Jerome Chodorov
- Writer
- 12 on MovieCove · 26 credits in all
Known for
What are Jerome Chodorov's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 9 · Serious 1 · Dark 2
Grounded 9 · Stylized 3 · Heightened 0
Gentle 4 · Charged 6 · Intense 2
Steady 6 · Shifting 6 · Whiplash 0
Straight-faced 2 · Some laughs 6 · Funny 4
Slow burn 5 · Even-paced 6 · Relentless 1
Casual 9 · Engaged 3 · Full focus 0
Easy watch 8 · Affecting 4 · Heavy 0
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy10
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jerome Chodorov's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jerome Chodorov's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 12 with a MovieCove page.
Wonderful Town (not in the MovieCove catalog yet)(2018)
A Talent for Murder (not in the MovieCove catalog yet)(1983)
Lucky Luciano(1973)
Midcredits score: 57th percentile of all films
Tiki Tiki (not in the MovieCove catalog yet)(1971)
Happy Anniversary(1959)
Midcredits score: 26th percentile of all films
Wonderful Town (not in the MovieCove catalog yet)(1958)
The Tunnel of Love(1958)
Midcredits score: 37th percentile of all films
DuPont Show of the Month (not in the MovieCove catalog yet)(1957)
My Sister Eileen(1955)
Midcredits score: 72nd percentile of all films
The Man from Texas(1948)
Midcredits score: 27th percentile of all films
Midcredits score: 40th percentile of all films
Midcredits score: 88th percentile of all films
My Sister Eileen (not in the MovieCove catalog yet)(1942)
Murder in the Big House(1942)
Midcredits score: 51st percentile of all films
Louisiana Purchase (not in the MovieCove catalog yet)(1941)
Dulcy (not in the MovieCove catalog yet)(1940)
Two Girls on Broadway(1940)
Midcredits score: 44th percentile of all films
The Mad Empress (not in the MovieCove catalog yet)(1939)
Conspiracy (not in the MovieCove catalog yet)(1939)
Rich Man, Poor Girl(1938)
Midcredits score: 48th percentile of all films
Reported Missing (not in the MovieCove catalog yet)(1937)
All Over Town(1937)
Midcredits score: 15th percentile of all films
Devil's Playground (not in the MovieCove catalog yet)(1937)
The Gentleman from Louisiana (not in the MovieCove catalog yet)(1936)
Dancing Feet (not in the MovieCove catalog yet)(1936)
Midcredits score: 63rd percentile of all films
Career shape
A full career of 25 titles from 1935 to 2018.
Highest rated
The Memphis Belle: A Story of a Flying Fortress (1944)
Most popular right now
Murder in the Big House (1942)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jerome Chodorov's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 12 titles divides audiences: 5 are Mixed.
- Crowd Pleaser4
- Broadly Agreed3
- Mixed5
Reviewers score the dialogue 50/100 and the plot and story 40/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jerome Chodorov work with?
People who share at least 2 of Jerome Chodorov's MovieCove titles, grouped by what they did on them; Joseph Fields shares the most, 6.
Writers
- Joseph FieldsShared titles: Happy Anniversary (1959), The Tunnel of Love (1958), My Sister Eileen (1955), The Man from Texas (1948), Two Girls on Broadway (1940), Rich Man, Poor Girl (1938)See all 6 shared titles with Joseph Fields
Actors
- Elizabeth WilsonShared titles: Happy Anniversary (1959), The Tunnel of Love (1958)See all 2 shared titles with Elizabeth Wilson
- Charles WagenheimShared titles: The Tunnel of Love (1958), Two Girls on Broadway (1940)See all 2 shared titles with Charles Wagenheim
- Wallace FordShared titles: The Man from Texas (1948), Two Girls on Broadway (1940)See all 2 shared titles with Wallace Ford
- Robert YoungShared titles: Those Endearing Young Charms (1945), Rich Man, Poor Girl (1938)See all 2 shared titles with Robert Young
Mixed roles
- Edward ChodorovShared titles: Those Endearing Young Charms (1945), Rich Man, Poor Girl (1938)See all 2 shared titles with Edward Chodorov