- June 1, 1930
- October 21, 2011 (aged 81)
- USA
- Writer, director and producer
- 11 on MovieCove · 26 credits in all
What are Robert L. Collins' films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
Light 1 · Serious 7 · Dark 2
Grounded 8 · Stylized 2 · Heightened 0
Gentle 0 · Charged 8 · Intense 2
Steady 4 · Shifting 6 · Whiplash 0
Straight-faced 9 · Some laughs 1 · Funny 0
Slow burn 5 · Even-paced 5 · Relentless 0
Casual 0 · Engaged 10 · Full focus 0
Easy watch 1 · Affecting 5 · Heavy 4
Resolved 7 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet7
- Tragic1
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert L. Collins' films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Robert L. Collins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 11 with a MovieCove page.

In the Arms of a Killer(1992)
Midcredits score: 12th percentile of all films
Johnny Ryan(1990)
Midcredits score: 26th percentile of all films (provisional, few ratings)
Prime Target(1989)
Midcredits score: 14th percentile of all films
Midcredits score: 40th percentile of all films
Intrigue (not in the MovieCove catalog yet)(1988)

J. Edgar Hoover (not in the MovieCove catalog yet)(1987)

Mafia Princess (not in the MovieCove catalog yet)(1986)

Dark Horse (not in the MovieCove catalog yet)(1985)

Cocaine and Blue Eyes(1983)
Midcredits score: 14th percentile of all films
Money on the Side(1982)
Midcredits score: 30th percentile of all films
Our Family Business (not in the MovieCove catalog yet)(1981)

Savage Harvest (not in the MovieCove catalog yet)(1981)

Whose Life Is It Anyway?(1981)
Midcredits score: 89th percentile of all films
Gideon's Trumpet(1980)
Midcredits score: 69th percentile of all films
Act of Violence (not in the MovieCove catalog yet)(1979)

Walk Proud(1979)
Midcredits score: 37th percentile of all films
The Life and Assassination of the Kingfish (not in the MovieCove catalog yet)(1977)

Serpico: The Deadly Game (not in the MovieCove catalog yet)(1976)

Police Woman (not in the MovieCove catalog yet)(1974)

In Tandem (not in the MovieCove catalog yet)(1974)

A Case of Rape(1974)
Midcredits score: 90th percentile of all films
Police Story (not in the MovieCove catalog yet)(1973)

Cannon (not in the MovieCove catalog yet)(1971)

Marcus Welby, M.D.(1969)
Midcredits score: 47th percentile of all shows
The Name of the Game (not in the MovieCove catalog yet)(1968)

The Invaders (not in the MovieCove catalog yet)(1967)
Career shape
A full career of 22 titles from 1967 to 1992.

Biggest box office
Whose Life Is It Anyway? (1981)

Highest rated
Whose Life Is It Anyway? (1981)

Most popular right now
Marcus Welby, M.D. (1969)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert L. Collins' films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th5
- Below 25th3
Shape of the crowd
8 of their 11 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser1
- Mixed8
Reviewers score the dialogue 50/100 and the plot and story 51/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert L. Collins work with?
People who share at least 2 of Robert L. Collins' MovieCove titles, grouped by what they did on them; Chris Boardman shares the most, 3.
Writers
- Eugene PriceShared titles: Money on the Side (1982), Marcus Welby, M.D. (1969)See all 2 shared titles with Eugene Price
Actors
- John SpencerShared titles: In the Arms of a Killer (1992), Cocaine and Blue Eyes (1983)See all 2 shared titles with John Spencer

Composers, cinematographers and editors
- Chris BoardmanShared titles: Johnny Ryan (1990), Prime Target (1989), The Hijacking of the Achille Lauro (1989)See all 3 shared titles with Chris Boardman
- Anthony B. RichmondShared titles: In the Arms of a Killer (1992), Prime Target (1989)See all 2 shared titles with Anthony B. Richmond

- Robert K. LambertShared titles: In the Arms of a Killer (1992), The Hijacking of the Achille Lauro (1989)See all 2 shared titles with Robert K. Lambert
- Mark ConteShared titles: Johnny Ryan (1990), Prime Target (1989)See all 2 shared titles with Mark Conte

