Bei-Dak Cheong

What are Bei-Dak Cheong's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bei-Dak Cheong's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on HBO Max (1).

• HBO Max1 title, browse their movies on this service
  • As Tears Go By (1988) · editor

Subscription and free streaming for Bei-Dak Cheong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 5 with a MovieCove page.

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  The Good, the Bad and the Bandit (not in the MovieCove catalog yet)(1991)

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  An Eternal Combat(1991)

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  Midcredits score: 33rd percentile of all films33^rd
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  Gangland Odyssey (not in the MovieCove catalog yet)(1990)

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  My Hero(1990)

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  Midcredits score: 40th percentile of all films40^th
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  Seven Warriors(1989)

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  Midcredits score: 49th percentile of all films49^th
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  Carry On Hotel (not in the MovieCove catalog yet)(1988)

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  As Tears Go By(1988)

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  Midcredits score: 82nd percentile of all films82^nd
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  The Haunted Cop Shop II(1988)

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  Midcredits score: 30th percentile of all films30^th
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  Reincarnation (not in the MovieCove catalog yet)(1987)

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Career shape

A full career of 7 titles from 1987 to 1991.

Biggest box office

Seven Warriors (1989)

$819K worldwide

Highest rated

As Tears Go By (1988)

Midcredits 82^nd

How do Bei-Dak Cheong's films land?

Their typical MovieCove film has a Midcredits score in the 40^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 2 are Broadly Agreed.

122

• Crowd Pleaser1
• Broadly Agreed2
• Mixed2

Most loved · editor

As Tears Go By (1988)

Midcredits 82^nd · 72% liked

Reviewers score the pacing 53/100 in their films, across 4 reviewed titles; fans 60, detractors 40. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bei-Dak Cheong work with?

People who share at least 2 of Bei-Dak Cheong's MovieCove titles, grouped by what they did on them; Shing Fui-On shares the most, 3.