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David Chisholm

David Chisholm

Writer and producer

Works as
Writer and producer
Titles
5 on MovieCove · 10 credits in all
TMDB popularity, last 39 days to Oct 28Up 18% in 30 days

What are David Chisholm's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
39%
Bonds
28%
Survival
19%
Power
14%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 0

Grounded 4 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Joyful
2
Absurd
2
Hopeful
1
Thrilling
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Chisholm's films?

As of October 24, 2026, none of David Chisholm's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for David Chisholm's titles on MovieCove; rent and buy are not counted.

Filmography

10 credits, 5 with a MovieCove page.

  • The Child in Time(2017)

    Online Editor

    Midcredits score: 47th percentile of all films
  • A Coup in Camelot (not in the MovieCove catalog yet)(2015)

    Executive Producer

  • Kidnapped in Paradise (not in the MovieCove catalog yet)(1999)

    Co-Executive Producer · Story · Teleplay · Writer

  • The Three Lives of Karen (not in the MovieCove catalog yet)(1997)

    Writer

  • Breach of Conduct(1994)

    Co-Producer

    Midcredits score: 17th percentile of all films
  • Dead Man's Revenge(1994)

    Writer

    Midcredits score: 14th percentile of all films
  • Midcredits score: 19th percentile of all films
  • The Wizard(1989)

    Producer · Writer

    Midcredits score: 46th percentile of all films
  • Pancho Barnes (not in the MovieCove catalog yet)(1988)

    Writer

  • Longarm (not in the MovieCove catalog yet)(1988)

    Executive Producer · Writer

Career shape

A full career of 10 titles from 1988 to 2018.

By role

only this rolewith another role
Writing7 of 10: 4 only writing, 3 with another roleProducing5 of 10: 2 only producing, 3 with another roleOther crew1 of 10: 1 only other crew, 0 with another role

10 titles, 3 with more than one role — writing and producing overlap on 3 of them.

By decade

1980s3 · crew1990s5 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do David Chisholm's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 4

Approval · how many liked their films

26thpercentile
Typical film, the median of 4

Reach · how many have seen their films

35thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 25th to 49th2
  • Below 25th3

Reviewers score the plot and story 33/100 in their films, across 3 reviewed titles; fans 48, detractors 18. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does David Chisholm work with?

People who share at least 2 of David Chisholm's MovieCove titles; Lori-Etta Taub shares the most, 2.