- April 29, 1898
- July 22, 1987 (aged 89)
- Writer, also producer
- 9 on MovieCove · 19 credits in all
What are Adele Comandini's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 6 · Serious 3 · Dark 0
Grounded 5 · Stylized 4 · Heightened 0
Gentle 7 · Charged 2 · Intense 0
Steady 8 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 3 · Funny 3
Slow burn 3 · Even-paced 6 · Relentless 0
Casual 8 · Engaged 1 · Full focus 0
Easy watch 8 · Affecting 1 · Heavy 0
Resolved 8 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Adele Comandini's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Adele Comandini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 9 with a MovieCove page.
Christmas in Connecticut(1992)
Midcredits score: 14th percentile of all films
Flame of the Islands(1955)
Midcredits score: 26th percentile of all films
The Mating of Millie(1948)
Midcredits score: 86th percentile of all films
Danger Signal (not in the MovieCove catalog yet)(1945)
Christmas in Connecticut(1945)
Midcredits score: 89th percentile of all films
Strange Illusion(1945)
Midcredits score: 46th percentile of all filmsNight Club Girl (not in the MovieCove catalog yet)(1945)
Good Luck, Mr. Yates(1943)
Midcredits score: 20th percentile of all films
Always in My Heart(1942)
Midcredits score: 54th percentile of all films
Her First Romance (not in the MovieCove catalog yet)(1940)
Beyond Tomorrow(1940)
Midcredits score: 59th percentile of all films
Three Smart Girls(1936)
Midcredits score: 65th percentile of all films
The Country Beyond (not in the MovieCove catalog yet)(1936)
A Girl of the Limberlost (not in the MovieCove catalog yet)(1934)
Jane Eyre (not in the MovieCove catalog yet)(1934)
Hell Bound (not in the MovieCove catalog yet)(1931)
Playing Around (not in the MovieCove catalog yet)(1930)
The Girl from Woolworth's (not in the MovieCove catalog yet)(1929)
Subway Sadie (not in the MovieCove catalog yet)(1926)
Career shape
A full career of 18 titles from 1926 to 1955.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Adele Comandini's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th2
- Below 25th2
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 50/100 and the plot and story 43/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Adele Comandini work with?
People who share at least 2 of Adele Comandini's MovieCove titles, grouped by what they did on them; Aileen Hamilton shares the most, 2.
Writers
- Aileen HamiltonShared titles: Christmas in Connecticut (1992), Christmas in Connecticut (1945)See all 2 shared titles with Aileen Hamilton
- Lionel HouserShared titles: Christmas in Connecticut (1992), Christmas in Connecticut (1945)See all 2 shared titles with Lionel Houser
Actors
- Una O'ConnorShared titles: Christmas in Connecticut (1945), Always in My Heart (1942)See all 2 shared titles with Una O'Connor
- Charles WinningerShared titles: Beyond Tomorrow (1940), Three Smart Girls (1936)See all 2 shared titles with Charles Winninger
Composers, cinematographers and editors
- Richard FantlShared titles: The Mating of Millie (1948), Good Luck, Mr. Yates (1943)See all 2 shared titles with Richard Fantl
- Philip TannuraShared titles: Strange Illusion (1945), Good Luck, Mr. Yates (1943)See all 2 shared titles with Philip Tannura
- Heinz RoemheldShared titles: Always in My Heart (1942), Three Smart Girls (1936)See all 2 shared titles with Heinz Roemheld
Producers
- William JacobsShared titles: Christmas in Connecticut (1945), Always in My Heart (1942)See all 2 shared titles with William Jacobs