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Mason Cooper

Mason Cooper

Producer

Mason Cooper, president of Songrunner Entertainment, has Music Supervised over 175+ Film/TV projects. Always following his mantra to "fulfill a director's vision within the producer's parameters," he understands that the music and sound are an integral part of the storytelling, always keeping an "eye on the music." His current projects include the features films "The Beekeeper" (Jason Statham), "Thieves Highway" (Aaron Eckhart), "Blood Behind Us" (Michael Madsen), "Cash Out"/"Cash Out 2" (John Travolta), "Armor" (Sylvester Stallone), "Hostile Takeover" (Michael Jai White), "Savage Salvation" (Robert De Niro, John Malkovich), "Lamborghini" (Frank Grillo, Gabriel Byrne), "The Hill" (Dennis Quaid, Scott Glenn), and "Sweetwater" (Kevin Pollack, Richard Dreyfus, Cary Elwes, Jeremy Piven), with other highlights including the Steve Jobs biopic "Jobs" (Ashton Kutcher), the Raging Bull prequel/sequel "The Bronx Bull" (Paul Sorvino, William Forsythe), and "Nine Eleven" (Charlie Sheen, Whoopie Goldberg). In addition to his film work, Mason has supervised many TV series and specials. This repertoire includes eOne's "You Me Her" (Greg Poehler, Rachel Blanchard), Peter Farrelly's "Loudermilk" (Ron Livingston), the AT&T Audience show "Rogue" (Thandie Newton, Cole Hauser) and over 150 Audience Music Concerts (The Foo Fighters, Taylor Swift, Imagine Dragons, Machine Gun Kelly, Bebe Rexha, more). He also serves as the executive music consultant to LA's Geffen Playhouse theater complex. A formally trained musician, Cooper's music industry career was first forged in music publishing, representing the catalogs and talents of Bernie Taupin, John Lennon, Eddie Rabbitt, Jim Croce, George Michael, Rick Wakeman, and Smokey Robinson. His songwriting and production experience includes creating theme music and songs for major films and television shows, as well as musically collaborating with Dennis Quaid, Jason Alexander, Katie Holmes, Cheyenne Jackson, Bret Michaels, Weezer's Brian Bell, and many others. Cooper has also been creating a buzz as a Screenwriter, with his scripts receiving top honors at Film/Screenwriting Festivals around the USA and Europe. From his past positions as an ASCAP Advisory Board Member to his current activities as a highlight speaker and panelist at many Film & Music Festivals around North America and Europe, as well as his ongoing work as a mentor to young music professionals and students at colleges and programs around the USA, Cooper continues to bring a passion, pro-activity and sense of gratitude to his work in bridging the worlds of Film/TV and Music.

Read more

Biography from IMDb.

Works as
Producer
Titles
23 on Motif · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 23% in 30 days

What are Mason Cooper's films like?

Across their 8 Motif titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Action3 titlesTypical Midcredits score: 12th percentile
: browse their Action movies
Drama3 titlesTypical Midcredits score: 39th percentile, at or above their average across these genres
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Biography movies

Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
38%
Bonds
26%
Society
13%
Survival
9%
Ideas
5%
Self
4%
Power
4%
Justice4 titles, browse their movies with this themePrejudice2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 7 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 5 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 5 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Hopeful
4
Thrilling
2
Absurd
2
Melancholic
2
Other
4

How their films linger

Rousing5 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mason Cooper's films?

As of October 24, 2026, 19 of their 23 Motif titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Mason Cooper's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 23 with a Motif page.

