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What are Cleone Clarke's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 2

A split, not a type: Grounded 4 · Stylized 3 · Heightened 2

Gentle 3 · Charged 5 · Intense 1

Steady 5 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 1

Slow burn 6 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 4 · Full focus 1

A split, not a type: Resolved 6 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Bittersweet
5
Tense
3
Romantic
3
Warm
3
Other
7

How their films end · 1 with a twist

  • Happy3
  • Bittersweet5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cleone Clarke's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Cleone Clarke's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • The Father(2020)

    Producer

    Midcredits score: 99th percentile of all films
  • Red Joan(2018)

    Producer

    Midcredits score: 53rd percentile of all films
  • Loving Vincent(2017)

    Producer

    Midcredits score: 97th percentile of all films
  • The Wipers Times(2013)

    Producer

    Midcredits score: 77th percentile of all films
  • My Week with Marilyn(2011)

    Producer

    Midcredits score: 77th percentile of all films
  • W.E.(2011)

    Producer

    Midcredits score: 53rd percentile of all films
  • A Bunch of Amateurs(2008)

    Producer

    Midcredits score: 43rd percentile of all films
  • Chasing Liberty(2004)

    Producer

    Midcredits score: 44th percentile of all films
  • I Capture the Castle(2003)

    Producer

    Midcredits score: 73rd percentile of all films

Career shape

Across their 9 MovieCove titles from 2003 to 2020.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score73rd

By decade

2000s3 · crew2010s5 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Cleone Clarke's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 9

Approval · how many liked their films

76thpercentile
Typical film, the median of 9

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Cleone Clarke's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles10–34 · median 25 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity7 titles21–47 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles28–48 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 46 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 37 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Cleone Clarke work with?

People who share at least 2 of Cleone Clarke's MovieCove titles, grouped by what they did on them; David Parfitt shares the most, 8.

Directors

Writers

Actors

Composers and cinematographers

Producers