Pedro Costa

What are Pedro Costa's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pedro Costa's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • Mad Love (2001) · producer · free

Subscription and free streaming for Pedro Costa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  1898: Our Last Men in the Philippines(2016)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Hold Up!(2012)

  Producer · Writer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Las 13 rosas(2007)

  Producer · Writer

  Midcredits score: 75th percentile of all films75^th
• 

  Mad Love(2001)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  Pídele cuentas al rey(1999)

  Producer · Writer

  Midcredits score: 31st percentile of all films31^st
• 

  Lovers: A True Story(1991)

  Producer

  Midcredits score: 78th percentile of all films78^th

Career shape

Across their 6 MovieCove titles from 1991 to 2016.

Biggest box office

Mad Love (2001)

$9.3M worldwide

Highest rated

Lovers: A True Story (1991)

Midcredits 78^th

Most popular right now

1898: Our Last Men in the Philippines (2016)

How do Pedro Costa's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 58^th percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 5 are Crowd Pleasers.

51

• Crowd Pleaser5
• Broadly Agreed1

Most loved · producer

Lovers: A True Story (1991)

Midcredits 78^th · 73% liked

Reviewers score the dialogue 55/100 and the plot and story 49/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pedro Costa work with?

People who share at least 2 of Pedro Costa's MovieCove titles, grouped by what they did on them; Enrique Cerezo shares the most, 4.