  • Hostile Takeover(2025)

    Music Editor · Music Supervisor

    Midcredits score: 21st percentile of all films

  • Give Me a Word: The Collective Soul Story (not in the Motif catalog yet)(2025)

    Music Supervisor

  • Alarum(2025)

    Music Supervisor

    Midcredits score: 1st percentile of all films

  • Armor(2024)

    Music Supervisor

    Midcredits score: 3rd percentile of all films

  • Cash Out(2024)

    Music Supervisor · Producer

    Midcredits score: 12th percentile of all films

  • Peter Five Eight(2024)

    Associate Producer · Music Supervisor

    Midcredits score: 21st percentile of all films

  • The Beekeeper(2024)

    Music Supervisor

    Midcredits score: 57th percentile of all films

  • Nandor Fodor and the Talking Mongoose(2023)

    Music Supervisor

    Midcredits score: 24th percentile of all films

  • The Hill(2023)

    Music Supervisor

    Midcredits score: 78th percentile of all films

  • Righteous Thieves(2023)

    Music Editor · Music Supervisor · Producer

    Midcredits score: 11th percentile of all films

  • Sweetwater(2023)

    Producer

    Midcredits score: 49th percentile of all films

  • Welcome to Redville(2023)

    Producer

    Midcredits score: 3rd percentile of all films

  • Immediate Family(2022)

    Music Supervisor

    Midcredits score: 98th percentile of all films

  • The Royal(2022)

    Music Editor · Music Supervisor

    Midcredits score: 48th percentile of all films

  • Hotel Dunsmuir(2022)

    Producer

    Midcredits score: 39th percentile of all films

  • Paradise Cove(2021)

    Music Editor · Music Supervisor

    Midcredits score: 4th percentile of all films

  • 7th & Union(2021)

    Producer

    Midcredits score: 44th percentile of all films

  • The Fight That Never Ends(2021)

    Producer

    Midcredits score: 47th percentile of all films

  • Reality Queen! (not in the Motif catalog yet)(2020)

    Composer

  • White Lie (not in the Motif catalog yet)(2018)

    Music Supervisor

  • The Volunteers (not in the Motif catalog yet)(2017)

    Show 2 episodes · Music Supervisor

  • Dead Awake(2016)

    Music Supervisor

    Midcredits score: 9th percentile of all films

  • Karaoke Man (not in the Motif catalog yet)(2016)

    Music Supervisor

  • Fear Clinic(2014)

    Music Supervisor

    Midcredits score: 12th percentile of all films

  • All's Faire in Love(2009)

    Music Supervisor

    Midcredits score: 20th percentile of all films

  • Adventures in Appletown(2008)

    Music Supervisor

    Midcredits score: 48th percentile of all films

  • Stiletto(2008)

    Music Supervisor

    Midcredits score: 15th percentile of all films

  • Deal(2008)

    Music Supervisor

    Midcredits score: 20th percentile of all films

  • Seneca, Speak (not in the Motif catalog yet)

    Music Supervisor

Career shape

A full career of 24 titles, 23 of them dated from 2008 to 2025.

Biggest box office

Sweetwater (2023)

$542K worldwide

Highest rated

Sweetwater (2023)

Midcredits 49th

Most popular right now

Cash Out (2024)

By role

only this rolewith another role
Producing1 of 24: 0 only producing, 1 with another roleMusic1 of 24: 1 only music, 0 with another roleOther crew23 of 24: 22 only other crew, 1 with another role · typical Midcredits score20th

By decade

2000s4 · crew2010s5 · crew2020s14 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Mason Cooper's films land?

Their typical Motif film has a Midcredits score in the 21st percentile, the median of all 23; across their 8 films with reception data, the typical film sits in the 20th percentile for acclaim.

Acclaim · how much people like their films

20thpercentile
Typical film, the median of 8

Approval · how many liked their films

37thpercentile
Typical film, the median of 8

Reach · how many have seen their films

60thpercentile
Typical film, the median of 8

Midcredits score across 23 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th6
  • Below 25th14

Shape of the crowd

10 of their 23 titles are Mixed.

  • Universally Loved1
  • Universally Panned3
  • Divisive3
  • Cult Classic4
  • Crowd Pleaser2
  • Mixed10

Most divisive · producer

Peter Five Eight (2024)

95th percentile spread · 51% rated it 4 or lower

Most loved · producer

Sweetwater (2023)

Midcredits 49th · 47% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mason Cooper work with?

People who share at least 2 of Mason Cooper's Motif titles, grouped by what they did on them; Michael Zaiko Hall shares the most, 2.

Directors

Actors

Composers and editors

Producers