
Laure de Clermont-Tonnerre (born on July 26, 1983) is a French actress and director.
Biography from TMDB.
- July 26, 1983 (43)
- Paris, France
- Actor, director, writer and producer
- 13 on MovieCove · 23 credits in all
Known for
What are Laure de Clermont-Tonnerre's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 2
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 0 · Charged 3 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laure de Clermont-Tonnerre's films?
As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Hulu (3).
Subscription and free streaming for Laure de Clermont-Tonnerre's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 13 with a MovieCove page.

East of Eden(2026)
Midcredits score: 92nd percentile of all shows
Paris at night (not in the MovieCove catalog yet)(2024)

Presumed Innocent(2024)
Midcredits score: 82nd percentile of all shows
Lady Chatterley's Lover(2022)
Midcredits score: 69th percentile of all films
Mrs. America(2020)
Midcredits score: 83rd percentile of all shows
The Act(2019)
Midcredits score: 86th percentile of all shows
The Mustang(2019)
Midcredits score: 78th percentile of all films
American Crime Story(2016)
Midcredits score: 95th percentile of all shows
Through the Air(2015)
Midcredits score: 32nd percentile of all films
Rabbit (not in the MovieCove catalog yet)(2014)

Giraffada (not in the MovieCove catalog yet)(2014)

Atlantic Avenue (not in the MovieCove catalog yet)(2013)
Midcredits score: 26th percentile of all films
Demain? (not in the MovieCove catalog yet)(2011)
Midcredits score: 56th percentile of all films
A Very Very Beautiful Love Story (not in the MovieCove catalog yet)(2010)

Nucingen House (not in the MovieCove catalog yet)(2009)

La dérive (not in the MovieCove catalog yet)(2009)
Midcredits score: 98th percentile of all films
Comedy of Innocence (not in the MovieCove catalog yet)(2000)

Sans plomb(2000)
Midcredits score: 26th percentile of all films (provisional, few ratings)
Midcredits score: 69th percentile of all films
My Chinese Sister (not in the MovieCove catalog yet)(1994)
Career shape
Star power in the 75th percentile of 239,109 people with a billed film role, over a full career of 22 titles from 1994 to 2026; peak year 2007.

Biggest box office
The Extraordinary Adventures of Adèle Blanc-Sec (2010)

Highest rated
East of Eden (2026)
Film career
Peak 2007 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2007Screen debut· The Diving Bell and the Butterfly
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
1 major award from 3 major nominations, 2015–2020.
- Independent Spirit Award, nominated · Best First Feature
- Sundance award, won
- Sundance award, nominated
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Laure de Clermont-Tonnerre's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up7
- 50th to 74th3
- 25th to 49th3
Shape of the crowd
8 of their 13 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser8
- Mixed3
Reviewers score the acting 76/100 in their films, across 4 reviewed titles; fans 83, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Laure de Clermont-Tonnerre's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Laure de Clermont-Tonnerre work with?
People who share at least 2 of Laure de Clermont-Tonnerre's MovieCove titles, grouped by what they did on them; Géraldine Mangenot shares the most, 3.
Editors
- Géraldine MangenotShared titles: Lady Chatterley's Lover (2022), The Mustang (2019), Through the Air (2015)See all 3 shared titles with Géraldine Mangenot
Producers
- Adrian PolitowskiShared titles: The Mustang (2019), Through the Air (2015)See all 2 shared titles with Adrian Politowski

- Nadia KhamlichiShared titles: The Mustang (2019), Through the Air (2015)See all 2 shared titles with Nadia Khamlichi
