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Peggy Chiao

Peggy Chiao

Producer and writer · Taipei, Taiwan

From
Taipei, Taiwan
Works as
Producer and writer
Titles
6 on MovieCove · 21 credits in all
TMDB popularity, last 39 days to Oct 28Down 5% in 30 days

What are Peggy Chiao's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
21%
Survival
19%
Power
17%
Society
17%
Bonds
16%
Morality
5%
Ideas
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 4

Grounded 3 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 2

A split, not a type: Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 4

Resolved 1 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Contemplative
2
Tense
1
Warm
1
Absurd
1
Other
3

How their films end

  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peggy Chiao's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peggy Chiao's titles on MovieCove; rent and buy are not counted.

Filmography

21 credits, 6 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

  • The Sinking of the Lisbon Maru(2023)

    Production Manager

    Midcredits score: 99th percentile of all films
  • Farewell, My Lad (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • Lord of Shanghai 2 (not in the MovieCove catalog yet)(2020)

    Producer

  • Mr. Zhu's Summer (not in the MovieCove catalog yet)(2017)

    Producer

  • Lord of Shanghai (not in the MovieCove catalog yet)(2017)

    Producer

  • Midcredits score: 50th percentile of all films
  • Buddha Mountain(2010)

    Producer

    Midcredits score: 70th percentile of all films
  • Love You 10,000 Years (not in the MovieCove catalog yet)(2010)

    Producer

  • Hear Me (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Empire of Silver (not in the MovieCove catalog yet)(2009)

    Producer

  • Dear Mr. X (not in the MovieCove catalog yet)(2008)

    Producer

  • Hopscotch (not in the MovieCove catalog yet)(2007)

    Producer

  • Lost in Beijing(2007)

    Producer

    Midcredits score: 67th percentile of all films
  • Karmic Mahjong (not in the MovieCove catalog yet)(2006)

    Producer

  • Blue Gate Crossing (not in the MovieCove catalog yet)(2002)

    Producer

  • Betelnut Beauty (not in the MovieCove catalog yet)(2001)

    Producer

  • Beijing Bicycle (not in the MovieCove catalog yet)(2001)

    Producer · Screenplay

  • The Hole(1998)

    Producer

    Midcredits score: 91st percentile of all films
  • As Time Goes By (not in the MovieCove catalog yet)(1997)

    Producer

  • Still Love You After All These (not in the MovieCove catalog yet)(1997)

    Producer

  • Center Stage(1991)

    Story

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 20 titles from 1991 to 2024.

By role

only this rolewith another role
Writing2 of 20: 1 only writing, 1 with another roleProducing18 of 20: 17 only producing, 1 with another roleOther crew1 of 20: 1 only other crew, 0 with another role

By decade

1990s4 · crew2000s8 · crew2010s5 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Peggy Chiao's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 5

Approval · how many liked their films

66thpercentile
Typical film, the median of 5

Reach · how many have seen their films

76thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Shape of the crowd

None of their 6 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser3
  • Mixed1

Reviewers score the dialogue 49/100 and the plot and story 55/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peggy Chiao work with?

People who share at least 2 of Peggy Chiao's MovieCove titles, grouped by what they did on them; Yu Li shares the most, 2.

Directors

Writers

Actors

Composers and editors