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What are Sung-woo Jo's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 5 · Stylized 7 · Heightened 1

Gentle 2 · Charged 7 · Intense 4

Steady 7 · Shifting 6 · Whiplash 0

Straight-faced 9 · Some laughs 4 · Funny 0

Slow burn 10 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 9 · Full focus 1

Easy watch 1 · Affecting 3 · Heavy 9

Resolved 3 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
8
Tense
5
Warm
4
Contemplative
4
Romantic
3
Other
10

How their films end · 4 with a twist

  • Bittersweet7
  • Tragic2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sung-woo Jo's films?

As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Sung-woo Jo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • A Normal Family(2023)

    Composer

    Midcredits score: 86th percentile of all films
  • Forbidden Dream(2019)

    Composer

    Midcredits score: 70th percentile of all films
  • The Last Princess(2016)

    Composer

    Midcredits score: 84th percentile of all films
  • Dangerous Liaisons(2012)

    Composer

    Midcredits score: 45th percentile of all films
  • Late Autumn(2010)

    Composer · Producer

    Midcredits score: 75th percentile of all films
  • April Snow(2005)

    Composer

    Midcredits score: 70th percentile of all films
  • Midcredits score: 31st percentile of all films
  • Duelist(2005)

    Composer

    Midcredits score: 52nd percentile of all films
  • Three(2002)

    Composer

    Midcredits score: 47th percentile of all films
  • One Fine Spring Day(2001)

    Composer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Midcredits score: 60th percentile of all films
  • An Affair(1998)

    Composer

    Midcredits score: 70th percentile of all films

Career shape

Across their 13 MovieCove titles from 1998 to 2023.

By role

only this rolewith another role
Producing1 of 13: 0 only producing, 1 with another roleMusic13 of 13: 12 only music, 1 with another role · typical Midcredits score70th

By decade

1990s2 · crew2000s6 · crew2010s4 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Sung-woo Jo's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 13

Approval · how many liked their films

68thpercentile
Typical film, the median of 13

Reach · how many have seen their films

77thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up5
  • 50th to 74th5
  • 25th to 49th3

Reviewers score the sound and music 69/100 in their films, across 8 reviewed titles; fans 74, detractors 37. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sung-woo Jo work with?

People who share at least 2 of Sung-woo Jo's MovieCove titles, grouped by what they did on them; Hur Jin-ho shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers