From Wikipedia, the free encyclopedia Stanley Clements (July 16, 1926 – October 16, 1981) was an American actor and comedian. Stanley Clements was born Stanislaw Klimowicz in Long Island, New York. Young Stan realized that he wanted a show-business career while he was in grammar school, and when he graduated from college he toured in vaudeville for two years. He then joined the touring company of the Major Bowes Amateur Hour. In 1941, he was signed to a contract by 20th Century Fox and appeared in several B films for the studio. After a short stint with the East Side Kids, he set out on his own again, this time landing roles in more prestigious pictures. He was featured in the Bing Crosby hit Going My Way, and scored a great success as a jockey in the Alan Ladd feature Salty O'Rourke. His career was interrupted by military service in World War II, and when he returned, he began appearing in lower-budgeted films, including Johnny Holiday (cast against type as a psychopath). He starred in a series of action/detective pictures at Allied Artists for producer Ben Schwalb and director Edward Bernds. Schwalb soon became staff producer for The Bowery Boys, and when he needed a replacement for Leo Gorcey in 1956, he asked Clements to step in. Clements comfortably settled into the role of Huntz Hall's sidekick, beginning with Fighting Trouble, and co-starred in the final seven Bowery Boys comedies. The series finally ended in 1958, and Clements went on to a steady career of supporting roles in film and TV until his death from emphysema in 1981. One of his last jobs was an appearance in a nationally advertised commercial for Pringle's potato chips. Stanley Clements died of emphysema in Pasadena, California, and is buried at Riverside National Cemetery in Riverside, California. Description above from the Wikipedia article Stanley Clements,licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- July 16, 1926
- October 16, 1981 (aged 55)
- Long Island, New York, USA
- Actor, also writer
- 31 on Motif · 94 credits in all
What are Stanley Clements' films like?
Across their 17 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 16
Light 10 · Serious 4 · Dark 3
Grounded 13 · Stylized 4 · Heightened 0
Gentle 8 · Charged 8 · Intense 1
Steady 11 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 8 · Some laughs 6 · Funny 3
Slow burn 6 · Even-paced 10 · Relentless 1
Casual 14 · Engaged 3 · Full focus 0
Easy watch 12 · Affecting 5 · Heavy 0
Resolved 17 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Shadow: 2 of 5 analyzed roles.
- Shadowas Tom Sanders in On the Sunny Side (1942)
- Shadowas Tommy Malone in Big Town Scandal (1948)
- Shapeshifteras Tommy Malone in Joe Palooka in Winner Take All (1948)
- Heroas Frank Cermak in Army Bound (1952)
- Allyas Slim in Saintly Sinners (1962)
Moods and endings
- Happy8
- Bittersweet8
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stanley Clements' films?
As of October 24, 2026, 13 of their 31 Motif titles stream on a subscription or free service, most on Prime Video (7).
Subscription and free streaming for Stanley Clements' titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
94 credits, 31 with a Motif page.

Hot Lead and Cold Feet(1978)
Motif score: 47th percentile of all films
Timber Tramps (not in the Motif catalog yet)(1975)

Bronk (not in the Motif catalog yet)(1975)

Cannon (not in the Motif catalog yet)(1971)

Panic in the City(1968)
Motif score: 16th percentile of all films
Cimarron Strip (not in the Motif catalog yet)(1967)

The Girl from U.N.C.L.E.(1966)
Motif score: 29th percentile of all shows
The F.B.I. (not in the Motif catalog yet)(1965)

Get Smart(1965)
Motif score: 94th percentile of all shows
Mister Roberts (not in the Motif catalog yet)(1965)

My Mother the Car (not in the Motif catalog yet)(1965)

Gomer Pyle, U.S.M.C. (not in the Motif catalog yet)(1964)

Daniel Boone (not in the Motif catalog yet)(1964)
Motif score: 88th percentile of all films
Tammy and the Doctor(1963)
Motif score: 48th percentile of all films
Saintly Sinners(1962)
Motif score: 10th percentile of all films (provisional, few ratings)
Straightaway (not in the Motif catalog yet)(1961)

Dr. Kildare (not in the Motif catalog yet)(1961)

Cain's Hundred (not in the Motif catalog yet)(1961)

Devil's Partner(1960)
Motif score: 18th percentile of all films
Gunslinger (not in the Motif catalog yet)(1961)

Sniper's Ridge (not in the Motif catalog yet)(1961)

Mister Ed (not in the Motif catalog yet)(1961)

The Brothers Brannagan (not in the Motif catalog yet)(1960)

Johnny Midnight (not in the Motif catalog yet)(1960)
Not for Hire (not in the Motif catalog yet)(1959)

Tightrope (not in the Motif catalog yet)(1959)

Rawhide (not in the Motif catalog yet)(1959)

A Nice Little Bank That Should Be Robbed (not in the Motif catalog yet)(1958)

77 Sunset Strip (not in the Motif catalog yet)(1958)

Wanted: Dead or Alive (not in the Motif catalog yet)(1958)

In the Money (not in the Motif catalog yet)(1958)

Up In Smoke (not in the Motif catalog yet)(1957)

Looking for Danger (not in the Motif catalog yet)(1957)

Leave It to Beaver(1957)
Motif score: 72nd percentile of all shows
Perry Mason(1957)
Motif score: 96th percentile of all shows
Spook Chasers (not in the Motif catalog yet)(1957)

Hold That Hypnotist (not in the Motif catalog yet)(1957)

Official Detective (not in the Motif catalog yet)(1957)

Hot Shots (not in the Motif catalog yet)(1956)

Fighting Trouble (not in the Motif catalog yet)(1956)
On Trial (not in the Motif catalog yet)(1956)

Last of the Desperados (not in the Motif catalog yet)(1955)

Navy Log (not in the Motif catalog yet)(1955)

Gunsmoke (not in the Motif catalog yet)(1955)

The Life and Legend of Wyatt Earp (not in the Motif catalog yet)(1955)

Wiretapper (not in the Motif catalog yet)(1955)

Robbers' Roost(1955)
Motif score: 32nd percentile of all films
Mad at the World(1955)
Motif score: 25th percentile of all films (provisional, few ratings)
Air Strike (not in the Motif catalog yet)(1955)

The Adventures of Rin Tin Tin (not in the Motif catalog yet)(1954)

The Rocket Man (not in the Motif catalog yet)(1954)

Public Defender (not in the Motif catalog yet)(1954)

Hot News (not in the Motif catalog yet)(1953)

The Loretta Young Show(1953)
Motif score: 47th percentile of all shows
City Detective (not in the Motif catalog yet)(1953)

White Lightning (not in the Motif catalog yet)(1953)

General Electric Theater (not in the Motif catalog yet)(1953)

Off Limits (not in the Motif catalog yet)(1952)

Army Bound(1952)

Jet Job (not in the Motif catalog yet)(1952)

Boots Malone (not in the Motif catalog yet)(1952)

Pride of Maryland (not in the Motif catalog yet)(1951)

Destination Murder (not in the Motif catalog yet)(1950)

Military Academy with That Tenth Avenue Gang (not in the Motif catalog yet)(1950)

Johnny Holiday (not in the Motif catalog yet)(1949)

Red Light(1949)
Motif score: 59th percentile of all films
Mr. Soft Touch(1949)
Motif score: 69th percentile of all films
Bad Boy (not in the Motif catalog yet)(1949)

Racing Luck (not in the Motif catalog yet)(1948)
Motif score: 55th percentile of all films (provisional, few ratings)
The Babe Ruth Story(1948)
Motif score: 24th percentile of all films
Canon City(1948)
Motif score: 57th percentile of all films
Hazard (not in the Motif catalog yet)(1948)

