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Motif

Saul Cooper

Producer, also writer · Born July 31, 1934 (92) · New York City, New York

Saul Cooper was born on July 31, 1934 in New York City, New York, USA. He is a producer and writer, known for The New Adventures of Madeline (1995), Licence to Kill (1989) and The Evil That Men Do (1984).

Biography from TMDB.

Born
July 31, 1934 (92)
From
New York City, New York
Works as
Producer, also writer
Titles
6 on Motif · 8 credits in all

What are Saul Cooper's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Society and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 1 · Earnest 2

Light 3 · Serious 1 · Dark 0

Grounded 1 · Stylized 2 · Heightened 1

A split, not a type: Gentle 2 · Charged 1 · Intense 1

A split, not a type: Steady 2 · Shifting 0 · Whiplash 2

Straight-faced 0 · Some laughs 2 · Funny 2

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
4
Absurd
2
Warm
2
Manic
1
Tense
1
Other
2

How their films end

  • Happy4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Saul Cooper's films?

As of October 24, 2026, 2 of their 6 Motif titles stream on a subscription or free service.

Subscription and free streaming for Saul Cooper's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 6 with a Motif page; 1 appearance as themselves is hidden until asked for.

  • Madeline: Lost in Paris(1999)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • Madeline(1998)

    Producer

    Midcredits score: 53rd percentile of all films
  • Madeline and the Gypsies (not in the Motif catalog yet)(1991)

    Executive Producer

  • The New Adventures of Madeline(1989)

    Show 65 episodes · Executive Producer · Writer

    Midcredits score: 33rd percentile of all shows
  • The Golden Mass (not in the Motif catalog yet)(1975)

    Producer

  • The Fuhrer Runs Amok(1974)

    Producer

    Midcredits score: 3rd percentile of all films
  • Midcredits score: 49th percentile of all films
  • Life at the Top(1965)

    Unit Publicist

    Midcredits score: 61st percentile of all films

Career shape

A full career of 7 titles from 1965 to 1999.

By role

only this rolewith another role
Producing6 of 7: 6 only producing, 0 with another roleOther crew1 of 7: 1 only other crew, 0 with another role

By decade

1960s1 · crew1970s2 · crew1980s1 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Saul Cooper's films land?

Their typical Motif film has a Midcredits score in the 53rd percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 4

Approval · how many liked their films

43rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

59thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Reviewers score the dialogue 56/100 and the plot and story 49/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Saul Cooper work with?

People who share at least 2 of Saul Cooper's Motif titles, grouped by what they did on them; Ludwig Bemelmans shares the most, 3.

Directors

Writers

Actors

Producers