graced prestigious theatre companies, including the renowned Stratford Festival, showcasing his skill in both classic and contemporary plays. In film, he left an indelible mark with roles in movies such as Videodrome (1983), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) and Police Academy 4: Citizens on Patrol (1987). Television audiences fondly remember him for his appearances in series like "The King of Kensington" and "The Littlest Hobo." Creley's ability to effortlessly embody diverse characters, whether in drama or comedy, earned him admiration and respect in the Canadian entertainment sphere. He was married to David Smith. His legacy as a dedicated and talented actor endures, even after his passing.
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Biography from TMDB.
- March 6, 1926
- March 10, 2004 (aged 78)
- Chicago, Illinois, USA
- Actor
- 12 on MovieCove · 29 credits in all
Known for
What are Jack Creley's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 9
A split, not a type: Light 2 · Serious 2 · Dark 6
A split, not a type: Grounded 6 · Stylized 2 · Heightened 2
A split, not a type: Gentle 1 · Charged 3 · Intense 6
A split, not a type: Steady 3 · Shifting 3 · Whiplash 4
Straight-faced 8 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 6 · Relentless 2
Casual 1 · Engaged 6 · Full focus 3
Easy watch 2 · Affecting 4 · Heavy 4
A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 3
Roles they play
- Mentoras Brian O'Blivion in Videodrome (1983)
Moods and endings
- Happy1
- Bittersweet1
- Tragic4
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jack Creley's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Jack Creley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 12 with a MovieCove page.

E.N.G. (not in the MovieCove catalog yet)(1989)

Katts and Dog (not in the MovieCove catalog yet)(1988)

Gotham(1988)
Midcredits score: 54th percentile of all films
Friday the 13th: The Series (not in the MovieCove catalog yet)(1987)
Midcredits score: 16th percentile of all films
Apology (not in the MovieCove catalog yet)(1986)
Midcredits score: 24th percentile of all films
Night Heat (not in the MovieCove catalog yet)(1985)

All in Good Taste(1983)
Midcredits score: 6th percentile of all films
The Magic Show (not in the MovieCove catalog yet)(1983)
Midcredits score: 63rd percentile of all films
Videodrome(1983)
Midcredits score: 86th percentile of all films
Till Death Do Us Part (not in the MovieCove catalog yet)(1982)
Midcredits score: 65th percentile of all films
Tulips (not in the MovieCove catalog yet)(1981)

Rituals(1977)
Midcredits score: 52nd percentile of all films
Welcome to Blood City(1977)
Midcredits score: 19th percentile of all films
The New Avengers (not in the MovieCove catalog yet)(1976)

Alien Thunder(1974)
Midcredits score: 9th percentile of all films
The Reincarnate (not in the MovieCove catalog yet)(1971)

The Crowd Inside (not in the MovieCove catalog yet)(1971)
Midcredits score: 25th percentile of all films (provisional, few ratings)
Change of Mind (not in the MovieCove catalog yet)(1969)

Dr. Doom's Day (not in the MovieCove catalog yet)(1966)

The Scribe (not in the MovieCove catalog yet)(1966)
Midcredits score: 99th percentile of all films
The Canadians (not in the MovieCove catalog yet)(1961)

Fires of Envy (not in the MovieCove catalog yet)(1957)

Folio (not in the MovieCove catalog yet)(1955)
Career shape
Star power in the 84th percentile of 239,109 people with a billed film role, over a full career of 29 titles from 1955 to 1989; peak year 1964.

Biggest box office
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Highest rated
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Film career
Peak 1964 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1964Screen debut· Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Jack Creley's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th1
- Below 25th5
Shape of the crowd
6 of their 12 titles are Mixed.
- Universally Loved1
- Divisive1
- Crowd Pleaser4
- Mixed6
Reviewers score the acting 68/100 in their films, across 10 reviewed titles; fans 81, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jack Creley work with?
People who share at least 2 of Jack Creley's MovieCove titles; Harvey Atkin shares the most, 2.
- Harvey AtkinShared titles: All in Good Taste (1983), If You Could See What I Hear (1982)See all 2 shared titles with Harvey Atkin

- Ken JamesShared titles: Rituals (1977), Welcome to Blood City (1977)See all 2 shared titles with Ken James


