- Writer, director and editor
- 4 on MovieCove
What are Nina Companeez's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 3 · Serious 1 · Dark 0
Grounded 1 · Stylized 3 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nina Companeez's films?
As of October 28, 2026, none of Nina Companeez's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Nina Companeez's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 7th percentile of all films
Midcredits score: 58th percentile of all films
Zärtliche Haie(1967)
Midcredits score: 37th percentile of all films (provisional, few ratings)
Il ladro della Gioconda(1966)
Midcredits score: 11th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1966 to 1973.
How do Nina Companeez's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
1 of their 4 titles is Cult Classic.
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Reviewers score the plot and story 40/100 in their films, across 3 reviewed titles; fans 48, detractors 23. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Nina Companeez work with?
People who share at least 2 of Nina Companeez's MovieCove titles, grouped by what they did on them; Michel Deville shares the most, 3.
Directors
- Michel DevilleShared titles: The Diary of an Innocent Boy (1968), Zärtliche Haie (1967), Il ladro della Gioconda (1966)See all 3 shared titles with Michel Deville
Cinematographers
- Ghislain CloquetShared titles: The Edifying and Joyous Story of Colinot (1973), The Diary of an Innocent Boy (1968)See all 2 shared titles with Ghislain Cloquet
Producers
- Mag BodardShared titles: The Edifying and Joyous Story of Colinot (1973), The Diary of an Innocent Boy (1968)See all 2 shared titles with Mag Bodard