Big Town Scandal(1948)
Motif score: 11th percentile of all films
Variety Girl(1947)
Motif score: 58th percentile of all films
Salty O'Rourke (not in the Motif catalog yet)(1945)

See My Lawyer (not in the Motif catalog yet)(1945)

The Girl in the Case (not in the Motif catalog yet)(1944)

Cover Girl(1944)
Motif score: 71st percentile of all films
Going My Way(1944)
Motif score: 79th percentile of all films
You're a Lucky Fellow, Mr. Smith (not in the Motif catalog yet)(1943)

Sweet Rosie O'Grady(1943)
Motif score: 57th percentile of all films
Thank Your Lucky Stars(1943)
Motif score: 71st percentile of all films
Ghosts on the Loose (not in the Motif catalog yet)(1943)

The More the Merrier(1943)
Motif score: 93rd percentile of all films
'Neath Brooklyn Bridge(1942)
Motif score: 59th percentile of all films
On the Sunny Side(1942)
Motif score: 48th percentile of all films
Right to the Heart (not in the Motif catalog yet)(1942)

Smart Alecks(1942)
Motif score: 47th percentile of all films
I Wake Up Screaming(1941)
Motif score: 86th percentile of all films
Down in San Diego (not in the Motif catalog yet)(1941)

Accent on Love (not in the Motif catalog yet)(1941)

Tall, Dark and Handsome(1941)
Motif score: 60th percentile of all films
Career shape
Star power in the 76th percentile of 239,109 people with a billed film role, over a full career of 93 titles from 1941 to 1978.
Film career
- 1941Screen debut· I Wake Up Screaming
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Stanley Clements' films land?
Their typical Motif film has a Motif score in the 57th percentile, the median of the 25 of 26 with a score; across their 17 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up6
- 50th to 74th11
- 25th to 49th8
- Below 25th5
Shape of the crowd
13 of their 30 titles are Crowd Pleasers.
- Universally Loved4
- Crowd Pleaser13
- Broadly Agreed1
- Mixed12
Reviewers score the acting 63/100 in their films, across 15 reviewed titles; fans 73, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Stanley Clements work with?
People who share at least 2 of Stanley Clements' Motif titles, grouped by what they did on them; William Frawley shares the most, 3.
Directors
- Roy Del RuthShared titles: Red Light (1949), The Babe Ruth Story (1948)See all 2 shared titles with Roy Del Ruth

- Wallace FoxShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Wallace Fox

Writers
- George CallahanShared titles: Red Light (1949), The Babe Ruth Story (1948)See all 2 shared titles with George Callahan
- Harvey GatesShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Harvey Gates

Actors
- William FrawleyShared titles: Red Light (1949), Joe Palooka in Winner Take All (1948), The Babe Ruth Story (1948)See all 3 shared titles with William Frawley

- Beulah BondiShared titles: Tammy and the Doctor (1963), Mr. Soft Touch (1949)See all 2 shared titles with Beulah Bondi

- Paul BryarShared titles: Saintly Sinners (1962), Mad at the World (1955)See all 2 shared titles with Paul Bryar

- Bruce BennettShared titles: Robbers' Roost (1955), The More the Merrier (1943)See all 2 shared titles with Bruce Bennett

Composers, cinematographers and editors
- Richard V. HeermanceShared titles: Red Light (1949), The Babe Ruth Story (1948)See all 2 shared titles with Richard V. Heermance
- Leigh HarlineShared titles: The More the Merrier (1943), On the Sunny Side (1942)See all 2 shared titles with Leigh Harline

- Cyril J. MockridgeShared titles: On the Sunny Side (1942), Tall, Dark and Handsome (1941)See all 2 shared titles with Cyril J. Mockridge
- Mack StenglerShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Mack Stengler
Producers
- Barney A. SareckyShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Barney A. Sarecky
- Jack DietzShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Jack Dietz
- Sam KatzmanShared titles: 'Neath Brooklyn Bridge (1942), Smart Alecks (1942)See all 2 shared titles with Sam Katzman




