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Rob Cowan

Rob Cowan

Producer, also director and writer · England, UK

ROB COWAN is a 40-year veteran Producer; who has worked on over 45 productions filming all over the world from Iceland to Jamaica to Luxembourg and Australia. After graduating from UBC film school, Cowan began his career in Canada in the early 1980s, working as an assistant director on such successful films as "Three Men and a Baby; "Stakeout," and "Cocktail," starring Tom Cruise. After working on the film "Betrayed," starring Debra Winger, and "Music Box," starring Jessica Lange, both produced by Irwin Winkler - Cowan came onto Winkler's directorial debut, "Guilty by Suspicion," starring Robert De Niro. After finishing the film, Cowan was asked to serve as Winkler Films head of development. Through a collaboration that lasted over 18 years, Cowan produced with Winkler "Night and the City," starring De Niro, "The Net," starring Sandra Bullock, "The Juror," starring Demi Moore; "At First Sight," starring Val Kilmer; the critically acclaimed "Life as a House," starring Kevin Kline; "Enough," starring Jennifer Lopez; and the Cole Porter biopic "De-Lovely," which was selected as the closing night film for the 2004 Cannes film festival. Striking out on his own in 2006 - Cowan produced an array of films including "Righteous Kill," starring De Niro and Al Pacino, "So Undercover," starring Miley Cyrus; James Wan's worldwide hit "The Conjuring,"; "Tammy," "The Boss" and "Superintelligence" all starring Melissa McCarthy and the blockbuster "San Andreas" starring Dwayne Johnson. His relationship with filmmaker James Wan saw him later producing "The Conjuring 2" the billion dollar box office hit - "Aquaman" and it's sequel "Aquaman and the Lost Kingdom."

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Biography from IMDb.

From
England, UK
Works as
Producer, also director and writer
Titles
38 on MovieCove · 42 credits in all
TMDB popularity, last 156 days to Oct 27

What are Rob Cowan's films like?

Across their 29 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 29 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 8 · Dark 12

A split, not a type: Grounded 18 · Stylized 6 · Heightened 5

A split, not a type: Gentle 4 · Charged 8 · Intense 17

Steady 7 · Shifting 18 · Whiplash 4

Straight-faced 18 · Some laughs 9 · Funny 2

Slow burn 7 · Even-paced 17 · Relentless 5

Casual 10 · Engaged 15 · Full focus 4

Easy watch 9 · Affecting 10 · Heavy 10

Resolved 19 · Open-ended 10 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
21
Thrilling
9
Hopeful
10
Melancholic
10
Dread
6
Other
21

How their films end · 9 with a twist

  • Happy13
  • Bittersweet11
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rob Cowan's films?

As of October 24, 2026, 25 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Subscription and free streaming for Rob Cowan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 38 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Wrecking Crew(2026)

    Executive Producer · Unit Production Manager

    Midcredits score: 58th percentile of all films
  • Midcredits score: 25th percentile of all films
  • The Flash(2023)

    Thanks

    Midcredits score: 54th percentile of all films
  • The Tomorrow War(2021)

    Executive Producer · Unit Production Manager

    Midcredits score: 65th percentile of all films
  • Superintelligence(2020)

    Producer · Unit Production Manager

    Midcredits score: 23rd percentile of all films
  • Aquaman(2018)

    Producer

    Midcredits score: 67th percentile of all films
  • The Conjuring 2(2016)

    Producer

    Midcredits score: 89th percentile of all films
  • The Boss(2016)

    Executive Producer · Unit Production Manager

    Midcredits score: 21st percentile of all films
  • San Andreas(2015)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Tammy(2014)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • The Conjuring(2013)

    Producer

    Midcredits score: 94th percentile of all films
  • So Undercover(2012)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Chernobyl Diaries(2012)

    Producer

    Midcredits score: 12th percentile of all films
  • I Melt with You(2011)

    Producer

    Midcredits score: 39th percentile of all films
  • Touchback(2011)

