Walter Clark
- Producer
- 3 on MovieCove
What are Walter Clark's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Walter Clark's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Walter Clark's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Bye Bye Brazil(1980)
Midcredits score: 89th percentile of all films
Amor Bandido(1979)
Midcredits score: 61st percentile of all films
O Crime do Zé Bigorna(1977)
Midcredits score: 85th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1977 to 1980.
How do Walter Clark's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Walter Clark work with?
People who share at least 2 of Walter Clark's MovieCove titles, grouped by what they did on them; Lucy Barreto shares the most, 3.
Writers
- Leopoldo SerranShared titles: Bye Bye Brazil (1980), Amor Bandido (1979)See all 2 shared titles with Leopoldo Serran
Actors
- Jofre SoaresShared titles: Bye Bye Brazil (1980), O Crime do Zé Bigorna (1977)See all 2 shared titles with Jofre Soares
Cinematographers and editors
- Lauro EscorelShared titles: Bye Bye Brazil (1980), Amor Bandido (1979)See all 2 shared titles with Lauro Escorel
- Raimundo HiginoShared titles: Amor Bandido (1979), O Crime do Zé Bigorna (1977)See all 2 shared titles with Raimundo Higino
Producers
- Lucy BarretoShared titles: Bye Bye Brazil (1980), Amor Bandido (1979), O Crime do Zé Bigorna (1977)See all 3 shared titles with Lucy Barreto
- Luiz Carlos BarretoShared titles: Bye Bye Brazil (1980), Amor Bandido (1979), O Crime do Zé Bigorna (1977)See all 3 shared titles with Luiz Carlos Barreto
Mixed roles
- Bruno BarretoShared titles: Bye Bye Brazil (1980), Amor Bandido (1979)See all 2 shared titles with Bruno Barreto
