Tony Converse
- Producer
- 7 on MovieCove
What are Tony Converse's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 2 · Serious 2 · Dark 3
Grounded 7 · Stylized 0 · Heightened 0
Gentle 1 · Charged 4 · Intense 2
A split, not a type: Steady 4 · Shifting 2 · Whiplash 1
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 3 · Heavy 4
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tony Converse's films?
As of October 24, 2026, none of Tony Converse's 7 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Tony Converse's titles on MovieCove; rent and buy are not counted.
Filmography
7 credits, 7 with a MovieCove page.
A Piano for Mrs. Cimino(1982)
Midcredits score: 93rd percentile of all films
A Question of Honor(1982)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Midcredits score: 37th percentile of all films
Midcredits score: 32nd percentile of all films
Midcredits score: 39th percentile of all films
Survival of Dana(1979)
Midcredits score: 40th percentile of all films (provisional, few ratings)
Just Me and You(1978)
Midcredits score: 75th percentile of all films
Career shape
Across their 7 MovieCove titles from 1978 to 1982.
How do Tony Converse's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up2
- 25th to 49th5
Shape of the crowd
6 of their 7 titles are Mixed.
- Universally Loved1
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tony Converse work with?
People who share at least 2 of Tony Converse's MovieCove titles, grouped by what they did on them; Roger Gimbel shares the most, 7.
Composers, cinematographers and editors
- Aaron StellShared titles: A Question of Honor (1982), Can You Hear the Laughter? The Story of Freddie Prinze (1979)See all 2 shared titles with Aaron Stell
- Peter MatzShared titles: The Killing of Randy Webster (1981), Can You Hear the Laughter? The Story of Freddie Prinze (1979)See all 2 shared titles with Peter Matz
- Gayne RescherShared titles: The Legend of Walks Far Woman (1980), Just Me and You (1978)See all 2 shared titles with Gayne Rescher
Producers
- Roger GimbelShared titles: A Piano for Mrs. Cimino (1982), A Question of Honor (1982), The Killing of Randy Webster (1981), The Legend of Walks Far Woman (1980), Can You Hear the Laughter? The Story of Freddie Prinze (1979), Survival of Dana (1979), Just Me and You (1978)See all 7 shared titles with Roger Gimbel
- Terry Morse Jr.Shared titles: The Killing of Randy Webster (1981), Can You Hear the Laughter? The Story of Freddie Prinze (1979)See all 2 shared titles with Terry Morse Jr.
- William S. GilmoreShared titles: The Legend of Walks Far Woman (1980), Just Me and You (1978)See all 2 shared titles with William S. Gilmore