    Producer

    Midcredits score: 64th percentile of all films
  • The Crazies(2010)

    Producer

    Midcredits score: 60th percentile of all films
  • Messages Deleted(2010)

    Director · Producer

    Midcredits score: 17th percentile of all films
  • Righteous Kill(2008)

    Producer

    Midcredits score: 33rd percentile of all films
  • Free Style(2008)

    Producer

    Midcredits score: 19th percentile of all films
  • Home of the Brave(2006)

    Producer

    Midcredits score: 26th percentile of all films
  • The Net 2.0(2006)

    Producer · Writer

    Midcredits score: 13th percentile of all films
  • Shackles(2005)

    Producer

    Midcredits score: 51st percentile of all films
  • De-Lovely(2004)

    Producer

    Midcredits score: 61st percentile of all films
  • Enough(2002)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Shipping News(2001)

    Producer

    Midcredits score: 65th percentile of all films
  • Life as a House(2001)

    Producer

    Midcredits score: 87th percentile of all films
  • At First Sight(1999)

    Producer

    Midcredits score: 38th percentile of all films
  • Rocky Marciano(1999)

    Producer

    Midcredits score: 60th percentile of all films
  • The Net (not in the MovieCove catalog yet)(1998)

    Show Creator

  • The Juror(1996)

    Producer

    Midcredits score: 29th percentile of all films
  • The Net(1995)

    Producer

    Midcredits score: 40th percentile of all films
  • Night and the City(1992)

    Co-Producer

    Midcredits score: 34th percentile of all films
  • HBO First Look (not in the MovieCove catalog yet)(1992)

    Show 1 episode · Actor

  • Guilty by Suspicion(1991)

    First Assistant Director

    Midcredits score: 63rd percentile of all films
  • Short Time(1990)

    Co-Producer

    Midcredits score: 58th percentile of all films
  • Music Box(1989)

    First Assistant Director

    Midcredits score: 91st percentile of all films
  • Cocktail(1988)

    First Assistant Director

    Midcredits score: 35th percentile of all films
  • Three Men and a Baby(1987)

    First Assistant Director

    Midcredits score: 49th percentile of all films
  • Stakeout(1987)

    First Assistant Director

    Midcredits score: 68th percentile of all films
  • Stranger in My Bed (not in the MovieCove catalog yet)(1987)

    First Assistant Director

  • Secrets of a Married Man(1984)

    Second Assistant Director

    Midcredits score: 14th percentile of all films
  • Vermillion (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 37 titles, 36 of them dated from 1984 to 2026.

By role

only this rolewith another role
Acting1 of 37: 1 only acting, 0 with another roleDirecting1 of 37: 1 only directing, 0 with another roleWriting1 of 37: 0 only writing, 1 with another roleProducing26 of 37: 21 only producing, 5 with another role · typical Midcredits score40thOther crew13 of 37: 9 only other crew, 4 with another role · typical Midcredits score54th

37 titles, 5 with more than one role — producing and other crew overlap on 4 of them.

By decade

1980s6 · crew1990s8 · 1 acting · 7 crew2000s7 · crew2010s10 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rob Cowan's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 38; across their 29 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 29

Approval · how many liked their films

44thpercentile
Typical film, the median of 29

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 29

Midcredits score across 38 titles, by percentile

  • 75th and up4
  • 50th to 74th13
  • 25th to 49th13
  • Below 25th8

Shape of the crowd

14 of their 38 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser14
  • Broadly Agreed8
  • Mixed12

Reviewers score the atmosphere 62/100 and the pacing 48/100 in their films, across 28 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Rob Cowan's work okay for kids?

Across up to 17 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore15 titles44–85 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity17 titles8–56 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity14 titles25–89 · median 53 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs14 titles11–63 · median 31 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense14 titles45–90 · median 70 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Rob Cowan work with?

People who share at least 2 of Rob Cowan's MovieCove titles, grouped by what they did on them; Irwin Winkler shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers